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Stage Time & Wine LXXXIX: May 2017

From Jimbo Clark, our MC for Stage Time & Wine LXXXIX

Number 89 went just fine.

From poems and tributes to Moms, to a little Shakespeare and an emotional monologue from “When a Man Loves a Woman,” the night was full of emotion, laughter and intimate sharing. On the musical side we had a first time Ukulele duo, and songs about Angels and “Whatever you want this song to be about,” and a moving sign language version of the song Flashlight. Magical moments moved the universe as we enjoyed giving and receiving the best of each other.

View the full album here:
Stage Time & Wine 89
“Hail Stage Time and Wine”

我發誓我很努力地想要想起來這次開場,主持人金箔帶領大家唱的健行歌,但卻怎麼想也想不起來了。

不過倒是確定紅緣寄詩酒沒有讓我失望過。
因為很神奇的是,每一次都不會如你預設,像是健達出奇蛋,讓人驚奇不斷。這次的是我想也想不起來的「健行歌舞」,我們一起像祈禱一樣圍圈跳很適合搭配唱著「哎呀伊呀喔」的舞蹈;還有開始的「主持人覺得現場氣氛需要更熱絡互動」,也就是我們跟身邊的人分享一則自己的好消息。於是我們知道身邊有人朋友要結婚,有人贏了一場球賽,有人要回國了。消息都不一樣,但臉上的笑容相同。

「沒有錄影,沒有世俗干擾,紅緣寄詩酒就像是一塊淨土,來欣賞你表演的是朋友是家人,表演者在上台前糾結的淡淡焦慮,我們想要保護這樣的感覺。」Manav那天在講到詩酒時,就像是他的孩子一樣。

「這次真的好好玩呀!」是這麼想的,但我沒說。
只是回家翻開行事曆,空下了下個月的第三個周六。

by 張悅安 YuehAn

20 December 2015, In and Out of the Box

Creativity & Innovation Training:
Think In & Out of the Box
Everyone tells us to “Think out of the box!” But no one tells you what the box is. Come and learn about The Box, and how to think out of it.

Sunday December 20 2015
1:00 pm to 4:00 pm
Reserve your space here.

In this powerful workshop participants will receive a specially designed physical box that represents the invisible box that limits their creativity. Through a number of interactive and reflective exercises, they will identify the boundaries to their thinking, appreciate the positive function of “the box,” and learn simple techniques for thinking both in and out of the box.

Agenda
1. What is “The Box” we are supposed to think out of? What is the origin of the phrase “Think out of the box,” and what does “the box” represent exactly?
2. Brand the Outside of The Box – The outside of “The Box” represents our public thinking. Participants personalize the outside to reflect the thinking that they make public.
3. Make the Inside of “The Box” Meaningful – Each of the four faces inside the box represent a different boundary to our thinking. By identifying what those boundaries we are, we can then know when we are thinking beyond the box, and when we are still inside the box.
4. Experience “In the Box Thinking” Participants complete tasks with the box on and off their head to clearly identify the difference between in the box and out of the box thinking.
5. Identify Key Learnings What are we learning about the invisible box that limits our thinking through this process? What tools and processes can we use to think more effectively both in and out of the box?

Reserve your space here.


Your Trainer

Jimbo-with-and-without-box3Jimbo Clark
Creative Innovation Expert

Creator of the “In & Out of the Box Process,” Jimbo is a leading expert in creativity and innovation. Jimbo has nearly 30 years of experience in education, training and facilitation across Asia.

Jimbo has put boxes on thousands of leaders, managers, staff and students from more than 20 countries. Jimbo is also an avid innovator in the fields of training and facilitation and has created simulations and facilitation processes for leading companies across most every sector.

• Certified Game and Simulation Designer
• 27 years of Asian Training and Facilitation Experience
• Contributing author to “NASAGA Training Activity Book”
• Trained in most every Asian country.
• English and Mandarin delivery.

“We had a wonderful Leadership & Innovation session with Jim and the participants took away a lot from the concepts that he shared with us.”
– Nike SE Asia HR Director

“Today was a wonderful experience and I could see that the younger set was really moved by it. This exercise made the Box visible and raised questions that cry out for answers…again!”
– CEO of Tech Startup

“It was during the Out of the Box activity that I learned of how our strong opinions can lead to prejudice. Without the box, I can think of new, innovative ideas.”
– Operations Manager, Galaxy Macau

Reserve your space here. Email jclark@innogreat.com for more details.
http://innogreat.com


Watch the video here

In & Out of the Box is a workshop facilitated by Jimbo Clark, Founder of InnoGreat, in collaboration with the Red Room.

Performers at Aside 9, May 30 2016

tina maTina Ma

Singer / Red Room Muse

Like most artists, in younger days Tina was a Taiwanese hippy, rebelling against anything that interfered with her free will. She loved playing the guitar and learned American music while participating in all the social movements when Taiwan was seeking its identity in the early 80s.

After 30 years, she knows that the voice and sound must come from her own ground and soil now.

Having explored different art forms, she has finally chosen telling Taiwanese stories through songs from the ancient Chinese to current days, and to follow her bliss…

She likes to see herself as someone who uses this ancient musical instrument – moon guitar, to share shamanic spirits from nature and folklore of the mother earth. The instrument is two stringed, but says a lot in a simple ways, as most of life’s wisdom does.

taiwanteama@gmail.com
Facebook: Tina Ma


Screenshot 2016-07-22 01.53.05Jimbo Clark
Innovator

When I arrived in Taiwan in 1997, I was a fresh graduate of Seattle Pacific University and my name was Jim Clark. Over the years, Taiwan has become my home, I’ve learned to love the people and culture here, and my English name (Jimbo) is a transliteration of my Chinese name 金波.

