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Reflections of the Red Room, September 2012

如果要問我這次Red room 活動對我來說有什麼不同的意義?
在我剛從高中升大學的這個過渡時期,很多事情都在轉變,周遭的環境改變了,朋友的感覺改變了,但Red room不變,也許我們每次[聚會活動]組成的成員都不盡相同,但一種熟悉的溫馨是不會改變,在橘黃色燈光灑落在地毯的剎那,印度風情式的音樂在耳朵旁刮 起陣陣微風,我知道活動即將開始,那時正忙著接待每位前來的成員
我喜歡觀察每位前來Red room的朋友們臉上的表情,一些帶著溫暖的微笑,一些帶著些微的害羞,但最近的新成員臉上忽然多了一種青春的羞澀,有著對未知事物的害怕和期待夾雜的心 情,這不禁讓我想起第一次受邀準備來Red room時,坐在前往台北的客運上,我幻想著各種對未知的可能,還要一方面說著英文,讓十七歲的我一直在冒著冷汗

但漸漸地,我從發現,喜歡,適應到愛上,現在的我,在Red room當一個工作人員,努力地介紹著Red room的一切給新加入的朋友們認識,跟著大家一起聆聽著台上的音樂,享受著彼此間的氛圍,我真心的希望,你們也能夠喜歡這裡並且常來拜訪這個朱平先生跟 Manav用心經營的好地方

~ by Henry Leu

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An Impression, August 2012

“I still remember the first time I brought my guitar to the Red Room to play. I could barely string three chords together back then…and I was scared…so scared. But I had to do it because I was writing all these songs…and songs are not alive unless people hear them.”

“So I got up and muddled through…head down, hunched, deeply ashamed of all the mistakes I was making and singing like a mouse. And I will never forget the relief of the genuine applause I heard after my song ended, because this is a community where people listen, really listen. Not to judge or to be passively entertained, but to find the heart of what everyone who come up here is trying to share. And so they were able to put aside my stumbling fingers and trembling voice and hear beauty.”

“So I came back, month after month. And I wrote new songs and fought to get them under my fingers. All that growth would not have happened without the support and encouragement I got from this place. But I gained most of all here not as a player, but as a listener. Because you cannot imagine all the wondrous things we all have to share with one another, when we start from the assumption that everybody who comes up here is good enough to deserve our full attention. And we can all come up here. And so we are all enough.”

Angelica Oung

>>>The lyrics to the song Angelica sang at the last RR follow:<<<

 

Sometimes

Sometimes…we all get a little under the weather sometimes…
We all wish that we could be a little better sometimes,
when what we have just don’t seem enough
you see, Somehow…along the line we left behind just who we are…
And before you know it, we have come so far
we can’t see our way back to the start
Oh, sometimes you act too tough,
sometimes you care too much
but you know sometimes…sometimes…

Somehow…it’s been forever and ever since we sat beneath the sun
and did nothing in particular all day long
wandering as lonely as a cloud
Oh, sometimes you act too tough,
sometimes you care too much
but you know sometimes…sometimes…
Sometimes you feel so tired of making decision
Sometimes you feel you’re ready to end it all
Sometimes you’re crushed under the weight of your contradictions
but you know sometimes…somewhere..somehow..
…you’ll find somebody…somebody who’s gonna take you for just who you are
then it doesn’t matter if you’re near or far
you’ll find your way right back to the start
Oh, someone to let you in
Someone to help you win
Don’t you know sometimes, you’ll find someplace where you belong…where you belong.

Holly Harrington, August 2012

Sandwiches

I reach for the rye.

This had better be the best damn sandwich I’ve ever made. That man in there, he’s going to be the one, if I can just get the proportions right. If I can make him fall for me, one slice of provolone at a time, I know I’ll be able to walk away from the life, at long last, once and for all. My talents may keep me in organic bread and top-shelf brown mustard, but all I can think of as I’m with these men, these fat-walleted brokers and nouveau riche startup founders, is the sandwiches that I’m going to make with love and care for someone, whoever he is, and bring to bed on a sunny yellow plate, part of the set we picked out on our registry.

Taking a moist slice between my fingers, I raise it to my nostrils to inhale the scent. I shake off the temptation to take a bite, and set it on the cutting board.

There was an extended period of time – the first three decades of my life, in fact – when I couldn’t have afforded this magnificent loaf, a gorgeous pumpernickel the color of mahogany. Things changed, as they tend to do, when I met Cameron, my former boyfriend-cum-pimp, who opened my eyes to a very different world from the one I was accustomed to. College had not paved the way to success, as my high school guidance counselor had promised, and instead of feasting on the fruits of higher education, I had spent the better part of my adult life dumping canned sliced button mushrooms into my “oriental flavor” ramen and imagining it was gourmet. This is how things remained for spell after my first foray into the business, before I had, shall I say, fleshed out the best material in my playbook and found that I was much better with my hands than with my words, which I’d foolishly thought would take me somewhere.

I spoon out the Dijon, saving a smidge for myself, which inevitably leads to another spoonful. I wonder at the ability of any human being to finish assembling a sandwich after a mouthful of arguably the most perfect substance ever happened upon by mankind.

I was astonished to awake one day with the realization that, seemingly overnight, I could now afford to live like one of the over privileged girls I regularly see noshing on overpriced Reubens on the terrace of the latest overpraised café, the one that everyone has been blogging about, but which will be waved off as passé by end of summer. I’ve never been able to convince myself to take a place in one of those elegant wrought iron chairs and masquerade as someone who belongs in polite society. I know what I am. I know what I’ve become. And yet, I still crave those sandwiches.

The key to using prosciutto efficiently is in the sprouts. Layered between each slice, they balance the zing of the ham, and give the sandwich some height, making it both visually and texturally appealing. Cameron taught me this.

