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Red Room XXVI January 2012

Red Room XXVI January 2012 assembled on the threshold of the New Lunar Year. The holiday may have affected the size of the crowd, but not the enthusiasm in the Room. First timers at the mic & veterans of the stage met, as on every third Saturday of every month, to celebrate creativity and compassionate listening. Original poetry and improvised music, passionate reading and revelatory reflections: the strength of our spirit resonated through the Room. Let it propel us on into this Year of the Dragon.

Ruth Giordano

 

(c) Copyright 2012 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of  this publication. Thank you.

Mark van Tongeren, December 17, 2011

I have nothing to say, and I am saying it.
John Cage

This is one of many famous aphorisms of John Cage the composer, whom many of you know, I guess. I liked what Ping said in his introduction about listening, a theme that I am deeply involved with personally. My presentation here comes just days before the submission of my PhD at Leiden University, that is, after having a great deal of things to say, instead of nothing. A tiny part of many thoughts and ideas that I soaked up and produced now covers some 270 pages of text, which will bear the title Thresholds of Audibility. It as an artistic research at the Academy of Creative and Performing Arts of Leiden University and a live performance will form an integral part of the PhD, together with the text. And despite all those words I feel a great deal of kinship with Cage’s approach to silence and listening. Half an hour before Red Room I tried to reduce those many pages to some key phrases, which I will now read to you. (I interspersed every phrase with different forms of vocal improvisations rendered here as […].)

I really like to think of a human being as something that exists on a threshold.
[…]
My words, thinking, exist on a threshold with your words, thinking, and everyone else’s.
[…]
It is never just ‘me’ talking, thinking … something talks and sings with me (and with you too).
[…]
Every word is an empty gesture, a grasping of reality, a way out of nothingness.
[…]
Behind our words is fantastic realm where ‘everything’ is possible and yet ‘nothing’ exists.
Bold, empty, glorious numbers.
[…]
This is the polyphony of the body.

I would like to conclude with a poem that ‘visited me’ when I was flying above the South-China Sea, in november 2010. I returned from East-Jeruzalem where I had performed with an amazing, young Sufi-reciter, a  muezzin, Firaz Gazzaz. It was a very impressive project and journey to a place that is laden with dualities. I have dedicated the poem to my great teacher, the German artist Michael Vetter, whom Ping also heard here in Taipei and whom I hope can return to Taiwan to share his creative genius.

Flying through the sky,
I am everwyhere.
Yet no man can fly.

Humanity gives me wings.
Am I a whole.
Am I a part.

Humanity surrounds this being
that freely roams the sky.

It is the nothing
within,
the almighty, beautiful silence
and silence resounding
that seeks me.

—————————————————————————–
vliegend door de lucht
ben ik overal
geen mens kan vliegen
de mensheid geeft mij vleugels
ben ik een geheel
ben ik een deel
de mensheid omringt dit wezen
dat haar vrijelijk doorkruist
het   is   het   niets
daarbinnenin
de machtige, mooie stilte
en de stilte verklankt
die mij zoekt

boven de Zuid-Chinese Zee
8 november 2010-11-08

fliegend durch die Luft
bin ich überall
kein Mensch kann fliegen
die Menschheit gibt mir Flügeln
bin ich ein Ganzes
bin ich ein Teil
die Menschheit umringt dieses Wesen
das ihr freilich durchkreutzt
es ist das nichts
dadrinnen
die mächtige, schöne Stille
und die Stille verklangt
die mir sucht

Read by Lauren Mark, December 17, 2011

Gate C 22 by Ellen Bass

At gate C 22 in the Portland airport
a man in a broad-band leather hat kissed
a woman arriving from Orange County.
They kissed and kissed and kissed. Long after

the other passengers clicked the handles of their carry-ons
and wheeled briskly toward short-term parking,
the couple stood there, arms wrapped around each other
like satin ribbons tying up a gift. And kissing.

Like she’d just staggered off the boat at Ellis Island,
like she’d been released from ICU, snapped
out of a coma, survived bone cancer, made it down
from Annapurna in only the clothes she was wearing.

