cento November 2012

As part of the celebration of the third anniversary of the gatherings at Stage Time & Wine, our company was invited to write a word or two or more in the language of choice and to drop it into a basket. Later in the evening, words were drawn from the “well” and read aloud. The slips of paper were then taken to form a collage and a cento. The cento follows:

Words From the Well Form the Cento
By Ruth Giordano

I feel hungry!                flexible             fervent            fantastic

Why me?           shhhhh           Why not?      Not all who wander are lost!

Brilliant
Red
Room

You come once, you come every month                 Promise

There is no acting here,                                     acceptance
don’t say you have to “act” yourself.

No act,                  just be there,           breathing            whispers

Let go,                     you’re there with yourself.

Then we,             as audience,                   embrace who you are.

       Hello Everyone!

laughter            chatter                   brethren              stew

(c) Copyright 2012 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of this publication. Thank you.

October’s Red Room Reflection from Lionel Pirsig, 2012

rrlion1I go to the Red Room to shut the hell up. And I LIKE it. Words wash over me like a cleansing balm. The week’s troubles are melted away by the microscopic waves of sound, running through me on their never-ending quest to be heard. In the Red Room, I feel… homeopathic. Natural. Like, maybe this isn’t the most ‘efficient’ way to learn or hear, but it feels like the most natural. I hope that I will continue to find time in my semi-artificial modern life for the breaths of weird but real fresh air I find here.

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Reflections of the Red Room, September 2012

如果要問我這次Red room 活動對我來說有什麼不同的意義?
在我剛從高中升大學的這個過渡時期,很多事情都在轉變,周遭的環境改變了,朋友的感覺改變了,但Red room不變,也許我們每次[聚會活動]組成的成員都不盡相同,但一種熟悉的溫馨是不會改變,在橘黃色燈光灑落在地毯的剎那,印度風情式的音樂在耳朵旁刮 起陣陣微風,我知道活動即將開始,那時正忙著接待每位前來的成員
我喜歡觀察每位前來Red room的朋友們臉上的表情,一些帶著溫暖的微笑,一些帶著些微的害羞,但最近的新成員臉上忽然多了一種青春的羞澀,有著對未知事物的害怕和期待夾雜的心 情,這不禁讓我想起第一次受邀準備來Red room時,坐在前往台北的客運上,我幻想著各種對未知的可能,還要一方面說著英文,讓十七歲的我一直在冒著冷汗

但漸漸地,我從發現,喜歡,適應到愛上,現在的我,在Red room當一個工作人員,努力地介紹著Red room的一切給新加入的朋友們認識,跟著大家一起聆聽著台上的音樂,享受著彼此間的氛圍,我真心的希望,你們也能夠喜歡這裡並且常來拜訪這個朱平先生跟 Manav用心經營的好地方

~ by Henry Leu

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Vito Lin, August 2012

Vito Lin demonstrated the amazing versatlity of the ‘paper’ chair that expands to seat 16 people.
“Crafted out of simple wood and paper, FlexibleLove is modest and humble, earthy and unpretentious, and ready to evolve.
….It accommodates many visitors at once, or none at all. It is foldable and recreated as one sees fit, like the magic of origami – a piece of art ready to be performed.
FlexibleLove, http://www.flexiblelove.com/

Left: Ion modeling his favourite bag made by ‘Jump from Paper’. JumpFromPaper adds a sense of quirkiness to conventional bag design. Every detail reveals the boldness and creativity of the designer duo.
JumpFromPaper, http://www.jumpfrompaper.com/

Vito Lin │ 林飛比

Red Room Radio Redux, September 2012

photoThis past weekend, the Learning Kitchen at Aveda was transformed into a theatre-space for the newly forming performing group: Red Room Radio Redux. Dedicated to the power of the spoken word, this new group consists of members of the Red Room community who have donated their time and talents over several months in preparation for four shows.

The room was comfortably populated, with an average attendance of 40, by Red Room-ers, TAS colleagues an friends from all walks of our lives.

The audience saw a representation of  the sound studios of the Golden Age of Radio Drama of the 1930s and 40s: voice actors at microphones and sound effects being produced.  As the play progressed the action became more and more dramatic and emphatic. The first act closed with a fully staged presentation of a scene from Shakespeare’s A MIDSUMMER NIGHT’S DREAM and the second act with all the battles and magic we find in Shakespeare’s MACBETH. The show is designed to demonstrate the power of Shakespeare’s words.

photo 2Members of the group represent several countries and a wide range of stage experience. Co-creators, Peter and Ruth Giordano look forward to producing other works of literature in a similar format. Plans are already being made to read an adaption of Charles Dickens’ A Christmas Carol at the December Red Room event.

Ruth Giordano
RRRR Director

An Impression, August 2012

“I still remember the first time I brought my guitar to the Red Room to play. I could barely string three chords together back then…and I was scared…so scared. But I had to do it because I was writing all these songs…and songs are not alive unless people hear them.”

