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ST&W Sharing 3.16 – Angelica Oung

Angelica sang her original lyrics while accompanying herself on acoustic guitar.

 

St Christopher’s Tavern

At the end of the night, after working all day
Down on the pillow my head I would lay
But the day will soon come when I’ll rest in the ground
Before that day comes, let’s have one more round

There’s good folks you’ll find at St. Christopher’s tavern
Weary travelers too tired to go on
They tarry a while at St. Christopher’s tavern
For a drink, and a rest, because the next stop is home.

There I met an old man, looking tired to the bone
He had so many friends, but he’s here all alone
He said “No more bitter pills no more medicine cups”
“Give me kindness, give me comfort, my time’s almost up”

There’s good folks you’ll find at St. Christopher’s tavern
Weary travelers too tired to go on
They tarry a while at St. Christopher’s tavern
For a drink, and a rest, because the next stop is home.

Bury me in no coffin…lined in silk and lead
I’d like to burn to ashes, and fly ‘way instead
Bring me no roses, strangled in cellophane
my spirit will be dancing with the wind and the rain

There’s good folks you’ll find at St. Christopher’s tavern
Weary travelers too tired to go on
They tarry a while at St. Christopher’s tavern
For a drink, and rest, because the next stop is home.

 

(c) Copyright 2013 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of this publication. Thank you. 

ST&W sharing 3.16 Manav Mehta

March 17th, sometime 5th Century

In the promising land, with a not so promising name.
A man was born in KILPATRICK, who preached his way to fame.
His charm was willing yet flexible, knowledge bombs undefendable.
Died south of DOWNPATRICK, today we praise ST.PATRICK.

To quote the merry:
“We raise our mugs to the oldest of drinks,
those who need a hurl look out for clear sinks.
Let’s crunch on Irish bacon, and alcoholic cabbage.
Wear green & rid our minds of all heavy baggage.”

Due to an individual’s existence, we all practice persistence, regardless of where you’re home is ; tomorrow we’re all Irish.

 

(c) Copyright 2013 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of this publication. Thank you. 

RRRR brings Dickens to ST&W

charles_dickensThe year 2012 marks the 200th anniversary of the birth of one of the better known authors in the English-speaking world: Charles Dickens.

On Dec 15th, 2012, at the Stage Time & Wine @ Red Room event, Red Room Radio Redux, a company of voice actors from the Red Room community will read aloud their dramatized rendition of Dickens’ best beloved masterpiece ghost story: “A Christmas Carol”

 

Mark Malarkey, October 2012

rr36-mark-cStand-up comedian and poet Mark Malarkey spoke about the attraction of learning guitar to a man facing mid-life crisis; read his poem “Rock and Roll Sex God”, discussed the pitfalls of Internet dating, and sang an original song. The lyrics follow.

Your Photo’s Beautiful Girl” (to the tune of Sean Kingston’s “Beautiful Girls”)

Rock ’n Roll,
Rhythm ’n Blues,
Twist ’n Shout,
Come on, come on, come on …
and move that thing about
let’s Groooooooooooove, Baby,
let’s get down and Funk It,
Skiffle, Skiffle, Groove, Groove, Funk it,
Rap, Twist, Rap, Twist, Shooooooooout out loud,
and then comesPunk
Cool’n’Easy,
Middle of the Road,
Country-style,
Gospel position,
Hardrockhard, Rock-hard, Rock-hard
Rock
Pop
Jazz
Soft Rock

“and now over to Radio Three for a Symphony by Snoozebert.”

I can perform live
or I can lipsynch,
I can play lead guitar, rhythm guitar, slide guitar,
and accompany myself with dulcet tones:
“And even when she was giving head
she said tkgawockadawaidsd”
I invite girls to my room to “check out my vinyl”,
I’ve got loooong players, extended players,
a huge collection of double A-sides,
I got Soul, Ska, Skiffle, ’n Funk,
Rap, Twist, Rap, Twist,
Shooooooooout out loud,
and then comesPunk
Hardrockhard, Rock-hard, Rock-hard
Rock
Pop
Jazz
Soft Rock

“and now over to Radio Three for some Opera with Flaccido Domingo”.

