So what is Red Room all about? 嗯? Red Room 是什麼?

Celebrate the spoken word with us as we read our own passages or those that we yearn to share. Speak. Listen. Hear. Feel. Come and share a unique experience with new and old friends. Live music and warm company. All languages desired!

把自己最喜歡的文章片段透過朗讀方式和我們大夥們分享,一同享受渴望的交流與那份心靈撼動。說、聽、傾聽、感受,與老朋友新朋友們一同分享獨特的體驗。現場也有氛圍溫馨音樂演出。所有的語言都非常歡迎!

Location 
Aveda’s Learning Kitchen, above the Aveda Salon:
Red Room 位於 Aveda 的教學廚房,在 Aveda Salon 的樓上:
2F #117 Sec. 1 Da-an Rd   台北市大安路一段117號2F

? Red Room 是什麼?

團體所舉辦的藝文聚會。在每次 的聚會裡,任何參與者都歡迎到台上分享5分鐘的好東西,可以是一首詩、一首歌、一段無厘頭嘶吼大叫、一個神聖寧靜的片刻、一 段舞蹈、部落格上的消息、書上的節錄、自 言自語的呢喃等,任何你可以想到且值得分享的生活藝文經驗。透過這些經驗分享的過程,我們希望發展出一個能夠「深度傾聽」的文化…

「深度傾聽」???這又是甚麼玩意兒? 聽起來似乎頗深奧!

「深 度傾聽」的意涵,其實就是藉由傾聽他人分享的過程來學習聆聽的藝術。這指的是當他人在分享的時候,在場聽眾不會分心於其他談話、手機的使用或是隨意來回走 動.所有來自你頭腦與心智的注意力都給予正在分享經驗的人。而Red Room提供的便是一個能自由分享同時培養心性的創意空間°

當然囉,一場完美的聚會絕對需要美食以及輕鬆閒聊的相伴。

我 們有足夠的休息時間讓大家相處聊天、喝一杯紅酒、來一口現煮的印度奶茶、吃一個超酷餐廳NonZero 所作的美味餅乾(吃三個也可以)、嚐一些西班牙調酒sangria或是西班牙涼菜湯gazpacho.最重要的是, 好菜好酒之餘,我們也保證你會遇到超級有趣的人,同時愛 上傾聽的藝術。

要是你覺得聽起來還不賴,就加入我們吧!

Stage Time & Wine 固定在每個月的第三個周六舉行,時間是18:30~22:30。入場費用新台幣$200,現場收費。

我需要帶什麼東西嗎?

您若想帶上一瓶紅酒或是一些新鮮食材讓駐店共有的蔬菜湯更豐富, 甚至你想要分享你的創意料理, Red Room都張開雙手歡迎!

About 

So what is Red Room all about?

Stage Time & Wine is a monthly event hosted by the Red Room. Everyone is welcome to take the stage for 5 minutes and share anything – a poem, a song, a scream, silence, a dance, a blog entry, an excerpt from a book, a monologue or anything else you can think of. Everything is welcome to this culture of listening…

Culture of Listening? What does that even mean?

Red Room is a space to inspire others and be inspired through mindful listening: the practice of narrowing attention on the person sharing and truly engaging in the art of listening.  Red Room embraces the freedom of creative expression by any method or form of artistic communication, in a nurturing and non-judgmental environment.

The Red Room is a place for the mind and body to imbibe unique flavors. Take part in our community at our open wine bar, created by those who attend. Sip a cup of our communal ‘stone soup’. We begin with boiling water, and each person contributes a unique flavour: spice, herb or vegetable.  Sip some freshly-brewed chai. Nibble a gourmet cookie (or 3) from the uber-cool restaurant, NonZero, and meet someone new.

If this sounds good to you, meet us at the Red Room, on the 3RD SATURDAY OF EVERY MONTH from 18:30 – 22:30. Entry is NT$200 at the door.

If you want, bring a bottle of wine, a flavor to contribute to our communal pot of vegetable soup, or bring your own creative dish to share.

For more information, contact us by email: <red.room.taipei@gmail.com>, or on Facebook

Remember the Night, Peter Giordano, January 2012

Remember the Night
A Christmas Cento

December 25,  2011
For Ruth

Glorious, madam, isn’t it?
Open and shut.
Well, that’s good, that’s good.
Holy mackerel, that’s a sweet one!
Well, merry Christmas.
That’s right.
Is it right?
I’m afraid it is.
You know, one of these these days, one of you boys is going to start one of these scenes differently — and one of us girls is going to drop dead from surprise.
It’s been nice up to now.
Well, I’ll be darned. And we have to come here and meet like this.
Yeah, it’s funny, isn’t it?
This is it, huh?
Hey, don’t be so nervous.

