Posts
Performers at Aside 7
Saturday, November 29th, 2014 Time: 6:30pm – 10:00pm
Red Room’s seventh exclusive event, where these artists share their most imaginative, courageous and inspiring performances.
Red Room’s seventh exclusive event, where these artists share their most imaginative, courageous and inspiring performances.
You can register online (http://bit.ly/1vH0JCX) or email us at
red.room.taipei@gmail.com to confirm your attendance.
red.room.taipei@gmail.com to confirm your attendance.
Bio:
Coming from Indianapolis, U.SA.
Apelles Johnson is a poet of simplicity. His poems vary in subject matter and mood, but he tries to maintain a style of speaking clearly and giving a message easily understood.
He is proud to have performed in Taipei as it shows an appreciation for his style of universal poetry. He has also hosted a poetry workshop here through the organization ‘Becoming’ as well as written and performed short plays with the Taipei Players. He loves listening to live music and works as an English teacher at Tamkang High School.
Bio:
Like most artists, in younger days Tina was a Taiwanese hippy, rebelling against anything that interfered with her free will. She loved playing the guitar and learned American music while participating in all the social movements when Taiwan was seeking its identity in the early 80s.
After 30 years, she knows that the voice and sound must come from her own ground and soil now.
Having explored different art forms, she has finally chosen telling Taiwanese stories through songs from the ancient Chinese to current days, and to follow her bliss…
She likes to see herself as someone who uses this ancient musical instrument – moon guitar, to share shamanic spirits from nature and folklore of the mother earth. The instrument is two stringed, but says a lot in a simple ways, as most of life’s wisdom does.
Bio:
Conor Murphy’s compelling Irish voice carries any crowd, and when pulling back to circle around a more delicate turn in a song, audiences instinctively lean in to hear where he’s going next, lost in the narrative.
One remembers his work long after listening not only for its uniqueness, but his uncanny and marvelous ability to transmit the richness of human experience into word and song.
The subtle, enveloping, and sometimes explosive presence Murphy wields onstage combines remarkably with his lyrics, which carry all of the raw and the marvelous of life. His work inspires a nostalgia for the present, like all great art.
Performance statement: With every song comes the tale of its creation. No one person will be left unengaged, of this you are assured.
Bio:
高中畢業於華岡藝術學校表演藝術科，現在就讀中國文化大學２年級
對表演熱愛的他，有想許多大大小小的表演經驗，希望未來能突破更多挑戰
Bio:
Daniel was born and raised in NYC. His first foray into storytelling was with taking photos in Lower East Side. From there he graduated to film. Ever since then he has been trying his best to translate the visuals he sees in his own mind to the public. A good portion of his stories are drawn from real experiences, either his own or others.
‘red room, all grown-up’…Apelles Johnson
Aside was a new experience to me. I feel as though I am a regular red roomer, but aside felt different. Before the show started, one woman described Aside as “red room, all grown-up”. I wrestled with this definition for some time. I hated the idea of Aside being the “high end” red room, or the red room for “us”. This mentality was what I had searched a long time to escape, and I found an escape from this in Red Room’s personability. I didn’t like the idea of it being a separate event where only the high-end people were invited.
But then the shows started. And Red Room did not let me down.
Aside soon showed itself to be a space where people were pushed to engage yet it was not the engagement of the usual stage time and wine. Manav was insistent on people speaking with the performers, and some of the more regular red-roomers egged the questions along. It then becomes a marvelous space for people to feel comfortable with “performers” and humanized us in a way that breaks down the barriers between the stage and the audience. It allowed me to be seen as a poet and then offered an opportunity to talk with a poet. And a black poet no less. If stage time and wine is like high school, then Aside is like college. Its a place where you are in the room with a professional and allowed to learn from their experiences as you build your own future. This, I discovered, is what was meant by the saying “red room, all grown-up.”
Apelles Johnson
Performers, Aside 6 @ the Red Room, August 30 2014
Saturday, August 30th, 2014 Time: 6:30pm – 10:00pm
Red Room’s sixth exclusive event, where these artists share their most imaginative, courageous and inspiring performances.
Red Room’s sixth exclusive event, where these artists share their most imaginative, courageous and inspiring performances.
You can register online (http://bit.ly/1sFbGFZ) or email us at
red.room.taipei@gmail.com to confirm your attendance.
red.room.taipei@gmail.com to confirm your attendance.
Featuring:
Bio:
Mark van Tongeren is a sound explorer, experimental vocalist and cultural musicologist, well-known for his work on Tuvan throat singing and other kinds of overtone singing around the world. He wrote a textbook Overtone Singing (2004) and presented his work internationally from the USA and New Zealand to Taiwan. In 2013 he received his PhD from Leiden University with his thesis ‘Thresholds of the Audible. About the Polyphony of the Body’. Mark is a member of the arts/sound-collective Oorbeek and founded Parafonia and Superstringtrio. He lives in Taiwan with his Taiwanese wife Wen Yo-June and their two children.
