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David Wood, June 2012

Song of the Muse

I’ve looked for you on balconies,
between the linens hung out on the line.

In the morning light on a kitchen floor
stenciling the frame of a wood
screen-door.

In spiderwebs on the dusty shelves
of a writing desk, set
behind the house, growing out of
its usefulness.

In the open gutter, where dish water runs
stealing ribbons of sun,
weighted down in bits of food
scraped from the plates of children.

I’ve looked for you in shadows and shapes
and the cracks in faces,
mirrors and pavements,
puddles, ponds, people
and the moments they cling to.

On falling horizons and crescent moons
and setting sun’s silhouette.
In the darkest hollows of hills,
listening for you in echos.
In alley ways and cardboard boxes
plastic bags and newspapers turned over
and over and over again.

In the embers of the fire, I’ve waited
between the grinding teeth
of party people, stoking it through
pit of night, scowling at the dawn.

I’ve chased you bleeding
out across delta flats,
rolling down off mountains’ backs,
reaching for the sea
and salted wind.

In the mended nets and tattered tarps
and winches and tackle and tool boxes
on weather-bent rigs of fishing boats,
moored and whining along the wharf.

I’ve watched for you on the shoulders
of slouching roads, hitching west
with anyone who cares
to stop.

In passing towns, I’ve looked for you.

In taxi cabs and street cars,
I’ve looked for you.

In empty bird cages,
barbed wire fences,
damp warehouses and factories.

Where wind chimes play on
fire escapes and the deathless ivy
threads its way to rooftops
of potted plants and rotting mops,
I’ve looked for you
in song,
perched on window sills.
In tea houses and temples.

In barber shops and parking lots.
Brothels, bars and billiard halls.
I’ve entered them all,
looking for you.
Below the kites and trees,
on white park benches
where strange old men tell
strange old stories to anyone
who smiles their way.

In the folds of a drunkard’s winter
coat picked clean of it’s crumbs
by pigeons in the courtyard,
I’ve looked for you.

In the long shady grass by the overpass
where vagabonds write lullabies
and sing themselves to sleep.

Below the sewer grates,

I’ve looked for you where marbles
and coins and rings wait out
the lives of those
who’ve lost them.

In the attics and the cellars
and the backs of dead people’s closets.
In the dried leaves gathered on the curb
and the laughter of little ones who
love to run through them,
dragging their feet as they go.
I’ve looked for you
in shiny things
and dirty things and broken, dying,
living, littered lost and
found-later things

On the wet painted lips and fake
eye lashes of prostitutes,
staggering from lamp post
to lamp post.

On the tongues of lovers,
I’ve looked for you
reaching for the light switch
so they may find each other
in softer shades of night,
and become whomever
they wish to be.

In promises made,
I’ve looked for you.

Secrets betrayed,
I’ve looked for you
at intersections where schizophrenics
stammer through shopping lists
and scripture.

In the eyes of a child
on market street
who’s lost hold of father’s hand
crying in the crowd,
I’ve looked for you.

David Wood is a 29 year old Canadian Poet currently based out of Central Taiwan.  For the past five years he has been traveling and writing his way through Europe and East Asia.  His poetry and short stories have been published in poetry journals and magazines in Canada, England and most recently, Taiwan.

Feel free to contact David at:  davidwood2811@gmail.com

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Manav Mehta, June 2012

Stage time and wine

I thank you all for coming tonight, on behalf of the community and i
Say something about a stage time and wine poem..
Moments where we analyze what to do, and what not to do..
Well, screw explaining that I’m up here so that’s what I’m going to do.

I want to tell you all what’s been going on in my mind..
Crunching new grooves with a 19 year old grind..
It gives me headaches, awkwardly personal “proud moment” smiles..
An unorganized database, receiving an endless number of untitled files..
You gel up your hair, your hat cries out “STYLE”
Your body type comes with a variable list of numbers to dial..
I’m working on mine! Jogging mile to mile..
A combined effort at a developing mentality, with assorted perspectives-

Stage time and wine, is a place of…
Well wine-
Something that makes it special..special is what you’ll find..
The word artist holds no boundaries, its not marked by a mustache or a hat…
Those who have both are simply gifted, and well..i didn’t get it so screw THAT!
According to me here, once you’ve entered the red room..planet earth is flat..
The ultimate symbol indicating that we’re all equal ..were all artists here- how about that?

It’s a time for us to share! BYOB should change to BYOSOMETHING TO SAY
Everyone has something to share, its usually the ones who are shy..who sit back and compare..
C’mon guys, that simply isn’t fair- but don’t go as far as saying “I CAN say anything..its not like they care”
WE’RE here to listen, to enjoy, to emotionally react the way you do biting into a sweet chocolate eclaire..

I wake up with theories, which are completely genius..
But as the day ticks along, it deteriorates to something meaningless..
This random rambling is an example of that- but I love the act of performing..(AND YES THIS IS CONSIDERED A PERFORMANCE..).