Oh, I just can’t believe you’re here at last.
How about a kiss, huh?
Why, bless you, child. It’s a joy to have ya here.
“The End of a Perfect Day.”
I think I remember it.
Oh, boy! Give us a downbeat please…
When you come to the end of a perfect day,
And you sit alone with your thought …
While the chimes ring out with a carol gay,
For the joy that the day has brought…

Merry Christmas, dear.
I guess you can always trust Santa Claus.
And Ecstasy, too!
Aw, ain’t it the truth? Ain’t it the truth?
I love you.
Oh.
I love you.
I – I’m trying to think, I – I –
If you don’t treat a woman with kid gloves, every man wants to punch you in the nose.
There wasn’t anything else to do. You’re so strong, and you argue so well, and I – I love you so much.
Yeah, you certainly proved that.
I love you so. I love you so.

 

(c) Copyright 2012 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of  this publication. Thank you.

Mark Caltonhill, January 2012

Time is not on our side,
our subconsciouses know this
so they try to hammer love
out of like
or lust
and sometimes even hate,
striking metal against metal late into the night,
we no longer see what we are doing

the blind leading the blind,
teacherless,
like infants discovering themselves in playschool
wanting to share our uncovery with the world,
we are in LOVE,
cynics sneer:
yes, love, that one-letter word,
frown down on us,

but we don’t care,
won’t heed these inner voices,
look at US,
we are in LOVE,
repeated and repeating,
hammering hammered late into the night,
like a distant clanging bell,
love … love … love … love … love … love …

http://aviewfromthehill-taiwan.blogspot.com/

 

(c) Copyright 2012 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of  this publication. Thank you.

Kuomin Tseng / Gordon Tseng, January 201

So-called Success 

Fish would think those are winners who swim fast.

Lions may insist those are losers who run last.

It’s ridiculous to mold yourself into their value cast

If you are a bird who can only fly to get your lifetime pleasantly passed.

Read more

Mark van Tongeren, December 17, 2011

I have nothing to say, and I am saying it.
John Cage

This is one of many famous aphorisms of John Cage the composer, whom many of you know, I guess. I liked what Ping said in his introduction about listening, a theme that I am deeply involved with personally. My presentation here comes just days before the submission of my PhD at Leiden University, that is, after having a great deal of things to say, instead of nothing. A tiny part of many thoughts and ideas that I soaked up and produced now covers some 270 pages of text, which will bear the title Thresholds of Audibility. It as an artistic research at the Academy of Creative and Performing Arts of Leiden University and a live performance will form an integral part of the PhD, together with the text. And despite all those words I feel a great deal of kinship with Cage’s approach to silence and listening. Half an hour before Red Room I tried to reduce those many pages to some key phrases, which I will now read to you. (I interspersed every phrase with different forms of vocal improvisations rendered here as […].)

I really like to think of a human being as something that exists on a threshold.
[…]
My words, thinking, exist on a threshold with your words, thinking, and everyone else’s.
[…]
It is never just ‘me’ talking, thinking … something talks and sings with me (and with you too).
[…]
Every word is an empty gesture, a grasping of reality, a way out of nothingness.
[…]
Behind our words is fantastic realm where ‘everything’ is possible and yet ‘nothing’ exists.
Bold, empty, glorious numbers.
[…]
This is the polyphony of the body.

I would like to conclude with a poem that ‘visited me’ when I was flying above the South-China Sea, in november 2010. I returned from East-Jeruzalem where I had performed with an amazing, young Sufi-reciter, a  muezzin, Firaz Gazzaz. It was a very impressive project and journey to a place that is laden with dualities. I have dedicated the poem to my great teacher, the German artist Michael Vetter, whom Ping also heard here in Taipei and whom I hope can return to Taiwan to share his creative genius.

Flying through the sky,
I am everwyhere.
Yet no man can fly.

Humanity gives me wings.
Am I a whole.
Am I a part.

Humanity surrounds this being
that freely roams the sky.

It is the nothing
within,
the almighty, beautiful silence
and silence resounding
that seeks me.