Performance statement: For this Red Room I have prepared a sound massage, to clean the audience’ ears, brains and cells. Simple, flowing vocal sounds (though with a twist …. ) that can swallow up all the confused energy in your body-mind. Close your eyes, open your ears, and experience soundspace the way you have never experienced it before. Forget what you were doing, what troubled you, forget even who you are and where you are. Enjoy some moments of pure silence, of simple being afterwards. And come out refreshed.
Bio:
Coming from Indianapolis, U.SA.
Apelles Johnson is a poet of simplicity. His poems vary in subject matter and mood, but he tries to maintain a style of speaking clearly and giving a message easily understood.
He is proud to have performed in Taipei as it shows an appreciation for his style of universal poetry. He has also hosted a poetry workshop here through the organization ‘Becoming’ as well as written and performed short plays with the Taipei Players. He loves listening to live music and works as an English teacher at Tamkang High School.
Bio:
David Gentile came to Taiwan years ago to study Chinese and Kung Fu, then ended up graduating from the Chinese Dept. at NTNU this past Summer. He traveled throughout the US before coming to Taiwan, and has always enjoyed coming up with little one-two line rhymes about the strange, beautiful, or troubling people, places, and things he encountered along the way.
“The poems started to become a way for me to impermanently document my experiences and even influenced the way I saw the world. Places became references to epic lines with names like “The Dog-Rocket House” or “The Dust Palace” that echoed the feeling of the abandoned hotel in the Lost Boys. People around me started to have nicknames so colorful and fitting that they sounded like the cast of Dick Tracy villains, and even the simplest of tasks were a mix between everyone’s own unique dog commands and rhyming slang. Basically, we got in there like swimwear, and now I have a whole new time zone…”
Bio:
Like most artists, in younger days Tina was a Taiwanese hippy, rebelling against anything that interfered with her free will. She loved playing the guitar and learned American music while participating in all the social movements when Taiwan was seeking its identity in the early 80s.
After 30 years, she knows that the voice and sound must come from her own ground and soil now.
Having explored different art forms, she has finally chosen telling Taiwanese stories through songs from the ancient Chinese to current days, and to follow her bliss…
She likes to see herself as someone who uses this ancient musical instrument – moon guitar, to share shamanic spirits from nature and folklore of the mother earth. The instrument is two stringed, but says a lot in a simple ways, as most of life’s wisdom does.
Bio:
“The Power and Purpose of Art”
藝術人文的力量和用途
A few weeks ago, on the Internet site called Reddit, there was a post of a young man sharing his pain. The pain was of loss. The young man, 24 years old, agreed to watching his neighbor’s daughter while they went through a divorce, he fixed his car in the garage and she sat with him, eventually curious and brave enough to ask him if she could help. The two developed a bond over the weeks to come only to be separated by an imminent divorce and move.
His pain, when shared, opened up a sensational trend of responses. People connected and created from his and her pain. His loss of a friend, the young girl’s loss the only respectful adult who cared for her. Some of the most powerful responses were acts of artistry, and creation. Using their story to create poems, songs, and beautiful verse reposes, they helped mend him, all with the desire and goal to help him find a way through his loss.
So what is art for, and why do we have it? Where does it come from? How has the creative energy transformed today into our world of living with technology? Do we still use art for the same reasons?
Through the examination of poetry, verse, theatrics, music, and this example, I will try to address the humanness to create and give, and examine where the true resting place for a final piece of artistry should be.
幾個星期前在一個叫 Reddit 的網站上一 24 歲的研究所畢業生留了一篇散文，
他發佈他的苦衷之後，網友們的回應都是非常的熱烈，
那麼，什麼是藝術人文到底是什麼？它為什麼存在？它從哪裏來？
通過詩歌，白話，戲劇，音樂，以及這個故事作為例子，
Bio:
I’ve been involved in the performing arts in a wide variety of ways since early childhood. Since coming to Taipei five years ago, I find myself in an entirely new-to-me sub-genre: Radio Drama and it might never have occurred to me if not for my involvement with the Red Room Community. The experience has been transformative. I’m Director/Producer of a fledgling company: Red Room Radio Redux (R4). Our mission is to share great classic Western literature with a wide audience using simple techniques of readers’ theater and radio drama. In our productions, we seek to re-kindle an appreciation for Western literary tradition and to find common purpose through a shared, re-imagined experience of these great works.
A not-for-profit organization, R4 is always grateful for support in any form: technical assistance online and onstage, opportunities to perform, gifts in kind and, of course, sponsorship. We seek to connect with educational institutions in Taipei; we want to share our passion for the spoken word and do our part for education. If you can help in any way, please email us at r4.radioredux@gmail.com
Bio
Thomas Bellmore has been a valuable player with R4 starting with his portrayal of Jonathan Harker in Dracula LIVE! Halloween 2013. He recorded the same role for broadcast on ICRT-FM100 this year (10/30 at a time TBA)
Last December, he played Marley’s Ghost for our annual presentations of Dickens’ A Christmas Carol and, in a special command performance, took the challenge to portray 8 different characters before a live audience.
We are grateful to him for his time and talent.