That’s a fact

Art comes in all different shapes and forms..the ones labeled eccentric or exotic-
Are just ones there are no real words for..
Ever notice the lack of vocabulary we hold to describe certain things of wonder..
Beauty..stimulating and depressing – sigh..
We use our bodies, the tone of voice, our facial expressions-
I was gifted with the control of my eyebrow muscles..and so..tonight I will take the role of goofy.

Stage time and wine..
Time for all of us to shine..
Hence the much brighter lighting –to symbolize the divine..
Bring out the person inside of you tonight- do so through the love for the spoken word..
Mimes are allowed as well..
Like I said artist holds no boundaries or lines..
There are beverages in the back, grapey wine with some chai-ey chai.
Let us all enjoy the night-
In hopes for more random ramblings in sight.

Manav Mehta

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Timothy Nathan Joel, May 2012

RED READING RED
(version 2).

Dearest Red Room,

It’s been a painting since we last spoke. I trust you’re as healthy as ever
And getting accustomed to the freedom we seek.
My prose has been lacking, being away from you like this.
My painting on the other hand, is never without its purpose.
Feeling in the dark as it does, knowing the truth is out there.

What it feels suggests there is a roulette at play during all parts of our day.
Every now and then I take a risk and gamble,
Much to the dismay of Winston, Sophia and Loren (my dogs).
Like the night my motorbike rode me into a blossom tree.
Leaving me stunned on the ground then spinal tap bound.
An episode resulting in a true love found (my nurse).

Tell me Red Room, with all one’s rehearsing, ranting, ravings and romanticizing.
What do those people in front of you, who so kindly un-shingle their chastised feet for you, have to say about where we are?
Is the enclosed writer free to read your mind? Does the view seem real to you?
What would you hear if we remain silent?

I am without a doubt a very naïve post modern expressionist by day
And a surreal impressionist by night.
A midnight toker, a self critical insomniac and a red wine prophet in need.
A thinker, a lover, a dreamer, a doer and a prover.
Am I talking to myself again or are you there with me?

A dead man once told me “Be accommodating to all those souls, but always allow time for your own.” Red to me is the colour of the soul.
It is that which flows throughout us and came from a place we have no fine knowledge of.
Knowledge these days is over stated. It is tainted.
It is steered with its horns by invisible clutches.
It is a rooftop with no visible ledge. It is outside this space.

Red Room, you are coursing through all our veins. You are always here when we appear. We won’t forget to lend an ear. What we learn from you is nothing new.
We come here because of you.

And if every generation has its beat, then why wait for the stomp of feet.
Or the climate change to raise the heat.
Are we here to raise a glass?
Are we here to stop a farce? Are you the one to ask?
Should we treat your stage as our mask?
Is your wine table there to help us read our line?
All these questions are answered in time, and time is all it takes.
Once you’ve realized what time takes from you.
The anagram emit shows clearly what we miss.

 But back to the point and the point being sharp.
All the world is a stage and all in the world light up their rightful time.
Yet when the world whines not all of us hear in time.
Is this why when I need water all I want is wine?
Is it darkest just before the dawn? How would so many know,
Lost in their cities of polluted night.

Red Room, must we come here to be read?
What if I am blue and know not what to do?
What if I am green with envy?
What if my words have a silver lining?
What if my golden tongue knows no rest?
And if from darkness comes the light, then one’s truth must surely be revealed.
At which point, as a soul would state, there is no turning back.
There exists no choice.

 Alive is felt once out of one’s hive.
There is more than one sky in which one must try.
Blake noted all men seeing life through narrow chinks of his cavern.
May we not let that happen.
The dead man is me, I just like projecting ahead.
And here resides my biggest clue to each and every red rumor of you.

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Gordon Tseng, April 2012

The link to the song, Summer Snow in Formosa : http://www.indievox.com/song/46687 

Zhuangzi
Fly with him to outer space
To view the world’s ridiculous face.
Travel with him into your inner base
To enjoy nature’s original pace.

Laozi
Real and supreme morality is to follow nature’s simple rule.
All civilized forces and artificial actions are harmful and even cruel.
So, like water, a strong and wise man may look like a weak and humble fool.
With five thousand words, he founded a religion and a philosophical school.

Confucius
Having used his thoughts for a long time to get people ethically organized,
The rulers and the elders did their best to have his teachings realized.
Sincerely making human nature and innate love morally rationalized,
This teacher had let East Asia operate in his way of being civilized.

Mencius
He held that with the four beginnings, all men are born good and kind,
This reality of human nature is just what they have to know and find,
And, people are justified to overthrow the rulers who can’t find that lost mind.
Is this why political revolutions in the Chinese empire’s history never decline?

Lipo
Born a Taoist brandishing a sword under the wild pine,
He still could not easily cut and cross the Confucian line.
Unable to bring the cloudy world his political sunshine,
He freely rowed a boat with his sword into poetry and wine. 

Fly with Me

Fly with me.
Why do you just kiss in the dark street?
Oh, fly with me.
There is more to know though the lips are sweet.

Fly with me.
Say good-bye to the bees lost in flowers and trees.
Oh, fly with me
Over the mountains, across the seas.

Fly with me
Into wherever our minds can see.
Oh, fly with me
Beyond what our present being seems to be.