Mark Malarkey@Facebook Read more

Mark Darvill, October 2012

Original lyrics to two of Mark’s songs follow. The way he uses his guitar as a percussive instrument is not to be missed.

Minister of Scheming

I woke up sweating in a suitcase in the middle of the floor
Having spent half the night in the midst of verbal war
I picked apart the pieces of the evening, tried to figure it all out
Which involved sixteen false daydreams then slowly passing out
There’s no way to keep your head out of the fire
Sporadic Sunday evening drinking keeps it simmering awhile
If only to stare at your reflection for some time
Stay in tonight

When will we lay it to rest?
I’ve been slowly drinking until I can’t feel above my waist
Break through and I’ll make the last train
But our lips they move much faster when we’ve got something to gain

She went out cursing up a rumour in the middle of the bar
Which involved half the crowd and half the month of March
On the border between seasons thought she’d go the other way
As usual playing the victimised and leading us astray

There’s no way to do all you intended in a day
And what is more I made a deal with a healer way back who didn’t see it my way
So if only to stare at your reflection for a while
Avoid her gaze tonight
If there’s a way to keep your head free of fear
Then we’re alone together in the city so draw me close I wanna hear

Tonight stay in and avoid her gaze
And I’ll see you when the hills are concave

Ten’s Company

Out of the woods after a couple of weeks
Performing in your sleep
The nights are long and you’re ungrateful

We’ve got room at the inn for one more
Two if you don’t mind being on all fours
Sweat drips from all floors

It’s an age old situation
In unavoidable frustration
You were forced to drop bombs on this wasteland where I lie

There’s a trail of guilt between our legs we’re poised to recognise
In the time you spent in my back yard we were bound to collide
So I’ll try my best to regulate our six strings aside
It’s safe to say that I’ll be at the bottom of the pile
continued

Share a joke for a minute or two
I’ve had enough to smile true
Is this good enough for you?

And since we’re getting close to the end
And we’re losing all our friends
It’s high time for a shake and a bend

We marvel at the origins of apathy and fire
I’d rather be called a cynic than a cheater or a liar
We’ll battle through the wilderness connected by a wire
Yet all the while our heads are in the clouds or maybe higher Read more

October’s Red Room Reflection from Lionel Pirsig, 2012

rrlion1I go to the Red Room to shut the hell up. And I LIKE it. Words wash over me like a cleansing balm. The week’s troubles are melted away by the microscopic waves of sound, running through me on their never-ending quest to be heard. In the Red Room, I feel… homeopathic. Natural. Like, maybe this isn’t the most ‘efficient’ way to learn or hear, but it feels like the most natural. I hope that I will continue to find time in my semi-artificial modern life for the breaths of weird but real fresh air I find here.

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William Chen. September 2012

Music Box
There is a music box sitting in my bookshelf for more than 10 years.

It was a gift.
At age of seventeen, I went to Hokkaido with my family.
We were brave, because we don’t speak Japanese except me. I should say pronounce Japanese, sorry.

Otaru, that’s where I meet this Music Box.
HSNU, is where I meet her.

She is one year elder than me, long hair, attending English Conversation Club.
I didn’t learn English from her.
It was a weird time in my life, in this country, and the result is to make me a almost weird person.

But she is different, unlike most other girls who doesn’t talk to boys while scream for Backstreet boys, she does talk to boys, including me.
We played bridge few times, I tried to find chances to talk to her… And she is always friendly.

At Otaru, I thought about her, so I bought the music box, brought it back to Taiwan, to her classroom, to her classmates to deliver it to her, as a birthday gift.

Three days later, a boy showed up outside of my classroom, with the music box.

“I believe you know what this means”

Yes, a souvenir for myself, for the first time giving a gift to a girl.
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Martin Negron. September 2012

Among Dinosaurs

She couldn’t think of another way she would rather have these women.  The way in which they presented themselves to her in this dream; naked and surrounded by dinosaurs.  They were laying down, carefully, or resting delicately against each other.  Positioned in graceful contortions as if they were all asleep, or daydreaming.  The beauty of these women was exhilarating.  Some of them had deep dark skin, the color of volcanic rocks, others were colorless, to the extent she feared they would erase themselves from the panorama.  Their breasts either glistened under a bright sun of what she knew to be Spring, pressed against the bodies of the dinosaurs, or hid behind long manes of hair.  Hair that seemed all the more smooth when brushing against the rough skin of these magnificent prehistoric creatures.  Hair that, when laying on their side, would embrace their necks and forearms in opaque black locks or red waves of ginger, accentuating the plumpness of their nipples.