“So I got up and muddled through…head down, hunched, deeply ashamed of all the mistakes I was making and singing like a mouse. And I will never forget the relief of the genuine applause I heard after my song ended, because this is a community where people listen, really listen. Not to judge or to be passively entertained, but to find the heart of what everyone who come up here is trying to share. And so they were able to put aside my stumbling fingers and trembling voice and hear beauty.”

“So I came back, month after month. And I wrote new songs and fought to get them under my fingers. All that growth would not have happened without the support and encouragement I got from this place. But I gained most of all here not as a player, but as a listener. Because you cannot imagine all the wondrous things we all have to share with one another, when we start from the assumption that everybody who comes up here is good enough to deserve our full attention. And we can all come up here. And so we are all enough.”

Angelica Oung

>>>The lyrics to the song Angelica sang at the last RR follow:<<<

 

Sometimes

Sometimes…we all get a little under the weather sometimes…
We all wish that we could be a little better sometimes,
when what we have just don’t seem enough
you see, Somehow…along the line we left behind just who we are…
And before you know it, we have come so far
we can’t see our way back to the start
Oh, sometimes you act too tough,
sometimes you care too much
but you know sometimes…sometimes…

Somehow…it’s been forever and ever since we sat beneath the sun
and did nothing in particular all day long
wandering as lonely as a cloud
Oh, sometimes you act too tough,
sometimes you care too much
but you know sometimes…sometimes…
Sometimes you feel so tired of making decision
Sometimes you feel you’re ready to end it all
Sometimes you’re crushed under the weight of your contradictions
but you know sometimes…somewhere..somehow..
…you’ll find somebody…somebody who’s gonna take you for just who you are
then it doesn’t matter if you’re near or far
you’ll find your way right back to the start
Oh, someone to let you in
Someone to help you win
Don’t you know sometimes, you’ll find someplace where you belong…where you belong.

Summary by Ping Chu, July 2012

“Through quiet hearts and deep listening, in a room filled with immense positive and creative energy, we discover our similarity. The biases and misunderstanding come from ignorance and fear.
Red Room is a movement, reminding us that the deepest primordial human need is to feel connected and that in our infinite ignorance we are all equal.
Since 2009, Red Room has become an important part of our lives and I hope more people will discover Red Room. Leave the virtual world, turn off the phone, listen deeply, appreciate and support each other, and we find ourselves a member of this positive and creative ecosystem, where happiness can be easily attained.”
Ping Chu, Co-founder, Red Room

只有透過寧靜的心、深度的聆聽,並在巨大無所不在的正向創意能量中,我們一起發現我們原來是如此的相似,所有的偏見與誤解其實是來自我們的無知與恐懼。對我個人來講,『紅房』是一個社會運動,它提醒我們:「在我們最原始的內心需求中,我們是如此的互相連結、互相 依賴。畢竟在浩瀚的未知中,我們都是如此的平等。」
自2009年成立以來,『紅房』已經成為許多人生活中的一部分。真心希望有更多人能知道紅房、走出虛擬的社群、關掉手機、開始用心聆聽、互相欣賞、互相扶持,共同創造一個新的聚落、新的生態系統,讓更多人發現「更快樂」是可以如此的簡單。
朱平/共同創辦人

This magical event is created by whoever participates, with a new vibe each time. The energy is incredibly positive and supportive and even with a high percentage of newcomers each month, the intimacy and the magic never fades.

這充滿魔力的氛圍正是由每一位參與者們在分享的當下共同創造出的火花,它所產生的正面能量之強大,令人讚嘆。雖然每個月都有許多新朋友加入,紅房社群共享的這份親密感與魔力卻有增無減。

Photo by Red Roomers

Edward Chiang, July 2012

Dear Red Room,

I missed last month Red Room event, because I got the big change to visit San Francisco from my business trip, and attended Apple World Wide Developer Conference to stayed there over a week, and I use Twitter to save my moments of words. And I would like to share with you today.

  • Who is Edward Chiang? But you are Chiang Chung-Chuan! … After all, went to member service line to explained for the badge name.
  • Next to the Moscone South, waiting for the afternoon #Pilgrimage to #Cupertino. #WWDC
  • ShawnKing: Can’t sleep. Watching WWDC Keynote. Does any other tech company make “Thank You” videos that make grown men tear up? Remarkable.
  • There are heartwarming stories out there of what the combination of our incredible devices and your amazing apps have made in peoples lives.
  • The T-Shirt what people wear represented the past, right now, and the future. #WWDC
  • I left my bugs in San Francisco.
  • During #WWDC session break, my favorite DJ plays song is “Gotye – Somebody That I Used To Know.”
  • Fuel your body, feed your Mac. #WWDC

I want to thank you all Red Roomers for help building the international global world wide culture at the Red Room, been a Taiwanese like me to have a trip and to stay at the US never be so easy, because it’s just only need to read, speak, listen English like we do right here every month.

