Lee qiu fen 李秋芬
Lee qiu fen 李秋芬
李秋芬
國立臺灣師範大學教育學院創造力發展碩士
現任台北市私立達芬奇多元智能幼兒園園長兼負責人
作品與展覽
※2017高雄美術館南島當代藝術和尤瑪達陸合作「河」。
※2017紅坊國際電子織品展與國內外藝術家合作四件作品。
※2016和尤瑪達陸合作桃園機場一航入境裝置藝術「島嶼四季」。
※2015色舞繞服裝秀幫紐約服裝設計師Chi Hu做飾品創作。
※1999福林社區改造,瓷磚畫五片作品嵌於福志路公園,獲頒「功在福志」獎牌。
※1991/5/10參加中國電視公司我愛早晨節目,環保布畫教學專訪。
※1991/5/4-5/31 藝術家工作室流金歲月聯展,展出絲花與壁飾。
※1991/5/5天下雜誌邀至松江詩園環保布畫創作教學。
※1991/4/2參加中國電視公司我愛早晨節目,胸花製作專訪。
※中華民國社區資源交流協會,民生燈會環保花燈製作(1982)、端午香包製做教學;跳蚤大街活動參與。福林社區、內湖社區活動,連續多年參與多項環保創意作品教學。
※1981開始幫理科出版社、華一出版社做兒童讀物插畫,作品擅長用紙雕、多元媒材拼貼。
※1978設計靜修女中畢業紀念冊封面。
15 April 2018, Open Studio + Artists Workshop
3pm – 5pm 紅坊開放工作室 Open Studio
5pm -7pm 名字底下 What’s in a Name:藝術家工作坊 Artists Workshop
Facilitated by Sandy Chen and Sean Irving
What’s in a Name?
Sunday April 15, 2018 from 5pm – 7pm.
Limited to 12 people. RSVP here.
Purpose of Workshop:
To come to tentative conclusion on whether an artist should name a piece of work or leave it untitled, and whether titling it Untitled is in itself a form of title.
Reason for this:
How what we think affects what we see, and how seeing translates into thought which affects the seeing, creating a cycle of influence.
Can we see without reaching a conclusion? Without naming? Without generating ideas? Just see and let it wash over you, without condemnation or judgment?
Do the titles of works of art, or the names of cars, or the labels on shoes, force us into a way of thinking that we might not go into had their not been a title to label that thing?
Speaking of paintings specifically, how does the title given to that painting affect the viewer’s way of thinking about it, talking about it?
Facilitated by Sandy Chen and Sean Irving
Sandy and Sean’s exhibition Explorations/探索 is showing at the Red Room from April 5 to May 5, 2018.