—————————————————————————–
vliegend door de lucht
ben ik overal
geen mens kan vliegen
de mensheid geeft mij vleugels
ben ik een geheel
ben ik een deel
de mensheid omringt dit wezen
dat haar vrijelijk doorkruist
het   is   het   niets
daarbinnenin
de machtige, mooie stilte
en de stilte verklankt
die mij zoekt

boven de Zuid-Chinese Zee
8 november 2010-11-08

fliegend durch die Luft
bin ich überall
kein Mensch kann fliegen
die Menschheit gibt mir Flügeln
bin ich ein Ganzes
bin ich ein Teil
die Menschheit umringt dieses Wesen
das ihr freilich durchkreutzt
es ist das nichts
dadrinnen
die mächtige, schöne Stille
und die Stille verklangt
die mir sucht

Read by Lauren Mark, December 17, 2011

Gate C 22 by Ellen Bass

At gate C 22 in the Portland airport
a man in a broad-band leather hat kissed
a woman arriving from Orange County.
They kissed and kissed and kissed. Long after

the other passengers clicked the handles of their carry-ons
and wheeled briskly toward short-term parking,
the couple stood there, arms wrapped around each other
like satin ribbons tying up a gift. And kissing.

Like she’d just staggered off the boat at Ellis Island,
like she’d been released from ICU, snapped
out of a coma, survived bone cancer, made it down
from Annapurna in only the clothes she was wearing.

Neither of them was young. His beard was gray.
She carried a few extra pounds you could imagine
she kept saying she had to lose. But they kissed lavish
kisses like the ocean in the early morning

of a calm day at Big Sur, the way it gathers
and swells, taking each rock slowly
in its mouth, sucking it under, swallowing it
again and again. We were all watching—

the passengers waiting for the delayed flight to San José,
the stewardesses, the pilots, the aproned woman icing
Cinnabons, the guy selling sunglasses. We couldn’t
look away. We could taste the kisses, crushed

in our mouths like the liquid centers of chocolate cordials.
But the best part was his face. When he drew back
and looked at her, his smile soft with wonder, almost
as though he were a mother still

opened from giving birth, like your mother
must have looked at you,
no matter what happened after—
if she beat you, or left you, or you’re lonely now—

you once lay there, the vernix
not yet wiped off and someone gazing at you
like you were the first sunrise seen from the earth.
The whole wing of the airport hushed,

each of us trying to slip into that woman’s middle-aged body,
her plaid bermuda shorts, sleeveless blouse,
little gold hoop earrings, glasses,
all of us, tilting our heads up.

Lauren Mark, 17 December 2011

Lauren(1)-new“21st Century Filial Piety”
12.15.2011

We read about how Chinese culture has been steeped in notions of filial piety for thousands of years, but in modern culture, at least, this stream of respect and care seems to flow both ways.  After all, as my friend’s 78 year old French parents recently said to me, your child is forever your child.  Growing up, I remember my grandparents bringing carry-on suitcases filled with chilled treats to our poor barren state that lacked Chinese grocery stores at the time.  I later heard stories about how after they were swindled out of their life savings by their late lawyer’s wife towards the end of middle age, and went back to jobs of manual labor at a time when they should have been transitioning into long deserved retirement, my grandparents still put aside money to help my parents pay for their first house.

I guess grandchildren are yet another side of the story, too.  Still, though, I remember my grandmother peeling grapes for me because I didn’t like the iron residue left on my tongue from eating their skin.  Another memory that I’ll never forget is the day when I visited my grandmother in the hospital shortly before she died.  Clamoring for her attention, I repeatedly called out her name like an ignored alarm clock ringing away.  When her treasured attention was finally turned to me, I fell quiet, not having anything to say.  Trying to guess my unvoiced needs, she offered me some of the food from her untouched hospital lunch tray.

Although Taipei’s streets are usually filled with many bikers with kids in tow around 4 o’clock on a weekday afternoon, one fellow biker caught my eye today.  Despite the intermittent rain, this slight, silver haired gentleman was perched atop a bright purple bicycle in a charcoal suit and shined dress shoes.  His 8 or 9 year old grandson was seated behind him and his backpack seemed to be dangling from one of the bike’s handlebars.

I looked at my own bike’s massive gray baskets, one in front and another in back, thinking ruefully how much this grandfather/grandson team could use one like mine.  As we crossed Xin Sheng Rd, I cycled up behind them and turned to address them once we cleared the road.  In doing so, I realized that the deceptively heavy backpack, you know, the type that comes with wheels to pull it along the street, was being held in the grandfather’s right hand as he steered the bike with his left.

“先生, 您 要不要考慮買像我這種籃子, 可以把包包放裡面?”   (Sir, have you thought about buying a basket like mine so you can put your bag in it?)