Neither of them was young. His beard was gray.
She carried a few extra pounds you could imagine
she kept saying she had to lose. But they kissed lavish
kisses like the ocean in the early morning

of a calm day at Big Sur, the way it gathers
and swells, taking each rock slowly
in its mouth, sucking it under, swallowing it
again and again. We were all watching—

the passengers waiting for the delayed flight to San José,
the stewardesses, the pilots, the aproned woman icing
Cinnabons, the guy selling sunglasses. We couldn’t
look away. We could taste the kisses, crushed

in our mouths like the liquid centers of chocolate cordials.
But the best part was his face. When he drew back
and looked at her, his smile soft with wonder, almost
as though he were a mother still

opened from giving birth, like your mother
must have looked at you,
no matter what happened after—
if she beat you, or left you, or you’re lonely now—

you once lay there, the vernix
not yet wiped off and someone gazing at you
like you were the first sunrise seen from the earth.
The whole wing of the airport hushed,

each of us trying to slip into that woman’s middle-aged body,
her plaid bermuda shorts, sleeveless blouse,
little gold hoop earrings, glasses,
all of us, tilting our heads up.

Jonathan Butler, December 17, 2012

Cemetery in Salvage

The long hard climb in the rain
Almost didn’t seem worth it
Till we reached the top, a plot bestowed as a gift,
A resting place, for those who could no longer see.

Our mood turned sour when we found the frail outhouse,
Leaning, lopsided, a strange sentry box indeed,
Guarding the gates of the deceased.

“Even the dead defecate,” you joked,
And we all laughed. But you went further:
“Their shit-stained souls,” and we all laughed again,
For a moment, till we realized you had gone too far,
As you like to do, making light of a grave occasion,
An uncouth breach of the barren’s code.

The silence that followed us down the hill
Could be heard throughout the village for days.

The Bard of The Republic
(For Boyd Chubbs)

A man on a stool against the back wall
Plays guitar for anyone listening.
Sometimes I think he plays for himself
When the chatter and bar-brawl bravado
Reach a crescendo just as he finds his groove,
Lips a-quiver, head swiveling side to side
In a kind of ecstasy no one else feels—
Though we could, I realize, as I look around
And see that he’s there for us all
If we’d only pay attention, stop up our mouths,
Witness the holy moment of his fingers
Bleeding religion into the night.

Strange Utterance

They came out not quite right, his first words that morning,
Like a line break in a poem in the wrong
Place, a gap between gesture…………………..and sound.

What we couldn’t figure out was what had triggered it:
Dream, disturbance, or visitation in the night.
But hell, something had happened to him, not a doubt;
No one was quibbling over that.

He poured himself a coffee and sat down,
Fidgeting with bearing and posture, how to fit in again.
No one knew how to help him or what to say,
Until at last he gave up and sat there, silent,
Staring into his mug as if some answer to his problem

Might be found there, deep
In the pool of black staring back at him.

Half

For David Gravender on his birthday: December 16, 2011.

………….             ………….Halfway,
with chances looking………….good of making it
to the dream goal of………….a hundred. What now?
A look back, perhaps,………….at the fifty passed:
the years of youth,………….then irrefutable middle age—
the wife, the we’an,………….the winner’s share of house,
home, and the head………….aches of work, the consolations
of the brave. Half………….way to some dream you had forgotten
but wake from………….some mornings, foggy headed,
halfway to some ………….remembrance, some recollection you’d
put off for a moment,………….half thinking you’d come back to it,
half unsure you could………….translate it, even passably, the way
an archaeologist in………….Crete or Cairo might doubt his rusty Greek
or Sanskrit, a language………….long forgotten, but half remembered
sometimes, halfway to………….another foreign place far from home.

Halfway. Halfway to………….what? Look ahead: everything you’ll do
remains to be written…………..Half afraid, half encouraged,
half mistrusting of………………everything you know,
you’ll scan the lines………….of your life to come
like a poem awaiting………….creation, lifting your eyes
at the end of each………….imagined line
and returning them          to the margin,
……………………..and all the while in………….the gap of that movement
……………………..the half thoughts will………….happen. Let them.

Montreal. by Catherine Bovis, December 17, 2011

catherine-newMontreal.

It was raining that morning when she got up in the dim morning hours, completely alone in the spacious apartment with wooden floors, an apartment that would hug a person in their 20s perfectly; simple fire place, a stove for morning coffee, and creaking windows to light up the dusty corners. Bare foot and oversized t-shirt, she walks across the floors to the open kitchen while the sun is slowly awakening through the raining sky.

