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Performers at Aside @ the Red Room 8

Saturday, March 14th, 2014 Time: 6:30pm – 10:00pm
Red Room’s eighth exclusive event, where these artists share their most imaginative, courageous and inspiring performances.
You can register online ( http://goo.gl/forms/Fjqc56ydLY) or email us at
red.room.taipei@gmail.com to confirm your attendance.

DAN O’SHEA

ASIDE-8-PRESENTERS-1

ACOUSTIC SINGER SONGWRITER
ACOUSTIC FOLK/ROCK/CLASSICAL

Bio:

Born in Oxford in 1983 and brought up in York for the next twenty years. For Christmas and birthday’s I didn’t get presents, but musical instruments – that’s how it is when you come from a large Irish family. I tried the piano, the trumpet, the violin, the harp, several other instruments and eventually at 16 I took up the guitar – I have now been playing for fifteen years. I have travelled around the world playing venues in Chicago, Havana, Paris, Prague, London, Thailand, Cambodia, Vietnam and now Taiwan.

I have entered various competitions around the UK. I enjoy writing original material about lost love and life’s little quirks and mishaps as well as interpreting others’ songs in my own view. I love music and I believe it’s all about the soul and passion you put into it – that’s what makes it so real.

I’m currently living in Taipei – after I finished travelling the world playing in various bars, restaurants, music venues I relocated to London, but unfortunately couldn’t live with the novelties of being barged into and the noisy silence. I still love to visit and playing gigs there. It is one of the most challenging places to play. I am not competitive, I do it all for fun. That way I get to do whatever this is that makes me happy.

In the future I hope to earn a career from music – be it writing or performing. I’m happy staying away from the limelight so I do dream that I’ll survive on being a teacher and performing music. I have played in a few bands – my rhythm is in my own timing so drummers and bass players don’t like playing with me. The only unique style I change the song each time I play it. It’s all about how you feel in the moment..

I have played the same guitar my whole life – it’s customised to how I play and although a little pretentious I do believe because of the abuse I have subjected to my guitar it’s got my soul inside it. I believe real art comes from pain and if you read, everything will become so much easier.

Performance:

I will be playing songs that have shaped who I am.
They’re all mine and were written over the last fifteen years. Some have been written in 3 minutes, some have taken years to write.
The songs will be about all of my personalities; The Good, The Bad and the Mischievous.

I hope you enjoy the songs, please feel free to ask questions. If you
like, there is a radio show where I perform live and talk about my songs.
The link to that is here:
PaulSecklowSessions/secklow-sessions-featuring-daniel-oshea/
dan@danoshea.net
www.facebook.com/danosheamusic

DAVID GENTILE

ASIDE-8-PRESENTERS-2

Bio:

David Gentile came to Taiwan years ago to study Chinese and Kung Fu, then ended up graduating from the Chinese Dept. at NTNU this past Summer. He traveled throughout the US before coming to Taiwan, and has always enjoyed coming up with little one-two line rhymes about the strange, beautiful, or troubling people, places, and things he encountered along the way.

“The poems started to become a way for me to impermanently document my experiences and even influenced the way I saw the world. Places became references to epic lines with names like “The Dog-Rocket House” or “The Dust Palace” that echoed the feeling of the abandoned hotel in the Lost Boys. People around me started to have nicknames so colorful and fitting that they sounded like the cast of Dick Tracy villains, and even the simplest of tasks were a mix between everyone’s own unique dog commands and rhyming slang. Basically, we got in there like swimwear, and now I have a whole new time zone…”

RED ROOM RADIO REDUX
ASIDE-8-PRESENTERS-3

Bio:

As part of the Red Room community “dedicated to listening”, the mission at Red Room Radio Redux (R4) is to bring selections from the canon of Western literature to wide audience using simple techniques of readers’ theater and radio drama. We seek to re-kindle an appreciation for Western literary tradition and to find common purpose through a shared, re-imagined experience of these great works. R4 performs in English, in adaptations that draw extensively on the original language of the story or poem. Participants are auditioned and cast on the basis of their vocal abilities and willingness to contribute to an ensemble theatre production. Carefully chosen background music and live sound effects enhance the listening experience as we recreate the story in the minds of the audience.

