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Amanda Hsiao, March 2012

A poem I wrote for someone special I lost last year.  Our time together was short, but changed my life nonetheless.

The Promise of Moonbeams

I kiss my fingers and blow
gently, up towards the sky
and you will catch it, I know
you, are the moon in this dark sky
far beyond my mortal reach,
unless I learn to fly
Still, I raise my hands and reach,
grasping moonbeams and starlight
filling the emptiness with each
Weight disappears, my body now light,
as if gravity has loosened its hold,
giving ground in our earthly flight
I breathe in deeply and hold;
a rare smile warms my face
chasing away the bite of cold
No longer sharing time and space
That knowledge was once so difficult to face
But now the moon caresses me with a promising glow
Someday, you’ll teach me to fly and away with you, I’ll go.

(c) Copyright 2012 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of  this publication. Thank you.

Jim Kay, February 2012

June in September

In September, we men sense the onset of winter.
There’s a chill in the air.
Is this, we ask, the end of summer?
There’s a chill in our bones.
Is this woman to be the last one we know?
There’s a chill in our hearts.
We see summer all around us and some reach out.
There’s a chill in our fingers.
September sees only June and desires but June sees only September and desires not.
There’s a chill in our image.
Winter will not be stopped and spring will not come again.
There’s a chill in our folly.
Seek you September men your summer daughter; if you are fortunate enough to have one.
There’s a chill in her absence.
There’s life-long warmth in her presence.

Read more

Mark Caltonhill, February 2012

世界雙關語遊行日

Short of poetic inspiration lately, Mark Caltonhill apologized for only having “light verse” to offer this month.
He read his most recent composition, “The Day My Legs Turned to Lettuce,” based on a dream in which he was chased down the street by a flock of sheep; followed by two earlier Chinese-language humorous poems: “你很像我的狗” (You Remind Me of My Dog) and “阿兜仔都住天母” (ALL foreigners live in Tianmu).

“…my apologies for the rhymes; if i had chosen the topic, my legs could have been some nice rhymable thing like beans or leeks or … but lettuces they were

also, apparently “peckish” means something completely different in US English; in British English it means “slightly hungry”

enough! here’s the poem:

The Day My Legs Turned to Lettuce

One day, I woke to find my legs had turned to lettuce,
completely green, from my toes up to my … belt-ish,
well, that was no problem as I was feeling peckish,
so I simply showered in vinaigrette and ate green salad for my breakfast.

I opened a self-grown self-serve vegan restaurant,
serving hippies from Lisboa to Sebastapol,
and I also raised packs of long-haired rabbits,
from which I took wool and made alpaca jackets.

I had to take care, though, when going out of doors,
or I’d be chased by herds of herbivores,
by cows and sheep and other animals,
as well, of course, by those damned hippy cannibals.

[CHORUS] One day, I woke to find my legs had turned to lettuce
well, there was no problem when I was feeling peckish,
so long as I did not succumb to that habitual menace,
of ending up as food in caterpillars’ bellies.

A polite Polish policeman once doffed his hat,
as a leder-hosened German enquired “Kaufs du kopfsalat?”,
meanwhile a salad-mad French artist named Toulouse,
screamed at me “Je voudrais manger your bloody let-ouse.”

[Chorus] One day, I woke to find my legs had turned to lettuce,
well, there was no problem when friends were feeling peckish,
of course, come winter, things could get quite hellish,
as only Russians still eat salad when the weather’s wettish.

With my lettuce ankles and lettuce knees,
I needed to hide my legs from ravenous Cantonese,
from chopstick-wielding Japanese politely saying “itadakimasu”,
and cabbage-missing Koreans hoping to make their kimchi at last.

[Chorus] One day, I woke to find my legs had turned to lettuce,
well, there was no problem if I was feeling peckish,
and some day, I know I’ll find true love, perhaps in Venice
from a dirty-minded Italian with a green-foot fetish.

Maybe I should look for love within my kingdom,
for someone with baby-corn fingers with no ring on,
or whose own legs are slender asparagus spears,
but preferably who does not have cauliflower ears.

Sometimes I hide my legs when I go on a date,
elsetimes, I just lean back and spread them on a plate,
nonchalantly saying to my sweetie,
“Darlin’, if you’re hungry, you go ahead and eat me.”