Long, curly chocolate hair, she was free in her solitude, free in this space so silent amidst the bustling energy of Montreal city’s slowly fading summer. Her feet were feeling the cold for the first time, not really observing the change in seasons but being a part of it instead, part of the expected change.

The morning is early but she has work to do, so she fills up the kettle and puts it on the stove, ready to brew morning coffee, an aroma that never fails to bring the warmth of past memories into sensation, silent mornings just like this one, alone or not, where the scent of coffee mixes perfectly with the morning silence.

The quietness could be frightening, for there’s not another soul to be heard in these early hours, just her, hugging her bare legs while sitting at the small wooden dining table, big enough for two. She waits while the water boils, and stares out towards the trees that are slowly losing their leaves, the rain falling so effortlessly.

But she’s not scared by this silence, no, she watches it all with sharp eyes; the falling rain a guided mediation, a simmering mind quietly watching it all, in no rush to start the day of life’s many engagements, all so sweet if you know how to taste it, all so hilarious if you know how to laugh with it. A time for rest, practice to steer the day’s noise and rush and obligations into a path of easefulness, a constant battle that will inevitably come with engagement, but to hide from it? No. She sits there in practice, knees vulnerable but eyes both eager and calm; a watchfulness charm.

Her eye catches the ruffled white sheets in her bedroom, reminding her that just days before, her boyfriend lay fast asleep while she tip-toed around the apartment getting the coffee aroma started for the day. What a new face he was to her these past four months, stepping into a foreign city only to find a friend, someone to experience moments filled with laughter, of silliness, talks of life’s truths, truths that they first saw in each others eyes when they first started to unfold one another. Moments sitting on the floor of an Indian restaurant, hands dipped in spices, to moments making dinner together in a wooden floored apartment, allowing them to understand the way one tosses the frying pan, to talk about what groceries are needed for tonight’s dinner- perhaps some more avocado and blue cheese for the salad.

She remembers creeping back into his arms after turning on the coffee maker, melting yet again into a blissful state of sleep, legs turning under the covers further taking from each other’s warm presence. She remembers drifting off into the morning silence, the brewing smell of coffee, only to feel his hands pull her closely in. Both are still in a sleepy state in the dim light of the morning when she hears him jokingly mumble “Babyyyy, be my wife, we can do this foreverr”. She laughs at this memory, of the ridiculous fantasy of such a place in time, the thought of being in his arms, forever. The same jokes that never seems to fail to rise to the surface, to poke at her with such silly possibilities, to make their young eyes wonder.

Sitting at the table, her eyes stay with the rain and it is in this moment she feels him, feels an accumulation of all of their moments, silly fantasies and all, and finds herself being consumed in a single moment of silence, a single feeling of clarity of the union between her, and him. It was a glimpse of the truth that forever lies beneath it all but is always fleeting, showing its face from time to time just for you to understand each other’s place in a dance that we both have created. It’s a clarity that often gets muffled by sloth-like atmospheres created by a stressful week of university essays, or gets lost between the silly mumble of words that are exchanged between each other’s mouths, the zone of comfortableness that can lead to not a numbing, but rather “out-of-sight” clarity of the naked love we have for each other, bare skin glowing.

No, this wasn’t a moment of day-dreaming, where one gets lost in a place in the mind that fathoms a reality without solid basis, or wispy thoughts of a cloudy romance. It was a glimpse that only such quietness can bring, revealing herself not in context of her and this man, but her in this wooden-floored apartment, in this new city that’s slowly becoming home, her place in time as a woman in her early twenties, naive and vulnerable in an ever turning world, college years that gratefully bring coffee infused mornings and friendships filled with tears and laughter. Her and her mind both stepped back and observed, and then the thought consumed her, “A guy sure loves a girl, who walks barefoot over creaking wooden floors to brew the smell of morning coffee.”

She gets up from the dining table, the coffee is ready. She can feel the seasons change now, the crisper air and the falling of leaves; she’s aware of her place and part in the changing of seasons, it’s clear. Coffee in hand, she happens to fold her right hand over her heart, keeping this morning to safely rest within her. She knows the seasons change, and so will the silence, but she will not forget it.