In addition to live public performances, R4 also records voice dramas for broadcast in partnership with ICRT-FM100. We have also been in contact with educational institutions in Taipei and look forward to sharing our passion for the spoken word and Western literature with their students. Our repertoire includes: Macbeth, Bram Stoker’s Dracula, The War of the Worlds, Treasure Island and Charles Dickens’ A Christmas Carol. A not-for-profit organization, R4 is always grateful for support in any form. We welcome fresh talent, technical assistance off & onstage online and off, gifts in kind and, of course, sponsorship. Our progress as art-makers would not be possible without the generous support of Red Room Volunteers, ICRT-FM100 and The Ripplemaker Foundation.

Performance:

The Mad Hatter’s Tea Party

Lewis Carroll’s classic Alice’s Adventures in Wonderland is the story of a young girl who finds herself in a world where nothing is as it seems. It was quite revolutionary for its time, in that it was written for enjoyment, rather than for educational and character-building purposes. It also helped to make the fantasy genre a popular and reputable way to tell a story for children, as well as adults. It is full of poems, songs, and verses that don’t make sense and fantastic and slightly disturbing characters, all seen through the eyes of a intelligent child who is full of curiosity.

Our Radio Redux presentation MAD TEA was extracted from Chapter 7: “The Mad Hatter’s Tea Party” with faithful attention to the original text.

Along with Alice, you’ll meet several of the most fun, and yes, craziest characters in literature: the Cheshire Cat, the Mad Hatter, the March Hare, and the Dormouse. This is your invitation to come to a tea party where you discover that “we’re all mad here,” in the best way.

Red room Radio Redux: r4.radioredux@gmail.com
Facebook: R4radioredux

TINA MA

ASIDE-8-PRESENTERS-4

Bio:

Like most artists, in younger days Tina was a Taiwanese hippy, rebelling against anything that interfered with her free will. She loved playing the guitar and learned American music while participating in all the social movements when Taiwan was seeking its identity in the early 80s.

After 30 years, she knows that the voice and sound must come from her own ground and soil now.

Having explored different art forms, she has finally chosen telling Taiwanese stories through songs from the ancient Chinese to current days, and to follow her bliss…

She likes to see herself as someone who uses this ancient musical instrument – moon guitar, to share shamanic spirits from nature and folklore of the mother earth. The instrument is two stringed, but says a lot in a simple ways, as most of life’s wisdom does.

taiwanteama@gmail.com
Facebook: Tina Ma

ROSE GOOSSEN

ASIDE-8-PRESENTERS-5

Bio:

Rose Goossen is the inventor of the Gypsy Jukebox and the Turkish Kanadiano. She was born in the Great White North, but quickly left for warmer climes and rhapsodic adventures. She makes the sound of music with her lovely wife, Madame Le Guitare. Together they have recorded four live albums of original songs and multilingual covers.

Synopsis: She will play original songs that were born of necessity while traveling the world and tell the top-secret stories behind the music.

 

MYSTERY PERFORMER

SOPHIE CHEN

Bio:

Sophie Chen, our mystery guest for Red Room Aside, brought a moving musical performance of strong vocals with fun live electronica to the evening. We loved the fresh experimental vibe.
Currently signed to Full Entertainment Marketing Company, based in Taipei, Taiwan.

Born December 26, 1992, in Montreal Canada, CHEN, or Sophie Chen, is singer-songwriter-producer that is fluent in French, Mandarin and English.

She has been performing since the age of 6, starting in her hometown, and later doing performances in big cities such as Toronto, Beijing, Shenzhen, Xiangtan. Invited by tv channels such as Shenzhen TV and Hunan TV, she often travels to China.