[Chorus] Well, that’s all to tell about when my legs turned to lettuce
completely green, from my toes up to my … belt-ish,
my story’s done, there’s no more to embellish,
unless, of course, it’s you who now feels peckish.
Read more

Peter Giordano, February 2012

Almost thirty years ago I figured that I was one of the highest paid poets in the US for one year. The way I figured it was that I won a prize for a poem that began with the lines “My baby’s raised by Sigmund Freud. /I get annoyed by the questions.” I divided the number of lines in my poem with the amount on the check and it was way more than what the New Yorker Magazine was paying for poetry that year. In the meantime, I completely forgot about the poem and, in fact, almost completely forgot it. So for Red Room I tried to reconstruct it but of course, thirty years does a lot to memory and experience. So here’s the formerly prize-winning poem as remembered:

My baby’s raised by Sigmund Freud.
I get annoyed by the questions.
In the deepest shadows of 2AM
A father’s doubts are chilling.
Was that a footfall in the night
Or a baby turning in his crib?
This night is dark and deep and holy
But so was last night and the night before and so will be all the nights to come.
Freud had ideas and I don’t trust them but Jung could arm wrestle the bastard
While all I can do is stay up and worry.
Holy fuck. Fuck that’s how I got here.
Freud is fucking with my baby’s head
And a father’s work is never done.

(c) Copyright 2012 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of  this publication. Thank you.

Edward’s Summary of Red Room, February 2012

每一次的 RedRoom 聚會都是不一樣的體驗,很難從參加一次就能徹底了解它的文化與形式。相較於上期新年聚會我們擁有小而溫暖的分享聚會,這一次只能以空間覆載、分享內容爆炸滿的來形容。老朋友牽新朋友一同來參加這麼多元化的聚會,而當你穿梭在人群裡面和彼此認識時會發現,每一個人的背景都很不可思議和與眾不同。台上朗誦着詩詞、痛快的唱歌,台下的聆聽者喝著紅酒彼此產生體悟上的共鳴,那種感覺只能用激昂、雞皮疙瘩來形容。掌聲外加 encore 給予最大的致意,每個月的聚會我們可以解放平日扮演的自己,找到獨特與不一樣的彼此。

Every Red Room gathering is a unique experience to be had. With that in mind, its difficult to fully appreciate the culture and form of the Red Room based on a single visit. The Lunar New Year event was a warm, and intimate event. This latest one however, was overflowing with explosive characters alongside poetic blends that I was overjoyed to be surrounded by diverse crowd of people with intriguing backgrounds. Old friends and new, it was an exciting social event to say the least. Stage time & Wine, filled with music, poetry and the range in emotion from confident performances, to the shy and hesitant.

(c) Copyright 2012 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of  this publication. Thank you.

February Red Room 2012, Ruth Giordano

A record breaking crowd. So many new faces and regulars returning. The room was humming. The word is out: Red Room is the place to be on the third Saturday of every month. A little bit of stage time & a little bit of wine. And last month, a special guest speaker:

Charles Shuttleworth, Explorer, Soldier, Safari Guide, Zoologist, Poet, Author of numerous books on the natural wonders of SE Asia, Taiwan representative of the International Primate Protection League.

Dedicated volunteers make every Red Room happen by setting out rugs and chairs and candles, chopping and cooking vegetables for the communal stew, preparing the fragrant chai, greeting our guests and pouring the wine. The spirit of acceptance keeps people coming back.

by Ruth Giordano
Photo courtesy of Terrance Shih

(c) Copyright 2012 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of  this publication. Thank you.

So what is Red Room all about? 嗯? Red Room 是什麼?

Celebrate the spoken word with us as we read our own passages or those that we yearn to share. Speak. Listen. Hear. Feel. Come and share a unique experience with new and old friends. Live music and warm company. All languages desired!

把自己最喜歡的文章片段透過朗讀方式和我們大夥們分享,一同享受渴望的交流與那份心靈撼動。說、聽、傾聽、感受,與老朋友新朋友們一同分享獨特的體驗。現場也有氛圍溫馨音樂演出。所有的語言都非常歡迎!

Location 
Aveda’s Learning Kitchen, above the Aveda Salon:
Red Room 位於 Aveda 的教學廚房,在 Aveda Salon 的樓上:
2F #117 Sec. 1 Da-an Rd   台北市大安路一段117號2F

? Red Room 是什麼?

團體所舉辦的藝文聚會。在每次 的聚會裡,任何參與者都歡迎到台上分享5分鐘的好東西,可以是一首詩、一首歌、一段無厘頭嘶吼大叫、一個神聖寧靜的片刻、一 段舞蹈、部落格上的消息、書上的節錄、自 言自語的呢喃等,任何你可以想到且值得分享的生活藝文經驗。透過這些經驗分享的過程,我們希望發展出一個能夠「深度傾聽」的文化…

「深度傾聽」???這又是甚麼玩意兒? 聽起來似乎頗深奧!