Best regards,
Edward Chiang

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An Evening of Shakespeare

Red Room Radio Redux brings you

“An Evening of Shakespeare.”

Red Room Radio Redux is an offshoot of the Red Room and is designed to present great literature in a readers theater format.

The first production of Red Room Radio Redux is
“An Evening of Shakespeare.”

In Act One the audience is invited to consider Shakespeare as a man of the theater in love with the magic of words to tell a story and reveal character. Scenes from Hamlet, Henry the Fourth, Romeo and Juliet, and A Midsummer Night’s Dream demonstrate Shakespeare’s love of actors and acting.

Act Two is a stripped down version of Shakespeare’s Tragedy of Macbeth. The scene recreates a broadcast from the Golden Era of Radio Drama and demonstrates how Shakespeare’s words pull the audience into the action. This is a version of Macbeth played as a thriller.

Book your tickets now!!!!! Tickets available at http://www.walkieticket.com

For more information please visit rrrrtw@blogspot.com

Production and Art Direction: The Artistic Director of Red Room Radio Redux, Ruth Giordano, has decades of experience in all aspects of theater production. She also works in media in Taiwan, and this production will be her directing debut in Taipei. She has adapted several works of literature for the stage, most recently “AESOP’S FABLES,” which was produced in Williamstown, Mass., USA.

Ms. Giordano is being assisted by Katie Partlow, a theater artist who has directed and performed in numerous plays in Taiwan, in both Chinese and English, and is the artistic director of Solo Taiwan Theatre Company; and by Sarah Brooks, who teaches courses in drama and readers theater in the English department of National Taiwan Tech University, and previously worked as a journalist and freelance writer focusing on the performing and visual arts in Taiwan. The rest of the company is drawn from the Red Room community and includes members of Taipei Players, the city’s premiere English-speaking theater company, and faculty from schools and universities in the area.

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Red Room Summary by Kevin Ke, April 2012

一位歐洲客戶來臺北拜訪時,問及在哪裡可以看到臺灣的文化。我當時馬上回答:故宮博物院。那時只想著:這是當然的,每個觀光客都會去那裡。但過了一會,卻有點後悔這樣子的回覆。一個博物館怎能代表臺灣的文化呢?應該有更好的回答才是。因為工作的訓練,我習慣在回答一個問題之前,先找出問題的定義。我找到了一個對於文化的定義,它說:文化是一種生活的模式,有一群人真實地相信它,並持續在他們的日常生活中實施。

依照這個定義以及個人觀點,臺灣有幾個獨特的文化。第一個是補習班文化。到台北火車站附近走走,尤其是南陽街,就可以發現高中學生是如何拚命地爭取好成績、大學以及他們的未來。數不盡的小吃、流行服裝、飾品配件、玩具及遊戲,也會讓你對夜市文化感到驚訝。此外,你很難不會去注意到臺北便利商店的密度。在一個小區塊裡,是很容易就發現兩、三間便利商店的。再者,臺灣寺廟的建築也是值得參觀的。即使是在其他亞洲國家也不容易找到如此生動、豐有色彩的、壯觀的屋簷裝飾,如:神明、龍、鳳、老虎、魚及其他雕像。

最後,有一個特別的臺灣文化,但也是很重要的── Red Room,一個聆聽的文化。因為它的確是一種生活模式,有著一群來自不同國家及背景的人們,在每個月,藉由分享他們的音樂、詩、感受、謎語或故事,來表達對這個生活模式的真實信仰。我真誠地向大家建議來參加Red Room,並且享受這個創新且愉悅的臺灣文化。

A client from Europe once visited Taipei and asked where to see the Taiwanese culture. My quick answer at that time was National Palace Museum. “Of course, it is. Every tourist goes here,” I thought at that moment but regretted it later. How could a museum represent the culture of Taiwan? There must be some better answers. Due to my job’s training, I am used to finding the definition of question before giving the answer. A definition of culture I found says, “Culture is a life style which a group of people truly believe in and conduct frequently in their daily life.”

In accordance with the definition and my personal opinion, there are some unique cultures in Taiwan. The first one is “cram school culture”. Take a trip to Taiwan Main Station area, especially Nanyang Street, and you will see how high school students struggle for better scores, university, and their future. Also, night market culture here will surprise you with its countless snacks, fashion clothes, accessories, toys and games. Besides, it is not difficult to notice the density of convenient stores in Taipei. People can easily find two or three of them in one block. Moreover, the architecture of Taiwanese temple is worth a visit. Even in other Asian countries, it is hard to find such vivid, colorful and spectacular decorations on the temple’s roof or eaves, such as Gods, dragons, phoenixes, tigers, cranes, fishes, and other statues.

Last but not least, another special culture in Taiwan—- the Red Room, a culture of listening. It is certainly a life style which a group of people from different countries and backgrounds truly believe in by sharing their music, a poem, feelings, riddle or  a story every month. I would sincerely suggest that visitors attend the Red Room to enjoy this innovative and delightful culture in Taiwan.

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