In 2010, Sophie  sang the official theme song of the Chinese blockbuster ‘Flirting Scholar 2’ and for another independent movie for whom she has written the theme song. Songwriting is also one of her passions, and she writes in French, English, and Mandarin.

http://www.chenmusiconline.com/
Facebook: https://www.facebook.com/CHENmusiconline?fref=photo

Performers, Aside 6 @ the Red Room, August 30 2014

Saturday, August 30th, 2014 Time: 6:30pm – 10:00pm
Red Room’s sixth exclusive event, where these artists share their most imaginative, courageous and inspiring performances.
You can register online (http://bit.ly/1sFbGFZ) or email us at
red.room.taipei@gmail.com to confirm your attendance.

Featuring:

ASIDE 6 PRESENTERS_Page_2

Bio:

Mark van Tongeren is a sound explorer, experimental vocalist and cultural musicologist, well-known for his work on Tuvan throat singing and other kinds of overtone singing around the world. He wrote a textbook Overtone Singing (2004) and presented his work internationally from the USA and New Zealand to Taiwan. In 2013 he received his PhD from Leiden University with his thesis ‘Thresholds of the Audible. About the Polyphony of the Body’. Mark is a member of the arts/sound-collective Oorbeek and founded Parafonia and Superstringtrio. He lives in Taiwan with his Taiwanese wife Wen Yo-June and their two children.

Performance statement: For this Red Room I have prepared a sound massage, to clean the audience’ ears, brains and cells. Simple, flowing vocal sounds (though with a twist …. ) that can swallow up all the confused energy in your body-mind. Close your eyes, open your ears, and experience soundspace the way you have never experienced it before. Forget what you were doing, what troubled you, forget even who you are and where you are. Enjoy some moments of pure silence, of simple being afterwards. And come out refreshed.

E: mark@fusica.nl

 

 

ASIDE 6 PRESENTERS_Page_3

Bio:

Coming from Indianapolis, U.SA.

Apelles Johnson is a poet of simplicity. His poems vary in subject matter and mood, but he tries to maintain a style of speaking clearly and giving a message easily understood.

He is proud to have performed in Taipei as it shows an appreciation for his style of universal poetry. He has also hosted a poetry workshop here through the organization ‘Becoming’ as well as written and performed short plays with the Taipei Players. He loves listening to live music and works as an English teacher at Tamkang High School.

apellesjohnson@gmail.com

ASIDE 6 PRESENTERS_Page_1

Bio:

David Gentile came to Taiwan years ago to study Chinese and Kung Fu, then ended up graduating from the Chinese Dept. at NTNU this past Summer. He traveled throughout the US before coming to Taiwan, and has always enjoyed coming up with little one-two line rhymes about the strange, beautiful, or troubling people, places, and things he encountered along the way.

“The poems started to become a way for me to impermanently document my experiences and even influenced the way I saw the world. Places became references to epic lines with names like “The Dog-Rocket House” or “The Dust Palace” that echoed the feeling of the abandoned hotel in the Lost Boys. People around me started to have nicknames so colorful and fitting that they sounded like the cast of Dick Tracy villains, and even the simplest of tasks were a mix between everyone’s own unique dog commands and rhyming slang. Basically, we got in there like swimwear, and now I have a whole new time zone…”

david.gentile.5@facebook.com

ASIDE 6 PRESENTERS_Page_4

Bio:

Like most artists, in younger days Tina was a Taiwanese hippy, rebelling against anything that interfered with her free will. She loved playing the guitar and learned American music while participating in all the social movements when Taiwan was seeking its identity in the early 80s.

After 30 years, she knows that the voice and sound must come from her own ground and soil now.

Having explored different art forms, she has finally chosen telling Taiwanese stories through songs from the ancient Chinese to current days, and to follow her bliss…

She likes to see herself as someone who uses this ancient musical instrument – moon guitar, to share shamanic spirits from nature and folklore of the mother earth. The instrument is two stringed, but says a lot in a simple ways, as most of life’s wisdom does.

