- Ben McCaffery
Mr. Ben McCaffery paints mirth and love and controlled folly, and it’s aimed right at your heart. He’s been doing it for years.
Artist Statement
How might you describe your art?
I wouldn’t. I don’t mind when other people do, but I always feel resistant to voicing some fleeting intention or aim that I may have entertained but which may not now even apply to the finished piece. Most of the process is intuitive and it passes without being willful or having some internal dialogue. I try and work on something until I’m pleased with it and then, if it’s any good it will resonate – describe and present itself suitably. The work itself is the intended expression and it shouldn’t need more.
What inspires you to create it?
Curiosity.
A distinctive part of your art is the materials used to create it. Others have described you as an avid upcycler. What drew you to upcycling?
I’m actually more of a finder. There are so many items to be found. I tend to be drawn to discarded or abandoned objects – you can find them on the beach, the roadside, in second-hand shops, all over the place – and when lucky or awake you may stumble across some this or that that you like that has some quality you admire, and nobody has taken charge of loving it or putting it to use. So, then it’s your obligation to preserve this treasure that may otherwise go unappreciated. It doesn’t have to have universal value, the connection will be personal. And I will keep it for a while trying to figure out where it best belongs. Some objects are perfect as they are, like a chair or a glass bottle for example, and some may have no purpose at all other than being liked by me, but usually anything found and picked up will present itself as a timely solution to some puzzle down the line, and find its way out of the studio. I like to keep the inventory liquid and manageable.
I propose creating as near to scale as possible the head on view of a Taipei city bus, with one of the main Zhongshan routes showing in the destination crawl.
My concept is simple. The presence of a bus marked by one of the well known Zhongshan routes will evoke all the images that one may take in traveling north and south up and down our feature road.
I would like the work to have a realistic feel. To create the feeling of the front of a real bus, I will build up dimensions by layering images from the far interior to the up close lower bumper with and on materials that read like a real bus. I’ll select a view particular to Zhongshan Road to be reflected on the bus window.
I also am looking at portraying the driver as a naughty child or perhaps an old woman – someone incongruous. And further to that may be an added window reflection of the bus’s true driver trying to wave down the would be appropriator.
To add to the realism I will combine real photo images within the layers that help to strengthen the illusion. Also, I will use enamel paint for the body panels of the bus.
My model bus is this one, or one that I catch in photo when seeking out the right reflections:
7 June 2017, Status/狀態 Visual Dialogues XVIII
Show runs 7 June – 30 June. Closing Party Wednesday, 28 June, 7pm – 10pm Status 屬於三個女生的三種心境,三種表達,三種狀態- 「慾望Lust」、「當下Now」、「心理Mental」 分別詮釋創作當下的感觸與收獲, 埋藏在畫作裡是摩斯密碼般細膩的當下狀態, 想請觀者用心去感受畫作,如解讀密碼般,玩味畫作裡的狀態並感受創作者的每一份情緒。 當下-Eva :「在我創作時的每一個當下的體驗和感受,都是非常真實。隨心所欲的表達當下的體驗與情感,在過程中進而得到一種昇華的平靜,靈魂的自在表現。」 慾望-Lizzy:「看著他們從未在我眼前展現的肢體與神情時,我感到情慾流動在每一條感官神經,驅使我更進一步的沈浸在與被畫者的關係裡,有點不可自拔,有點情緒抽離,有點像是理性與感性之間的拉扯,我很享受。」 心理-Amy:「我試圖描繪人類在恐懼害怕時的內心狀態,靜靜的感受自己內心情感流動,甚至身體麻木無法動彈抑或是被困在噩夢裡逃不出來的絕望感,這些種種,常常被忽略卻深深影響我們的內心狀態,且都是真實與珍貴的。」 Status Belong to these three girls with, The three different state of mind. Three expressions. Three states. “Lust Status”, “Now Status”, “Mental Status” Interpreting the feeling and the benefit from […]