The description of “twinkling eyes” has probably been overused in the history of the English language, but I have never met someone who more aptly merited this description.  He looked at me with a vibrant smile, lifting the backpack with a steady arm while replying,

“但是它好重!” (But it’s really heavy!)

“還好啦!” (It’s not so bad!)

And as easily as an argument can be won in Chinese with a few vague syllables, this gentleman acknowledged my suggestion with an effusive “謝謝,謝謝” (thank you) and a bow as low as still being perched on his bicycle allowed him.

I just hope his grandson realizes how much he’s benefiting from the 21st century evolution of filial piety.

Jonathan Butler, December 17, 2012

Cemetery in Salvage

The long hard climb in the rain
Almost didn’t seem worth it
Till we reached the top, a plot bestowed as a gift,
A resting place, for those who could no longer see.

Our mood turned sour when we found the frail outhouse,
Leaning, lopsided, a strange sentry box indeed,
Guarding the gates of the deceased.

“Even the dead defecate,” you joked,
And we all laughed. But you went further:
“Their shit-stained souls,” and we all laughed again,
For a moment, till we realized you had gone too far,
As you like to do, making light of a grave occasion,
An uncouth breach of the barren’s code.

The silence that followed us down the hill
Could be heard throughout the village for days.

The Bard of The Republic
(For Boyd Chubbs)

A man on a stool against the back wall
Plays guitar for anyone listening.
Sometimes I think he plays for himself
When the chatter and bar-brawl bravado
Reach a crescendo just as he finds his groove,
Lips a-quiver, head swiveling side to side
In a kind of ecstasy no one else feels—
Though we could, I realize, as I look around
And see that he’s there for us all
If we’d only pay attention, stop up our mouths,
Witness the holy moment of his fingers
Bleeding religion into the night.

Strange Utterance

They came out not quite right, his first words that morning,
Like a line break in a poem in the wrong
Place, a gap between gesture…………………..and sound.

What we couldn’t figure out was what had triggered it:
Dream, disturbance, or visitation in the night.
But hell, something had happened to him, not a doubt;
No one was quibbling over that.

He poured himself a coffee and sat down,
Fidgeting with bearing and posture, how to fit in again.
No one knew how to help him or what to say,
Until at last he gave up and sat there, silent,
Staring into his mug as if some answer to his problem

Might be found there, deep
In the pool of black staring back at him.

Half

For David Gravender on his birthday: December 16, 2011.

………….             ………….Halfway,
with chances looking………….good of making it
to the dream goal of………….a hundred. What now?
A look back, perhaps,………….at the fifty passed:
the years of youth,………….then irrefutable middle age—
the wife, the we’an,………….the winner’s share of house,
home, and the head………….aches of work, the consolations
of the brave. Half………….way to some dream you had forgotten
but wake from………….some mornings, foggy headed,
halfway to some ………….remembrance, some recollection you’d
put off for a moment,………….half thinking you’d come back to it,
half unsure you could………….translate it, even passably, the way
an archaeologist in………….Crete or Cairo might doubt his rusty Greek
or Sanskrit, a language………….long forgotten, but half remembered
sometimes, halfway to………….another foreign place far from home.

Halfway. Halfway to………….what? Look ahead: everything you’ll do
remains to be written…………..Half afraid, half encouraged,
half mistrusting of………………everything you know,
you’ll scan the lines………….of your life to come
like a poem awaiting………….creation, lifting your eyes
at the end of each………….imagined line
and returning them          to the margin,
……………………..and all the while in………….the gap of that movement
……………………..the half thoughts will………….happen. Let them.

Montreal. by Catherine Bovis, December 17, 2011

catherine-newMontreal.

It was raining that morning when she got up in the dim morning hours, completely alone in the spacious apartment with wooden floors, an apartment that would hug a person in their 20s perfectly; simple fire place, a stove for morning coffee, and creaking windows to light up the dusty corners. Bare foot and oversized t-shirt, she walks across the floors to the open kitchen while the sun is slowly awakening through the raining sky.

Long, curly chocolate hair, she was free in her solitude, free in this space so silent amidst the bustling energy of Montreal city’s slowly fading summer. Her feet were feeling the cold for the first time, not really observing the change in seasons but being a part of it instead, part of the expected change.

The morning is early but she has work to do, so she fills up the kettle and puts it on the stove, ready to brew morning coffee, an aroma that never fails to bring the warmth of past memories into sensation, silent mornings just like this one, alone or not, where the scent of coffee mixes perfectly with the morning silence.