taiwanteama@gmail.com ASIDE 6 PRESENTERS_Page_5

Bio:
“The Power and Purpose of Art”
      藝術人文的力量和用途
A few weeks ago, on the Internet site called Reddit, there was a post of a young man sharing his pain. The pain was of loss. The young man, 24 years old, agreed to watching his neighbor’s daughter while they went through a divorce, he fixed his car in the garage and she sat with him, eventually curious and brave enough to ask him if she could help. The two developed a bond over the weeks to come only to be separated by an imminent divorce and move.
His pain, when shared, opened up a sensational trend of responses. People connected and created from his and her pain. His loss of a friend, the young girl’s loss the only respectful adult who cared for her. Some of the most powerful responses were acts of artistry, and creation. Using their story to create poems, songs, and beautiful verse reposes, they helped mend him, all with the desire and goal to help him find a way through his loss.
So what is art for, and why do we have it? Where does it come from? How has the creative energy transformed today into our world of living with technology? Do we still use art for the same reasons?
Through the examination of poetry, verse, theatrics, music, and this example, I will try to address the humanness to create and give, and examine where the true resting place for a final piece of artistry should be.
幾個星期前在一個叫 Reddit 的網站上一 24 歲的研究所畢業生留了一篇散文,他在這篇文章裡面敘述了他的親生經歷。他有一對鄰居是兩個快要離婚的夫婦,而他們在這個又煩又忙的過程中沒有足夠的時間照顧他們的 8 歲女兒。小女孩的父母親其實只顧著他們自己的需求,也不把他們女兒的成長過程放在眼裡。反而,是這位在一邊修他的汽車,一邊看管他們的小孩的「臨時保姆」才真正的當上了一個盡責的家長。可是小女孩的父母離婚不久之後,她的母親決定要遷居,女兒也一定是被牽著走,而這對投錯胎的「真父女」也就拆離了。
他發佈他的苦衷之後,網友們的回應都是非常的熱烈,而且多半以詩文、抒情的散文,以及音樂的形式回應。他們都以他們兩人的故事當靈感之後用藝術人文的管道來幫他渡過這個難關。
那麼,什麼是藝術人文到底是什麼?它為什麼存在?它從哪裏來?今天的藝術人文用途是否和過去相同?在我們生活科技過度發達的時代我們又要如何把這創造性的能量發揮到最大的境界?
通過詩歌,白話,戲劇,音樂,以及這個故事作為例子,我會討論我們為人的創造和給予能力,並且尋找藝術與人文的真正的目的地。

ASIDE 6 PRESENTERS_Page_6

Bio:
I’ve been involved in the performing arts in a wide variety of ways since early childhood. Since coming to Taipei five years ago, I find myself in an entirely new-to-me sub-genre: Radio Drama and it might never have occurred to me if not for my involvement with the Red Room Community. The experience has been transformative. I’m Director/Producer of a fledgling company: Red Room Radio Redux (R4). Our mission is to share great classic Western literature with a wide audience using simple techniques of readers’ theater and radio drama. In our productions, we seek to re-kindle an appreciation for Western literary tradition and to find common purpose through a shared, re-imagined experience of these great works.
A not-for-profit organization, R4 is always grateful for support in any form: technical assistance online and onstage, opportunities to perform, gifts in kind and, of course, sponsorship. We seek to connect with educational institutions in Taipei; we want to share our passion for the spoken word and do our part for education. If you can help in any way, please email us at r4.radioredux@gmail.com

ASIDE 6 PRESENTERS_Page_7

Bio
Thomas Bellmore has been a valuable player with R4 starting with his portrayal of Jonathan Harker in Dracula LIVE! Halloween 2013. He recorded the same role for broadcast on ICRT-FM100 this year (10/30 at a time TBA)
Last December, he played Marley’s Ghost for our annual presentations of Dickens’ A Christmas Carol and, in a special command performance, took the challenge to portray 8 different characters before a live audience.
We are grateful to him for his time and talent.

Performers, Aside 5 @ the Red Room, March 29 2014

Saturday, March 29th, 2014 Time: 6:30pm – 10:00pm
Red Room’s fifth exclusive event, where five artists share their most imaginative, courageous and inspiring performances.

Featuring:

ASIDE 5 PRESENTERS

Bio:

David Gentile came to Taiwan years ago to study Chinese and Kung Fu, then ended up graduating from the Chinese Dept. at NTNU this past Summer. He traveled throughout the US before coming to Taiwan, and has always enjoyed coming up with little one-two line rhymes about the strange, beautiful, or troubling people, places, and things he encountered along the way.