She found herself among these women, lying within the nucleus of an animalesque membrane.  As she contemplated her surroundings, she thought that she would like to spend the rest of her life eating freshly plucked fruits and gently brushing the full lips of the women around her.  There was also a soft lullaby in this dream, the kind that seems to follow your every step; some sort of omnipresent resonance to which you can find no source, but which seems to always be hiding right at the back of your ear.  This single tune slowly began to double, triple and eventually multiply, rising and falling endlessly, like a multitude of voices and echoes intertwining.

She felt as if her entire body was wired with blue electricity.  She could feel it gripping at her nude feet as she walked through the green grass.  Inside her chest she felt charged, and urged to release this massive energy she blurted out a cry of her own.  It was a powerful, deep one.  It rang stronger than all the others, making the mass of sounds more coherent and beautiful than ever.  The women, smiling, began to collect bright yellow flowers and adorn her with them.  They also gently wrapped her in vines all the way to the toes, and kissed her effusively.  This lasted for a long time, in the way that dreams do, where certain instances seem to stretch out, holding on to an erotic promise.

Her voice, that fulminating voice that had managed to enthrall all the women, however, began to change.  At first, adopting a raspy quality that was still pleasant, but quickly shifting into a hoarse croaking sound that pained the women, who now stared horrified.  The screeching sound that emanated from her insides also hurt her own ears, but she couldn’t, nonetheless, find a way to stop herself.  Exasperated and as if trying to find the right pitch again, she sang louder.  The dinosaurs began to bellow angrily, some stomping away, some flying low to attack her.  The women began to scamper off through the sauropods, disappearing like swift spectres.  In the midst of that chaos, she woke up.

She woke in a sombre, completely silent room, illuminated vaguely by the gray light that came in through the windows.  Her heart was pounding, but she remained calm.  She sat up straight and stayed still for a good thirty seconds, the dream fresh in her mind.  She pulled the covers off her legs, got out of bed and walked to the bathroom mirror, staring at herself in the dim light.  She had the face of an aged woman.  Not withered or wrinkled -she was still in her thirties- but the same face she had as a young girl, ripened too early.  Her eyes black and severe, yet a soft, gentle mouth.  The messy hair down to her shoulders made her look somewhat reminiscent of those women in her dream.  She ran her fingers through it for a minute, still looking in the mirror.   She opened her mouth slightly and tried vocalizing a few notes, then quickly ceased.  It wasn’t the horrendous sound from the dream, but it was a mundane and untalented, ugly voice.  She pushed her bushy hair back, behind her shoulders, grabbed it with both hands and began twisting it hastily.  Then, turning it upward, tied it in a knot and crossed it vertically with a thick, long hair pin.  The newly exposed skin caught her attention.  She pulled on the thin straps of her nightshirt and slipped out of it, then her undergarments.  Her skin was dry and faintly chapped, which made her adopt a somewhat reptilian quality.

She walked out of the bathroom, out of her room and into a small common room that led to the kitchen, where there was a plain, empty, round table with four chairs.  She opened the refrigerator, illuminating her naked body.  She looked at the several different items: fruits, bread, jam, cheese, eggs…  Eggs.  She grabbed the half-dozen egg carton and closed the refrigerator, opened a cupboard, took out a small pot, filled it with tap water, placed it on the stove, turned the dial all the way and put the lid on.  As she waited for the water to boil she opened the egg carton.  The eggs were a light brown color with darker brown freckles.  She remembered how she and her brothers would always help their mother choose the eggs at the market because they liked the ones with freckles, and didn’t like white ones.  “Those American eggs are pale and don’t taste the same,” they’d say.  The truth is, if she were blindfolded, she probably couldn’t tell the difference.  But even being aware of that, to this day she still chose the same kind.

