Roma Mehta, David Pipkin – VDX

Roma Mehta

VDBalance

I grew up in Calcutta, a densely populated city where the entire spectrum of human experience was in plain sight everywhere you looked. From a very early age i found joy in art and painted every chance i got. It was a way to connect with my inner self and provided an escape from the sadness and misery around me. I could not fix what i saw, but i could create something beautiful.

I decided to study graphic design in college so that i could ensure a living while continuing to paint in my free time. Art and design merged as the years went by and became a way of seeing and understanding the world around me.

My art is a collection of episodes that afford glimpses into moments of clarity and have been essential in my journey.

Portraits, lines and shapes, energy, colours, all blend and become the lens through which I see the world. Art gives me the insights I need to understanding the world I have chosen to live in. India remains the vibrant inspiration, the chaos of my soul and my palette. It disturbs my senses and calls me to become involved. Taiwan brings order to the chaos of things beyond my control. Helps me linger longer in the creative space.

with the first brush stroke

the canvas becomes the master

and leads me through a spirit journey.

i remain receptive as thoughts unscramble and a story unfolds on a living canvas.

inspired by the energy of india,

the spirit of taiwan,

the beauty of our planet,

the embrace of its people.

Artist Bio:

Roma Mehta is originally from India. A graphic designer, an artist, and a committed community member, she has made Taiwan her home since 1987.

http://thelivingcanvas2.com/

https://www.facebook.com/thelivingcanvas2/

Visual Dialogues X

1 November 2015, Visual Dialogues 藝術對畫 II

RRVD2-Nov-2015Ted Pigott and JJ Chen
Animation. Illustration. Sketches 動畫 插圖 素描
Please join these two artists for their Visual Dialogue Red Room Gallery November 1 – December 5, 2015
邀您進入以下兩位藝術家的視覺對畫
OPENING RECEPTION 開幕酒會 November 1 2015 3:00 pm ~ 7:00 pm

For six years, Red Room has been growing and changing and staying the same. This month’s featured artists, JJ Chen and Ted Pigott, are Red Roomers. Their sketches of Red Room events, watercolors, drawings, and animation embody the Red Room identity. The Arts are for everyone, and Red Room is a platform for everyone to share their art.
六年來,紅房不斷的成長及蛻變。11月份紅房「藝術對畫」所推出的二位藝術家為JJ Chen及Ted Pigott。匯集其在紅房歷年活動中的速寫,體現出紅房的特色並涵蓋其他水彩,素描和動畫等作品。藝術欣賞適於所有人,而紅房也樂於提供此平台,讓藝術家們能與所有人分享他們的創作。


Ted Pigott is from Northwest Indiana, just outside of Chicago, in the American Midwest. After graduating cum laude from DePauw University with a degree in English Composition, he lived in New York City, traveled throughout Europe, and worked and traveled in several parts of Asia, including China, Tibet, and India.

He is now based in Taipei, a city he has grown to love during his eighteen years here. These days, when he’s not exploring Taipei’s back alleys and leafy lanes on his bicycle, he can be found in the city’s cafés and restaurants, eating and drawing, especially at lunchtime.

As an artist, he believes these things are true: Draw what you see. Draw what you love, and love what you draw. Share your work. Don’t think—just draw. Every day is better when you draw.


JJ Chen is a Taiwanese animation director who was born in France and grew up in Belgium – where he studied animation directing before moving back to Taiwan in late 2007. Since then, he’s been alternating between animations for music videos and commercials, working on concept art, storyboards and post production for Taiwanese animated TV series and feature films, and animation work on independent videogames. He also used to draw a lot of sketches of various people to document his daily life and commutes whenever he had time.

As a director of animated shorts, he’s covered pretty much all the phases of production, and is a well-rounded visual storyteller. As such, he also participated in the past 2 years’ Tainan 39H and Taipei 48H Film Challenges, twice as an actor, and twice as director.

He’s been working for the past 2 years on a Chinese smartphone video game company in Taipei on a game that will hit the Apple Store and Android Market in the next coming months, and is now taking a well-deserved break.

In parallel, since last year, he is thinking more and more about switching to photography, which has always been his other passion, and is now replacing his sketchings on his daily life documenting.


Visual Dialogues 藝術對畫
between people, spaces and ideas
Two artists from different cultures with be featured in a monthly art show at the Red Room International Village, opening on the first Sunday of each month.
紅房會邀請兩位分別來自西洋及東方的藝術家來展出他們的作品,讓藝術氣息繚繞在紅房國際村的樑柱之間。
在每月的第一個週日,邀請您們一同享受創意與空間的對談。

Gallery Timings: Tuesdays, Thursdays, Saturdays and Sundays from 3pm to 7pm.

Contact [email protected]

Photos from Visual Dialogues I can be viewed here

David Pipkin

Born and raised in Oklahoma, where the wind comes sweeping down the plains, and….never a day is without red clay. I took my first ceramics class in Stillwater Oklahoma, the home of the OSU Aggies, while I was studying architecture and dodging Draft bullets. I was immediately hooked on the process of making pots; digging that often overlooked amazing red clay, processing it, my fingers learning to see and understand the differential pressures needed to mold and form objects, then comes the chemistry of the glazes, and finally the magic of smoke and fire. All aspects of making clay objects have always fit me like a glove.

After graduation I spent more time making pots or playing on sailboats, than working as an architect. Downturns in real estate always hit architects first, so when a downturn hit Oklahoma I was actually delighted to be laid off so I could focus on playing with clay. After spending the better part of a year being a fulltime potter, I to returned to architecture with an interesting job. Although making a living from pots is possible and the hard work was actually fun, I found I really did not like working alone and was happy to hang around the water fountain again. During the first 5 years out of school I had many exhibitions, won awards, and made the rounds of multiple craft fairs.

Fast forward 40 years, I have not regretted remaining in architecture as it has shown me the world. I have worked in Oklahoma, NY, LA then Taipei. I was always able to keep my hands in clay and look forward to spending more time with clay as I get older.

I consider myself a serious student of clay. Every place I have lived in has offered different types of clay with different work conditions. In Taiwan I was limited to electric kilns, which was not my first choice but I gradually learned to come to terms with it. Two years ago I decided I wanted to go back to gas-fired kilns and thanks to the help of a potter friend Jack Doherty, I managed to build a gas-fired ‘soda’ kiln on my roof. After 12 months of planning I built a 1 cubic meter beast of a kiln. I had built and fired many high temperature gas kilns but never a soda kiln.

Soda firing means taking the kiln up to a temperature of about 1200 C, then introducing bicarbonate of soda in liquid form, which interacts with the clay and slips in unexpected ways. The process is 10 times more difficult to control than normal gas firing. After my 5th firing, I now have a pretty good list of things not to do. Hopefully, after 5 more firings I will have a reasonable list of things to do. Firing a cubic meter soda kiln offers a physical challenge that I did not plan for. However it is all part of the learning process, and I expect to make pots until the day I die, if it doesn’t kill me first.

Visual Dialogues X