– All from GOD BLESS NOT ONLY AMERICA
by Gordon Tseng

Adrian Edlington, April 2012

I want to be your Shiva Man,
I’ll stand on top of mountains,
see as far as I can, oh.

Full 360 degree view,
Will bring me round the world,
till the day that I find you, oh

I want to be your Shiva man,
I’ll stand on top of mountains,
Doing all the best I can,
Full 360 degree view,
Will take me round the world,
Till the day that I find you…

Right now I’m stuck on level two,
Buildings surround on every side,
obscure my point of view.
Working daily for the man,
I need to make some money,
Get some status while I can.

…..

I want to be your Shiva,
You’ll be my rock Diva,
I want to be your shiva,
You’ll be my rock Diva,
I want to be your Shiva Man…

……

I am masculine,
And you are mine…
I’m here to claim you girl,
From now till the end of time…

Jim Kay, February 2012

June in September

In September, we men sense the onset of winter.
There’s a chill in the air.
Is this, we ask, the end of summer?
There’s a chill in our bones.
Is this woman to be the last one we know?
There’s a chill in our hearts.
We see summer all around us and some reach out.
There’s a chill in our fingers.
September sees only June and desires but June sees only September and desires not.
There’s a chill in our image.
Winter will not be stopped and spring will not come again.
There’s a chill in our folly.
Seek you September men your summer daughter; if you are fortunate enough to have one.
There’s a chill in her absence.
There’s life-long warmth in her presence.

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Peter Giordano, February 2012

Almost thirty years ago I figured that I was one of the highest paid poets in the US for one year. The way I figured it was that I won a prize for a poem that began with the lines “My baby’s raised by Sigmund Freud. /I get annoyed by the questions.” I divided the number of lines in my poem with the amount on the check and it was way more than what the New Yorker Magazine was paying for poetry that year. In the meantime, I completely forgot about the poem and, in fact, almost completely forgot it. So for Red Room I tried to reconstruct it but of course, thirty years does a lot to memory and experience. So here’s the formerly prize-winning poem as remembered:

My baby’s raised by Sigmund Freud.
I get annoyed by the questions.
In the deepest shadows of 2AM
A father’s doubts are chilling.
Was that a footfall in the night
Or a baby turning in his crib?
This night is dark and deep and holy
But so was last night and the night before and so will be all the nights to come.
Freud had ideas and I don’t trust them but Jung could arm wrestle the bastard
While all I can do is stay up and worry.
Holy fuck. Fuck that’s how I got here.
Freud is fucking with my baby’s head
And a father’s work is never done.

(c) Copyright 2012 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of  this publication. Thank you.

Remember the Night, Peter Giordano, January 2012

Remember the Night
A Christmas Cento

December 25,  2011
For Ruth

Glorious, madam, isn’t it?
Open and shut.
Well, that’s good, that’s good.
Holy mackerel, that’s a sweet one!
Well, merry Christmas.
That’s right.
Is it right?
I’m afraid it is.
You know, one of these these days, one of you boys is going to start one of these scenes differently — and one of us girls is going to drop dead from surprise.
It’s been nice up to now.
Well, I’ll be darned. And we have to come here and meet like this.
Yeah, it’s funny, isn’t it?
This is it, huh?
Hey, don’t be so nervous.

Oh, I just can’t believe you’re here at last.
How about a kiss, huh?
Why, bless you, child. It’s a joy to have ya here.
“The End of a Perfect Day.”
I think I remember it.
Oh, boy! Give us a downbeat please…
When you come to the end of a perfect day,
And you sit alone with your thought …
While the chimes ring out with a carol gay,
For the joy that the day has brought…

Merry Christmas, dear.
I guess you can always trust Santa Claus.
And Ecstasy, too!
Aw, ain’t it the truth? Ain’t it the truth?
I love you.
Oh.
I love you.
I – I’m trying to think, I – I –
If you don’t treat a woman with kid gloves, every man wants to punch you in the nose.
There wasn’t anything else to do. You’re so strong, and you argue so well, and I – I love you so much.
Yeah, you certainly proved that.
I love you so. I love you so.

 

(c) Copyright 2012 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of  this publication. Thank you.

Mark Caltonhill, January 2012

Time is not on our side,
our subconsciouses know this
so they try to hammer love
out of like
or lust
and sometimes even hate,
striking metal against metal late into the night,
we no longer see what we are doing

the blind leading the blind,
teacherless,
like infants discovering themselves in playschool
wanting to share our uncovery with the world,
we are in LOVE,
cynics sneer:
yes, love, that one-letter word,
frown down on us,

but we don’t care,
won’t heed these inner voices,
look at US,
we are in LOVE,
repeated and repeating,
hammering hammered late into the night,
like a distant clanging bell,
love … love … love … love … love … love …

http://aviewfromthehill-taiwan.blogspot.com/

 

(c) Copyright 2012 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of  this publication. Thank you.

December Cento: at Red Room XXV December 17, 2011

Courage, social animals!
Make some noise!
Taiwan is a Story Island.
There’s lots of room up front…so:
Escape, artists!
Come out of hiding,
……………..Singing Christmas carols from love, actually:
…………………..the sweet sound of silver bells

by Ruth Giordano