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Peter Giordano, October 2012

Peter Giordano at the red room march 2012

Peter Giordano at the red room march 2012

Peter Giordano used his stage time to share a response he wrote to a poem by WH Auden. First, he invited Taili Huang to read the Auden poem:

From TWO SONGS FOR HEDLI ANDERSON

Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.

Let aeroplanes circle moaning overhead
Scribbling on the sky the message He Is Dead,
Put crêpe bows round the white necks of the public
doves,
Let the traffic policemen wear black cotton gloves.

He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last for ever: I was wrong.

The stars are not wanted now: put out every one;
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood.
For nothing now can ever come to any good.

For Peter’s response, continue reading…

Wind up the clocks, answer that telephone,
And tease the dog to barking with a juicy bone,
Bang on the pianos and with big bass drum
Bring out the balloons, let the party come.

Let aeroplanes circle dancing up above
Scribbling on the sky the message She Is Love,
Put pink bows round the white necks of the public doves,
Let the traffic policemen wear polkadot gloves.

She is my Earth, my Wind, my Flame, my girl,
My weekend fun and my new found pearl,
My rosy dawn, my day, my talk, my song;
I thought that my love would never come: I was wrong.

The stars are what’s wanted now: light up every one;
Tickle the moon and dance with the sun;
Leap into the ocean, run naked in the wood.
For everything now, now and always, is all good.

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Peter Giordano, March 2012

A bubbling cacophony develops
Everywhere.
Far gone,
He is joking.
Kindness, love, maternal nurturing obliterate
Perfect quintessence.
Realizing some truth understood very well
Xerxes yearned zoologically.

(c) Copyright 2012 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of  this publication. Thank you.

Peter Giordano, February 2012

Almost thirty years ago I figured that I was one of the highest paid poets in the US for one year. The way I figured it was that I won a prize for a poem that began with the lines “My baby’s raised by Sigmund Freud. /I get annoyed by the questions.” I divided the number of lines in my poem with the amount on the check and it was way more than what the New Yorker Magazine was paying for poetry that year. In the meantime, I completely forgot about the poem and, in fact, almost completely forgot it. So for Red Room I tried to reconstruct it but of course, thirty years does a lot to memory and experience. So here’s the formerly prize-winning poem as remembered:

My baby’s raised by Sigmund Freud.
I get annoyed by the questions.
In the deepest shadows of 2AM
A father’s doubts are chilling.
Was that a footfall in the night
Or a baby turning in his crib?
This night is dark and deep and holy
But so was last night and the night before and so will be all the nights to come.
Freud had ideas and I don’t trust them but Jung could arm wrestle the bastard
While all I can do is stay up and worry.
Holy fuck. Fuck that’s how I got here.
Freud is fucking with my baby’s head
And a father’s work is never done.

(c) Copyright 2012 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of  this publication. Thank you.

Remember the Night, Peter Giordano, January 2012

Remember the Night
A Christmas Cento

December 25,  2011
For Ruth

Glorious, madam, isn’t it?
Open and shut.
Well, that’s good, that’s good.
Holy mackerel, that’s a sweet one!
Well, merry Christmas.
That’s right.
Is it right?
I’m afraid it is.
You know, one of these these days, one of you boys is going to start one of these scenes differently — and one of us girls is going to drop dead from surprise.
It’s been nice up to now.
Well, I’ll be darned. And we have to come here and meet like this.
Yeah, it’s funny, isn’t it?
This is it, huh?
Hey, don’t be so nervous.

Oh, I just can’t believe you’re here at last.
How about a kiss, huh?
Why, bless you, child. It’s a joy to have ya here.
“The End of a Perfect Day.”
I think I remember it.
Oh, boy! Give us a downbeat please…
When you come to the end of a perfect day,
And you sit alone with your thought …
While the chimes ring out with a carol gay,
For the joy that the day has brought…

Merry Christmas, dear.
I guess you can always trust Santa Claus.
And Ecstasy, too!
Aw, ain’t it the truth? Ain’t it the truth?
I love you.
Oh.
I love you.
I – I’m trying to think, I – I –
If you don’t treat a woman with kid gloves, every man wants to punch you in the nose.
There wasn’t anything else to do. You’re so strong, and you argue so well, and I – I love you so much.
Yeah, you certainly proved that.
I love you so. I love you so.

 

(c) Copyright 2012 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of  this publication. Thank you.

Peter Giordano, November 19, 2011

nobler suffer slings arrows outrageous opposing heart-ache shocks heir consummation Devoutly wish’d there’s rub shuffled coil respect calamity whips scorns oppressor’s proud contumely pangs despised law’s delay insolence office spurns patient unworthy quietus bare bodkin fardels grunt sweat undiscover’d bourn traveller returns puzzles ills cowards hue resolution sicklied enterprises regard currents turn awry

Peter Giordano – A Matter of Life and Death, October 2011

 

A MATTER OF LIFE AND DEATH (also called A STAIRWAY TO HEAVEN) is a film made at the very end of World War II. I’ve been thinking about it because it is a film about hope and love and it was made during one of the most violent times in human history.

For me the film resonates because it’s about the need to connect, the need to open our eyes and see how close we are to each other, to see not only that it’s a small world but it’s a small universe.

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