The quietness could be frightening, for there’s not another soul to be heard in these early hours, just her, hugging her bare legs while sitting at the small wooden dining table, big enough for two. She waits while the water boils, and stares out towards the trees that are slowly losing their leaves, the rain falling so effortlessly.

But she’s not scared by this silence, no, she watches it all with sharp eyes; the falling rain a guided mediation, a simmering mind quietly watching it all, in no rush to start the day of life’s many engagements, all so sweet if you know how to taste it, all so hilarious if you know how to laugh with it. A time for rest, practice to steer the day’s noise and rush and obligations into a path of easefulness, a constant battle that will inevitably come with engagement, but to hide from it? No. She sits there in practice, knees vulnerable but eyes both eager and calm; a watchfulness charm.

Her eye catches the ruffled white sheets in her bedroom, reminding her that just days before, her boyfriend lay fast asleep while she tip-toed around the apartment getting the coffee aroma started for the day. What a new face he was to her these past four months, stepping into a foreign city only to find a friend, someone to experience moments filled with laughter, of silliness, talks of life’s truths, truths that they first saw in each others eyes when they first started to unfold one another. Moments sitting on the floor of an Indian restaurant, hands dipped in spices, to moments making dinner together in a wooden floored apartment, allowing them to understand the way one tosses the frying pan, to talk about what groceries are needed for tonight’s dinner- perhaps some more avocado and blue cheese for the salad.

She remembers creeping back into his arms after turning on the coffee maker, melting yet again into a blissful state of sleep, legs turning under the covers further taking from each other’s warm presence. She remembers drifting off into the morning silence, the brewing smell of coffee, only to feel his hands pull her closely in. Both are still in a sleepy state in the dim light of the morning when she hears him jokingly mumble “Babyyyy, be my wife, we can do this foreverr”. She laughs at this memory, of the ridiculous fantasy of such a place in time, the thought of being in his arms, forever. The same jokes that never seems to fail to rise to the surface, to poke at her with such silly possibilities, to make their young eyes wonder.

Sitting at the table, her eyes stay with the rain and it is in this moment she feels him, feels an accumulation of all of their moments, silly fantasies and all, and finds herself being consumed in a single moment of silence, a single feeling of clarity of the union between her, and him. It was a glimpse of the truth that forever lies beneath it all but is always fleeting, showing its face from time to time just for you to understand each other’s place in a dance that we both have created. It’s a clarity that often gets muffled by sloth-like atmospheres created by a stressful week of university essays, or gets lost between the silly mumble of words that are exchanged between each other’s mouths, the zone of comfortableness that can lead to not a numbing, but rather “out-of-sight” clarity of the naked love we have for each other, bare skin glowing.

No, this wasn’t a moment of day-dreaming, where one gets lost in a place in the mind that fathoms a reality without solid basis, or wispy thoughts of a cloudy romance. It was a glimpse that only such quietness can bring, revealing herself not in context of her and this man, but her in this wooden-floored apartment, in this new city that’s slowly becoming home, her place in time as a woman in her early twenties, naive and vulnerable in an ever turning world, college years that gratefully bring coffee infused mornings and friendships filled with tears and laughter. Her and her mind both stepped back and observed, and then the thought consumed her, “A guy sure loves a girl, who walks barefoot over creaking wooden floors to brew the smell of morning coffee.”

She gets up from the dining table, the coffee is ready. She can feel the seasons change now, the crisper air and the falling of leaves; she’s aware of her place and part in the changing of seasons, it’s clear. Coffee in hand, she happens to fold her right hand over her heart, keeping this morning to safely rest within her. She knows the seasons change, and so will the silence, but she will not forget it.

A few mornings later she happens to wake up in his arms again, bodies pressed together and warm beneath the sheets. She couldn’t think of a reason why she would be anywhere else other than where she was in that moment, why she wouldn’t want to be completely vulnerable to any awaiting experience. A familiar silence could be heard brewing, and then out of nowhere, the inevitable colors of the sky began to change. Melting into such changing cycles is always the challenge, but then, just as they both looked up, the snow began to fall.

For the first time, they experienced the silence of the snow, together.

December Cento: at Red Room XXV December 17, 2011

Courage, social animals!
Make some noise!
Taiwan is a Story Island.
There’s lots of room up front…so:
Escape, artists!
Come out of hiding,
……………..Singing Christmas carols from love, actually:
…………………..the sweet sound of silver bells

by Ruth Giordano