「深 度傾聽」的意涵,其實就是藉由傾聽他人分享的過程來學習聆聽的藝術。這指的是當他人在分享的時候,在場聽眾不會分心於其他談話、手機的使用或是隨意來回走 動.所有來自你頭腦與心智的注意力都給予正在分享經驗的人。而Red Room提供的便是一個能自由分享同時培養心性的創意空間°

當然囉,一場完美的聚會絕對需要美食以及輕鬆閒聊的相伴。

我 們有足夠的休息時間讓大家相處聊天、喝一杯紅酒、來一口現煮的印度奶茶、吃一個超酷餐廳NonZero 所作的美味餅乾(吃三個也可以)、嚐一些西班牙調酒sangria或是西班牙涼菜湯gazpacho.最重要的是, 好菜好酒之餘,我們也保證你會遇到超級有趣的人,同時愛 上傾聽的藝術。

要是你覺得聽起來還不賴,就加入我們吧!

Stage Time & Wine 固定在每個月的第三個周六舉行,時間是18:30~22:30。入場費用新台幣$200,現場收費。

我需要帶什麼東西嗎?

您若想帶上一瓶紅酒或是一些新鮮食材讓駐店共有的蔬菜湯更豐富, 甚至你想要分享你的創意料理, Red Room都張開雙手歡迎!

About 

So what is Red Room all about?

Stage Time & Wine is a monthly event hosted by the Red Room. Everyone is welcome to take the stage for 5 minutes and share anything – a poem, a song, a scream, silence, a dance, a blog entry, an excerpt from a book, a monologue or anything else you can think of. Everything is welcome to this culture of listening…

Culture of Listening? What does that even mean?

Red Room is a space to inspire others and be inspired through mindful listening: the practice of narrowing attention on the person sharing and truly engaging in the art of listening.  Red Room embraces the freedom of creative expression by any method or form of artistic communication, in a nurturing and non-judgmental environment.

The Red Room is a place for the mind and body to imbibe unique flavors. Take part in our community at our open wine bar, created by those who attend. Sip a cup of our communal ‘stone soup’. We begin with boiling water, and each person contributes a unique flavour: spice, herb or vegetable.  Sip some freshly-brewed chai. Nibble a gourmet cookie (or 3) from the uber-cool restaurant, NonZero, and meet someone new.

If this sounds good to you, meet us at the Red Room, on the 3RD SATURDAY OF EVERY MONTH from 18:30 – 22:30. Entry is NT$200 at the door.

If you want, bring a bottle of wine, a flavor to contribute to our communal pot of vegetable soup, or bring your own creative dish to share.

For more information, contact us by email: <red.room.taipei@gmail.com>, or on Facebook

Nicholas Chen, January 2012

The 2012 Opening Red Room was held tonight with a reduced Chinese New year sized crowd but the creativity and enthusiasm was second to none. We had first time performers and veterans as well incluidng stirring female vocalist who composed a touch song from her grandfather’s diary, a re-emergine bass player without band, but accompanied by 60 sets of snapping fingers, Improv accapella music, trilingual poetry in voice and song, Moon Dust love poem comparing Neil Armstrong’s vsiit to the barren moon and a shy admirer’s revelation process that he would never travel to the moon without the one he loved, a stirring reading from Dr Gino Strada’s Green Parrot book describing the war surgeon’s reconstructive work in the face of massive Russian human rights violations ie explosives traaeted at children during their Afghan invasion followed by a reading of the “What We Want” mission statement of NGO Emergency which provides free medical service worldwide to face down war, terrorism etc, excerpts from Spamolot by Holly Harrington Mark “Marlarky’s” reading in response to critics of Will being dead, my recitations from Will the Bard on the richness of life and special persons who turn difficulties into positives as evidence that Will still lives up in Bhutan with Michaal Jackson, Elvis and others who have not really left the planet. Masterful MC Manav ended the proceedings at 11pm quietly as not to disturb the neighbors. Another inspiring Red Room evening which showed the power of the individual artist, the power of humanity and the timeless values that are reflected and preserved and shared by Red Roomers. Newcomer Charles Hung stated he had participated in these kinds of activities in many cities and cited Montreal in his your 4-5 decades ago and how inspired he was to listen to the Red Roomers. To all who came tonite, you were all wonderful. To those who were away, we felt your presence and essence in spirit and look forward to seeing you next month on the third Saturday of February. Open your hearts, minds, souls and share. Bravo again…listen to the sound of the rain, the whispers of the wind, the souls and sounds of the voices of the ancestors and wise ones of old…come find your inner resonance with your fellow travelers..come to the Red Room is you Aspire and Inspire. In the words of the cognoscente…”Bis”! Encore! Until next month….be safe and may the force be with you…

 

(c) Copyright 2012 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of  this publication. Thank you.

Jason, January 2012

Oh, Life by Jason

Please click on link to hear song.
sung at the Red Room, January 2012