“The poems started to become a way for me to impermanently document my experiences and even influenced the way I saw the world. Places became references to epic lines with names like “The Dog-Rocket House” or “The Dust Palace” that echoed the feeling of the abandoned hotel in the Lost Boys. People around me started to have nicknames so colorful and fitting that they sounded like the cast of Dick Tracy villains, and even the simplest of tasks were a mix between everyone’s own unique dog commands and rhyming slang. Basically, we got in there like swimwear, and now I have a whole new time zone…”

david.gentile.5@facebook.com

ASIDE 5 PRESENTERS2

Bio:

Charlie Storrar is an editor and comedian based in Taipei. He spends his working hours thinking of puns for headlines and his evenings performing stand-up and improv. He is the host of the regular comedy quiz night Charlie Storrar’s Death Panel.

Content:

How I Became a Born-Again Sinner (shared at the recent Story Slam)

Charlie Storrar <charliestorrar@yahoo.co.uk>

ASIDE 5 PRESENTERS3

Bio:

Josh Drye is a classically trained guitarist, composer, and songwriter that is putting most of his concentration now into the study of song form as it has evolved through the ages. He studied classical guitar and composition at the University of North Carolina School of the Arts and then moved to New York City where he worked as a side man for various ensembles in Brooklyn and Manhattan, composer of theater music for productions as diverse as Shakespeare to Pinter, rehearsal accompanist for musicals, and could be found most Thursday nights belting out Irish music at Paddy Reilly’s. He has lived in Taiwan for a little less than a year. He has great taste in sweaters and vintage antiques. He doesn’t like ceramic cats, though, or baseball, so kindly refrain from asking him about either. It’ll just be awkward.

Performance Statement: 

I hope to present a few of my favorite songs. I want to pick them apart for you and show you how they work, then put them back together and spin ’em so you can see them in motion and understand what’s happening. Songs are one of the most ancient and instinctual forms of human expression. Each one carries with it a wealth of images, symbols, stories and emotions that all mean something different for each person but can still create a shared collective catharsis. I am going to play a few songs from different time periods, styles, and cultures to show that, no matter how large the gap is of time or space, we all have felt and hopefully always will feel the same big emotions about love, life, friendship, death and everything in between.

Josh Drye ‪<joshbdrye@gmail.com>

ASIDE 5 PRESENTERS5

Red Room Radio Redux (R ​4)​ has been commissioned to present a reading of ​ T. S. Eliot’s​ The Waste Land, ​widely regarded as one of the most important modern poems of the 20th century.  For this special reading of the poem, The Waste Land has been adapted for four voices with live sound effects and accompanied by the music by influential contemporaries of the poet: Stravinsky, Schoenberg, Berlin, Ravel, and popular music in London at the time. The readers feature Marc Anthony, Andrianna Smela, Charlie Storrar, and Pat Woods, and is directed by Ruth Landowne Giordano. The text is rich with dramatic situations, dialogs, lyrics, foreign languages and the inner workings of the poet’s mind during a time of rapid social changes. This will surely be a unique approach to this historic piece.​

From the desk of IR

T.S. Eliot’s Waste Land : A Radio Drama probes the mystery of existence, the angst of the human heart and the marvelous irony that our dread of death celebrates our elation and passion to live.

Red Room Radio Redux <r4.radioredux@gmail.com>

ASIDE 5 PRESENTERS4

Bio: 

Like most artists, in younger days Tina was a Taiwanese hippy, rebelling against anything that interfered with her free will. She loved playing the guitar and learned American music while participating in all the social movements when Taiwan was seeking its identity in the early 80s.

After 30 years, she knows that the voice and sound must come from her own ground and soil now.

Having explored different art forms, she has finally chosen telling Taiwanese stories through songs from the ancient Chinese to current days, and to follow her bliss…

She likes to see herself as someone who uses this ancient musical instrument – moon guitar, to share shamanic spirits from nature and folklore of the mother earth. The instrument is two stringed, but says a lot in a simple ways, as most of life’s wisdom does.