When the water reached its boiling point, she carefully dropped in two freckly eggs with a spoon.  As she waited for them to boil, she muttered a few lines of a song she liked, then stopped, placed her left hand on her stomach, pressed in and tried again.  Nevertheless, the sound that came out resembled a dinosaur’s more than a woman’s.  She stopped again, gently stirring the eggs in the boiling water.  Now, out of her lungs she screamed as loud as she could.  She stopped only when she ran out of breath, her scratched throat making her cough.  And as she heard the neighboring dogs barking and watched through the window as some houses turned on their lights, she served the scalding eggs on a plate and sat down, buck-naked.

She wanted nothing more in life than to have a voice that could completely silence a room; a voice that could make people tremble and convey just what she wanted to say, even if there was nothing to be said.  She made an effort to get past this, and most of the time managed to divert her mind –she had been a decent painter, a photographer, a pretty great dancer, a writer and a profound guitarist.  She had received a handful of small awards and recognitions, had studied diverse subjects as thoroughly as she could, trying to decrease her ever-apparent ignorance to all the things that seemed to be happening, or already had happened in the world.  “The things going on in the world…” she thought, “…there are so many things happening and you fixate on singing”.

Her friends and family thought highly of her.  Even she, one might say, thought quite highly of herself.  Not arrogantly, more in the way one knows his own worth.  But it would always resurface, like a gentle reminder that she would never be the person in her dinosaur dream.  She would always have the same voice that she’d been given: flat, ordinary and unpleasant.  All of that she could accept, but to her this voice felt foreign, as if it belonged to somebody else.  She imagined hers, somewhere in the cosmos floating, waiting to be found by someone who wouldn’t know what to do with it, and who’d end up shouting newspaper headlines above honking cars or selling lottery tickets in the middle of a busy street.

She started to de-shell one of the eggs–it was burning the tip of her fingers, but she kept going.  If she had been a singer, she would have sung soul-tearing Mexican rancheras or old Andean folk songs.  She ate the greenish egg with her bare hands and thought about how her whole body seemed to quiver every time she came across someone with an extraordinary gift.  When they sang she didn’t resent them, but felt overwhelmed, and as if standing outside the frontiers of happiness or sadness.  For her it felt as if it was her who was producing those breath-taking sounds, her who was singing those sublime songs, her who was writing those beautiful lyrics.  And so she sang along and fooled herself.

But she wasn’t.  And she felt mute.  Nobody really listens unless you’re singing.  She de-shelled the second egg.  Then, her thoughts found the horrific voice that had followed, that shrieking sound that broke up, powerless.  Much like the scream she had just uttered while stirring the boiling eggs.  She ate the second one, freckly eggshells now scattered on the table.  Yet that voice did something in the dream; it disturbed the women, it arose discomfort in the dinosaurs.  They ran away, took refuge from it, or attacked.  She stood up, collected the eggshells in her hands, approached the sink and placed them on the soil of a plant she had growing indoors.  She grabbed a glass cup and filled it with tap water, put it down and circled her fingers on the rim, looking out her kitchen window.  Some houses still had their lights on, dogs were still alert, and a police car was circling the block.  There was a sense of uneasiness in the street.  The neighbors’ eyes were glued to the side of their windows.  The slightest ruffling of leaves provoked fear.  Shadows were dancing on ceilings and gardens.  Even owls were calling out loudly, as if they knew that at any moment, somewhere close to them, something would happen.

Martin’s new blog can be found at: http://toskamamihlapinatapai.wordpress.com

Photo credit: Edward Chiang

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Yu-Cheng. September 2012

Yu-Cheng presented us with his poem, accompanied by a digital recording of Beethoven String Quartet Opus 132 in A minor, the third movement, (performed by Amadeus Quartet)

The poem, titled 丑小鴨 (Ugly Duckling) is based on the story of The Ugly Duckling, by Hans Christian Andersen. The story is of an ugly duckling who, though neglected and teased by other ducks and ducklings, grew to be a beautiful swan. This poem shall be devoted to those people doing their best in everyday life and work, without much immediate return, fame or profit.

p.s. Another interpretation of the entire string quartet, performed by the Orion String Quartet can be found here: http://www.youtube.com/watch?v=TI4xhQVwzSg