For the past ten years I have been working as a consultant with multinationals across Asia, focusing primarily on innovation and creativity. I strongly believe that for me to have credibility in teaching innovation, that I must be an innovator myself. As such, I constantly work on creating new processes, simulations, and activities that will stretch the participants point of view and open new possibilities.

One of the most common requests from leaders is to help their people “Think out of the box.” I look forward to sharing one of my favorite innovations with you at Red Room Aside, a simple box that we can think in and out of to move ourselves towards the future we most desire.

jclark@innogreat.com


Screenshot 2016-07-22 01.55.45Valentin Lechat
Juggler

Valentin Lechat is a professional juggler and performance artist from France. Juggling, acting, dance, visual art, stage direction, poetry, live music, Qi Gong. Starting at 11 years of age, he has been performing Juggling Art for more than 20 years.

He founded THE UNITED ARTISTS company before moving to Asia in 2005. He has performed in 12 different countries solos and collective shows in theatres, Art galleries, circus tents (Circus Lili), corporate shows, cabarets, TVs, videos, outdoor, festivals, … notably with Cie Jérome Thomas, Mazalda, Taipei Cross Over Dance Company, Shakespeare Wild Sister Group, Riverbed Theatre, The United Artists, … He is acting, creating and training in Asia on multiple artistic projects. VL is also a licensed street-performer in Taiwan. VL is a part time juggling teacher at the National Taiwan College of Performing Arts.

valentinlechat.com

The United Artists 藝術圓劇團
France/Taiwan
bio : valentinlechat.com/bio
performance : http://valentinlechat.com/faces/


li tsuei 1Sun Li Tsuei
Theater Director, Performer

Sun Li Tsuei founded Shang Orientheatre in 2000. She studied Chinese Tai Chi Chuan at a very young age, also Chi Gong and some ancient traditional dances from several Chinese masters. She sees the study of Chinese philosophy (including Taoism, Confucius, and Buddhism) as essentially within all practice of movement.

In the early 1980’s, Sun Li Tsuei traveled to Europe where she studied performing art with Jacques Lecoq、Marcel Marceau、Maximilien Decroux、and Stefan Niedzialkowski. Using western theatrical physical training as a movement base, she combined her own culture and created her own art form. Since Chinese philosophy is difficult to translate, movement has become an incredible medium to pass on the essence of the philosophy.

All the performance pieces of Shang Orientheatre have been created by Sun LI Tsuei. She has brought ideas from the source of Chinese culture to modern times, and transferred the philosophy into contemporary physical theater, showing that the body can show all human emotions and that the most profound feeling is really wordless. She has developed only the essential physical works of performance; they are “Shan-Zai Dragon”, “Shan Hai Jing-an odyssey of a Shaman”, “Bardo Todel”, “Heavenly Earth”, “Orpheus Britanicus- Fairy Queen”, “La Lune Souffle”, “Lagan”, “The Lotus Eater”, etc.

Shang Orientheatre has performed at the Avignon Festival every year. The company has been invited to Belgium, Spain, France, UK, West Indies, Hong Kong and Shanghai, China, amongst others.

Performance

【The Transformation】
Sun Li-Tsuei has created【The Transformation, a character with mask to present an oriental metaphor of past going into another time and space in the future. It is mimodrame in its style, incorporating masks play, dancing, Chinese martial art.


mauro 2Mauro Sacchi
Movement Thinker

I am a performer, teacher, choreographer, creator, and writer, specializing in the theory and practice of improvisation, physical theater, embodied techniques for dancers and actors, and the making of stuff. I am also really just a human being trying really hard to make sense of his place in the space we call world. Currently, I may or may not be in the process of setting up my own Company for the Making of Stuff, tentatively called “WE – the company for the making of stuff”.

BODY STUFF – a movement talk.

We are all physical beings, bodies full of emptiness and stuff, constantly moving to communicate with others around us, never still. We are, quite literally, our movement, always performing: thus we ought to practice, daily, to (re)learn how to better improvise and choreograph in the world, how to dance this piece of life we are given.

This talk is an invitation to do so, with tips and suggestions; it is a call for being more aware of, more in tune with the amazing physical body we inhabit; it is an honest, personal sharing of the pain and trouble that arises when we forget to move and be moved.

maurolovespapaya@gmail.com


Screenshot 2016-07-22 01.51.11Brook C Hall
Choreographer, Director

Brook C Hall is the artistic director of Taiwan’s THE LAB community theatre space and Butterfly Effect Theatre Co. He came to Taiwan in 2001 for an arts festival after performing in, directing, or choreographing more than 80 iInternationally touring, regional, and residential theatre productions around the US, Europe, and in New York City. Some of those shows include: JOSEPH AND DREAMCOAT, SINGING IN THE RAIN, CRAZY FOR YOU, WEST SIDE STORY, PETER PAN, THE KING AND I, CINDERELLA, FIDDLER ON THE ROOF, GREASE, SEVEN BRIDES FOR SEVEN BROS, PHANTOM, MUSIC MAN, GREAT EXPECTATIONS, OTHELLO, THE BOYS NEXT DOOR, GUYS AND DOLLS, OKLAHOMA, STATE FAIR, and many more…

Brook Hall
Artistic Director
bflyefx@gmail.com
地點: 空場Polymer
地址: 台北市北投區北投路一段9號3樓