长发披肩步轻盈,
身着彩衣特随性,
出行总会携月琴,
沉醉吟唱起共鸣,
最爱山林我独行,
花鸟鱼虫皆欢迎,
Tina 是她英文名,
中文名唤马丽英。

EMAIL: taiwanteama@gmail.com

Huashan Reading Festival, September 2013

rr-header-12Red Room was invited by Alleycats, a supporting sponsor of the Huashan Reading Festival, September 2013. Red Roomers Zach Touzen, 
David Gentile
, Holly Harrington
 and Manav Mehta represented the Red Room.

Holly gives an account of the evening:

On September 9, we had the honor of representing Red Room at a special Alleycat’s-sponsored book and poetry reading at Huashan, part of the 華文朗讀節 Chinese Reading Festival. With Manav as our emcee and lead presenter, David Gentile, Zach Touzen, and I had the unique experience of sharing some of our favorite works in Chinese, English, and French. With few familiar faces in the audience comprised almost entirely of Taiwanese in all age ranges, and with the pressure of presenting mostly in Chinese, I’m sure I don’t just speak for myself when I say that the experience was a tad more nerve-wracking than a typical relaxed Saturday night at Red Room. However, it was most definitely rewarding and encouraging to hear the laughter and applause of dozens of people who perhaps have never heard of Red Room before. Hopefully, we did Red Room proud, and we will soon have some new book lovers joining our community!

在 9/9 我們很榮幸的在『華山1914文化創意產業園區』與『Alleycat 餐廳』共同贊助的個【華文朗讀節閱讀季】上分享了紅房。除了 Manav 我們的主持人,還有 David,  Zach 以及我一起分享我們最喜愛的中文、英文和法文作品,這是一個很特別獨特的經驗。在分布極廣年齡層聽眾裡面我們也看到了熟悉的面孔,伴隨著用中文演說的壓力,我敢說有別以往在 Red Room 輕鬆週六夜晚,這次是即為不容易的與讓人稍微傷腦筋。但是呢!當我們聽到觀眾的回饋,他們從來不曾聽過紅房的大夥們的笑聲與掌聲,就覺得這一切非常值得了。希望我們可以讓紅房為傲,也很快的,我們將會有更多愛好書籍朋友們加入我們的紅房社群。From Holly.

Translation by Edward Chiang

 (c) Copyright 2013 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of this publication. Thank you.

A Nook for Rhyme Crooks

nooks-posteras the mainstream masses, hack away at the roots
certain tribes ‘n’ clans, crack their hands to prove…that
they use words to bring purpose, delivered in verses
burst wise blurbs as it’s hip-hop we wor-ship
on the surface we work, we grind, ‘n’ we dig
but once you enter the nook, yo, our priority is ink
this joint here is to preserve, a lost ancient art
where the pen bends all lessons as we teach with each mark
this is a duty call for all slippery lyricists, ‘n’ quick-spittin’ beat-boxers
bold-inked warrior poets, ‘n’ wise free-stylin’ doctors
operating by choppin’ blocks of bass with bars that give birth
switchin’ bitchin’ verbs with whispers that’ll quake your earth
we come here to work in a world where wordsmiths roam free
to boast spoken poetry as our form of speech graffiti
hear my fat words swallow fear ‘n’ press a presence upon you
notice my voice ‘n’ my choice, to turn up the volume
this is the grand ball for mad hatters, jesters, ‘n’ dreamers
for prophets ‘n’ fools, for geniuses ‘n’ schemers
but beneath the surface of words, the labels ‘n’ terms
lies a truth so powerful it makes our pages burn
which is earned by preserving this culture to write
ink be our blood as words be our life
so tonight we rise together, ‘n’ around we take a look
ladies ‘n’ gents, welcome, to the nook for true rhyme crooks…

http://www.redroom.com.tw/events/event/a-nook-for-rhyme-crooks-april-27-2013/

(c) Copyright 2013 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of this publication. Thank you.