Mr. Ben McCaffery paints mirth and love and controlled folly, and it’s aimed right at your heart. He’s been doing it for years.
Artist Statement

How might you describe your art?
I wouldn’t. I don’t mind when other people do, but I always feel resistant to voicing some fleeting intention or aim that I may have entertained but which may not now even apply to the finished piece. Most of the process is intuitive and it passes without being willful or having some internal dialogue. I try and work on something until I’m pleased with it and then, if it’s any good it will resonate – describe and present itself suitably. The work itself is the intended expression and it shouldn’t need more.

What inspires you to create it?
Curiosity.

A distinctive part of your art is the materials used to create it. Others have described you as an avid upcycler. What drew you to upcycling?
I’m actually more of a finder. There are so many items to be found. I tend to be drawn to discarded or abandoned objects – you can find them on the beach, the roadside, in second-hand shops, all over the place – and when lucky or awake you may stumble across some this or that that you like that has some quality you admire, and nobody has taken charge of loving it or putting it to use. So, then it’s your obligation to preserve this treasure that may otherwise go unappreciated. It doesn’t have to have universal value, the connection will be personal. And I will keep it for a while trying to figure out where it best belongs. Some objects are perfect as they are, like a chair or a glass bottle for example, and some may have no purpose at all other than being liked by me, but usually anything found and picked up will present itself as a timely solution to some puzzle down the line, and find its way out of the studio. I like to keep the inventory liquid and manageable.

I propose creating as near to scale as possible the head on view of a Taipei city bus, with one of the main Zhongshan routes showing in the destination crawl.

My concept is simple. The presence of a bus marked by one of the well known Zhongshan routes will evoke all the images that one may take in traveling north and south up and down our feature road.

I would like the work to have a realistic feel. To create the feeling of the front of a real bus, I will build up dimensions by layering images from the far interior to the up close lower bumper with and on materials that read like a real bus. I’ll select a view particular to Zhongshan Road to be reflected on the bus window.

I also am looking at portraying the driver as a naughty child or perhaps an old woman – someone incongruous. And further to that may be an added window reflection of the bus’s true driver trying to wave down the would be appropriator.

To add to the realism I will combine real photo images within the layers that help to strengthen the illusion. Also, I will use enamel paint for the body panels of the bus.

My model bus is this one, or one that I catch in photo when seeking out the right reflections:

15 May 2016 Malaysia Art Festival in Taiwan

活動主旨 馬來西亞的音樂圈依然還在發展,雖然不如台灣或是大陸來得盛行,但是還有 音樂創作人繼續走在音樂的道路上,也不斷有人在推動音樂風氣的發展。像是馬來西 亞的獨立音樂圈年度盛會《動態度音樂節》,讓更多人發現馬來西亞獨立音樂創作人 的存在。又或是近年出現的《JUST PLAY 簡單玩》巡演、《居鑾在動》等等,為了團 結唱作人、創作人、甚至是藝文工作者,在沒有掙扎利益與行銷、媒體的偏見或是強 勢的商業集團壓榨下,實踐分享藝術的舞台 音樂創作不應該是獨自躲在房間裡彈彈唱唱,而應該是站在舞台上將作品呈現 個聽眾。第二屆馬來西亞旅台藝術節將範圍縮小在詞曲創作裡,提供馬來西亞旅台留 學生一個發表音樂創作的平台,藉此也讓創作者擁有互相交流的機會。 活動主題 “Music make world unite”. 音樂分門別類多樣化,這都是因為後人或是唱片公司的系統化。 但是音樂也是一種語言,讓各地的人能透過語言來溝通,了解彼此,分享心情。 我們能為音樂感動,也為音樂瘋狂。 雖然我們在台灣留學,但是心繫大馬。我們關心馬來西亞的一切。 “零距離”代表的是我們的音樂,也代表我們的心。 Download pdf here Event Mission Malaysia’s music scene is developing, and though it is not yet as bustling as the Taiwanese and Chinese industries, there are many music creators following their musical paths […]