A few mornings later she happens to wake up in his arms again, bodies pressed together and warm beneath the sheets. She couldn’t think of a reason why she would be anywhere else other than where she was in that moment, why she wouldn’t want to be completely vulnerable to any awaiting experience. A familiar silence could be heard brewing, and then out of nowhere, the inevitable colors of the sky began to change. Melting into such changing cycles is always the challenge, but then, just as they both looked up, the snow began to fall.

For the first time, they experienced the silence of the snow, together.

November Cento: Heard at Red Room XXIV November 19, 2011

jpeg

Screams and shouts for the 24th month of Red Room!

Red Room!!

Happy Birthday: Ayesha (27), Leiven (43), Milton (99) and Red Room (2)!!

Red Room!!

You never know who you’re going to see here.
It’s a wonderful place to overcome your fear,

The bench is all yours!

Stop to listen to each other.
We need to learn how to treat each other as well as possible,
Glean the good
Choose to carry that
Without holding onto the pain.
Relinquish the power we have over each other.

Red Room!!

Let’s talk about exchanging value.
The Red Room is exchanging value – I want to talk about that.

Red Room!!

There’s something here for everyone.
Friends help friends.

by Ruth Giordano

Genevieve Murphy – Mental Metamorphosis, November 19, 2011

Mental Metamorphosis

As we sat there together, under the rainbowed sky of Rokkasho, Japan, in the ceramic studio, mixing clay together, a conversation was initiated that would alter my paradigm of life completely.  It began as a telling of tales, so to speak… of encounters, loves and circumstances of lives past.  It was the sort of conversation you could only have with someone you were connected to at the core of your being… a soul mate, so to speak.  These were topics usually left covered and buried deep within, rarely revealed to anyone, including ourselves.  First he went, sharing several stories of lost loves and the experiences connected with them.  Then, I went.  I began with a surface story, but as the conversation progressed, I began digging deeper and deeper, unveiling my stories of sadness and exposing the emotional scars that accompanied them.  None of this was easy or comfortable, but these were the types of conversations we had.

Read more

Mark Caltonhill – Things Known, November 19, 2011

Mark Caltonhill’s recent poems are all available on his blog:
www.aviewfromthehill-taiwan.blogspot.com
and earlier than that, are available in his first collection: “Malarkey’s Amusement Park”; NT$220 to Red Roomers)

Things Known

Before he sits to eat, Jesus knows he will be betrayed.
….Copernicus knows the earth is round,
….Darwin knows there is no God,
….Marx knows the working class must liberate itself,
and, eating their TV dinners ten thousand miles apart, Brezhnev and Nixon know the people will believe their lies.
Read more

Angela Utschig, November 19, 2011

angelaFor her 5 minutes in the Red Room sun, Angela shared an illustrated discussion of our economic system, and why it’s not really working for us right now.  It’s economics explained with apples!  If you want to read the whole lecture and see all the pictures, you can go to the RO Studio website.

http://rethinkinginenglish.blogspot.com/2011/11/apple-explanation.html

Angela has been living and working in Taiwan for fourteen years.  Her current project is the RO Studio, which is a place for people to learn and discuss new ideas, meet like-minded people, and plot ways to change the world.

思,生活工作室  www.rethinkingourselves.blogspot.com The RO Studio

Nick Herman, November 19, 2011

What I read can be found here:
http://psychanaut.wordpress.com/2011/10/25/hong-kong-crazy-part-one/

nick hermanSitting on the airport express, the train hardly makes a sound.  We whiz by improbably tall towers while the on-board tv replays clips of business “commentary.”  The question being discussed by the American hosts—why are startups so sexy?  Can Microsoft compete with Facebook and Google at luring young graduates?  Numbers flickers by on the screen like divinity readings.  Crack bones over the fire, read the flickers of stock values rising and falling like an ever spinning roulette.  I look out the window and wonder where I am.

It is quiet, clean, efficient.  No one talks. This is the sound of modernity—sterility, anonymity.   In the American subconscious, there is a romantic idea of making love in the backseat of a convertible.  Can you imagine making love in this commuter train?  If so, you might truly be a master of your surroundings.

for more>>follow the link, above.