丑小鴨

羽毛不是明亮鮮黃,
灰黑絨毛無法躲藏;
搖擺著走路比別的小鴨子慢,
嗓子沙啞你不適合歌唱。
在大家分享點心的美好時光,
丑小鴨在一旁被遺忘;
當大家結伴成三成倆,
丑小鴨只好與自己的影子成雙。

是不是丑小鴨動作不夠快,
腔調有點怪?
是不是不懂得名牌,
流行的玩具沒有買?
對你發現的夜空星光總不理睬,
笑你觀察雲雨和風向是傻呆。
丑小鴨總是不明白,
走到哪都是孤伶伶的小孩。

丑小鴨總緊緊要和大家走在一起,
願意不睡看守在深夜裡,
建立友誼然後珍惜。
你臉上滑下水滴。

嘴巴不是鮮豔橘紅,
烏黑腳掌多麼厚重;
鼓鼓的腮幫比別的小鴨子腫,
輕盈的舞蹈你總不懂。
當大家咿咿呀呀交談很開心,
丑小鴨默默作著笑容。
當大家問你怎麼不同,
丑小鴨疑惑將自己躲進草叢。

是不是丑小鴨沒趣又無聊,
說話不好笑?
是不是想法太老套,
身上的衣服都不新潮?
對你創作的歌曲文章總不看好,
練習與汗水只換得熱諷冷嘲;
丑小鴨從沒有人注意到,
等不到真心關愛的擁抱。

丑小鴨總牢牢記得大家的生日,
在那一天送上卡片賀禮,
願和朋友彼此掛記。
你忍著沉重呼吸。

丑小鴨你不要喪志放棄,
這個世界需要時間懂你。
不屬於池塘小溪,
你屬於山嶺天際。
當你換下絨羽,練壯了雙翼,
將在海角天涯,
聽到一聲輕啼,
結束漫長的孤寂。

丑小鴨你不要停止追尋,
不要責怪世界冰雪冷清。
很長的路要獨行,
很多深夜要清醒。
當你接近繁星,觸碰到天頂,
會看見江河與森林,
為這世界歡迎,
太陽第一絲光明。

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Tai Mesches. September 2012

 Tai spoke his original material, as follows:

comets of naked sonnets scratch from under my surface
churnin’ my words ‘n’ makin’ me speak on purpose
the civil service of a poet, is to embrace the colliding tensions
to then simply grab the pen ‘n’ use the weapon of expression
to lessen the fear in our hearts, ‘n’ remind us we are human
‘n’ that we are what we love, ‘n’ not the shit we be consumin’
doomed we seem to be, but i’m not here to preach
about our society’s negativity, i’m here to make poetry
spoken from me to you, take the time to feel the shift
don’t be oblivious to the rhymes i spit
tactics of wacky havoc, cracking through heavy traffic
scriptin’ manic magic, it’d be tragic if ya panic
can you handle freedom? freedom of the word?
write for what you believe in ‘n’ let your soul be heard?
i dare you to turn the page, but you’ll be lost in my wordy maze
as long as i got your attention, let’s extract your courageous ways
face the blankness with confidence, ‘n’ turn off your mind to write
let the comets of naked sonnets, pour out from your inside
like hyper vipers peppered pretendin’ to be positive poison
but more of a flavor, a bit tart of a dark sweet, maybe more like hoisin
moistenin’ up the creative juices, we take a sip of originality
no other man or woman can sound like the voice that speaks inside of me
poetry has become to be, the reason why i live
to defeat adversity, with a pen in my grip
‘n’ to tell my own tale with the words that i choose
to be able to breathe life into every word, this i choose not to lose
with the commerce, consumers, the sonnets, the bloopers
the promises, tumors, ‘n’ money-bag rulers
the sonnets ‘n’ science, the truth, the foolers
the proof, the youth, the used, the abusers
the sonnets, the greed, the sonnets, the consumers
the sonnets, the greed, the sonnets, the consumers
the sonnets, the greed, the sonnets, the sonnets
the sonnets, the greed, the sonnets, the sonnets,
the sonnets, the sonnets, the sonnets,
the sonnets, the sonnets,
the sonnets…

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