Here’s the thing about sandwiches: a sandwich is never just a sandwich. It’s a gift from a mother to her child. It’s a memory connected to a field trip. It’s an exercise in consumable emotion. It’s nourishment. It’s devotion. It’s love. That’s what I’ve been missing, these past few years, wading through this sea of men, not one of whom has ever, not even once, offered to make me a sandwich, though one outside the business might be astonished at how many have asked me to make one for them.

More sprouts. I cut the deep red tomato into thick slices. A sandwich is not complete without an entire beefsteak tomato.

My colleagues in the industry understand my thing about sandwiches. They can understand why, though I’ll sell my body, I celebrate a sort of sandwich chastity. That is, I will never, no matter how charming he may be or how passionately he begs, make a sandwich for a client. I’m saving my sandwiches for someone who will be there in the morning. When I make a sandwich, I want it to be for love. And I think I might love this man, and if he is just able to taste the love encapsulated in this sandwich, I think I can make him love me, too.

Some people maintain this false idea that the cheese and tomato layers of a sandwich may never touch, but when the time between cheese placement and serving is as short as a walk back to the bedroom, the point is moot. One more slice of rye. We’re almost there.

It’s been a long time, holding out for the love that will motivate me to devote myself to only one man and return to my pursuit of a livelihood based in literature, but nothing has worked out up to this point. The truth is, I haven’t invited a date to my home since I changed careers and since Cameron left, partly because I’ve been too ashamed to sleep with a man who doesn’t know exactly how many men I’ve already been with in the past week, and partly because none of the men I’ve met have been remotely sandwich-worthy. Frankly, if a man is not someone I can imagine making a sandwich for upon request without gritting my teeth at the misogyny of it all, he’s simply not someone I can make a life with.

One slice down the center. I’ve always preferred rectangular halves to triangular ones. They’re easier to hold. I transfer my gift to my best-loved plate. The intense brown of the pumpernickel is inviting when juxtaposed with the gray-blue glaze of the stoneware. I’m regretting not having made two sandwiches, but if he is the kind of man I think he is, he’ll offer half to me without provocation.

Plate in hand. Here I go.

Holly Harrington

Bio: Holly Harrington is a longtime Red Roomer with a deep appreciation for fine bathrooms. A teacher by trade, she enjoys writing short fiction, children’s stories, stage plays, screenplays, tweets, Facebook statuses, blog posts, and photo captions, as well as the occasional e-mail to her mother.

http://heyheyholly.me/2012/08/26/flash-fiction-sandwiches/

Play a song. Change the world. September 2012.

Stage Time and Wine at the Red Room joins Playing for Change Day

Find our event here:

http://playingforchangeday.org/show/stage-time-and-wine–the-red-room

 

Summary by Ping Chu, July 2012

“Through quiet hearts and deep listening, in a room filled with immense positive and creative energy, we discover our similarity. The biases and misunderstanding come from ignorance and fear.
Red Room is a movement, reminding us that the deepest primordial human need is to feel connected and that in our infinite ignorance we are all equal.
Since 2009, Red Room has become an important part of our lives and I hope more people will discover Red Room. Leave the virtual world, turn off the phone, listen deeply, appreciate and support each other, and we find ourselves a member of this positive and creative ecosystem, where happiness can be easily attained.”
Ping Chu, Co-founder, Red Room

只有透過寧靜的心、深度的聆聽,並在巨大無所不在的正向創意能量中,我們一起發現我們原來是如此的相似,所有的偏見與誤解其實是來自我們的無知與恐懼。對我個人來講,『紅房』是一個社會運動,它提醒我們:「在我們最原始的內心需求中,我們是如此的互相連結、互相 依賴。畢竟在浩瀚的未知中,我們都是如此的平等。」
自2009年成立以來,『紅房』已經成為許多人生活中的一部分。真心希望有更多人能知道紅房、走出虛擬的社群、關掉手機、開始用心聆聽、互相欣賞、互相扶持,共同創造一個新的聚落、新的生態系統,讓更多人發現「更快樂」是可以如此的簡單。
朱平/共同創辦人

This magical event is created by whoever participates, with a new vibe each time. The energy is incredibly positive and supportive and even with a high percentage of newcomers each month, the intimacy and the magic never fades.

這充滿魔力的氛圍正是由每一位參與者們在分享的當下共同創造出的火花,它所產生的正面能量之強大,令人讚嘆。雖然每個月都有許多新朋友加入,紅房社群共享的這份親密感與魔力卻有增無減。

Photo by Red Roomers

RRRR at the Taipei Fringe Festival

The postcards are all over town; the press has been already touting the show. Only four weeks until the world premiere of Red Room Radio Redux’s play for the Taipei Fringe Festival. Get tickets at http://www.walkieticket.com/product.aspx?P1=0000001070
Rehearsals are about to get really busy and the company is starting to collect props and costumes.
There’s still time to get involved email ruth giordano <ruth.giordano@gmail.com> for more information.

https://www.facebook.com/TaipeiFringe

http://www.walkieticket.com/product.aspx?P1=0000001070

Andrew Chau, July 2012

Al Pacino Talks About Dishonesty

Cheat on your wife,
Call your mother on Mother’s Day.
Convince yourself with all your right,
That you do some form of real honesty.
Still, despite all the false tendencies
Convict yourself of petty crimes so that
Problem that you could never really solve
Weighs less on you, breath more will you now?
Forgive, make believe the lies of good
Deeds, of legacies and good wills, good Karma,
Good, good, good, yes please.
Make sure they’re there; make sure numbness subsides,
After.
Cheat on your husband,
Call your father on Father’s Day,
Forgive the little lies we hide under
The beds. Forget the promises made,
Under work, under moons, under the meadow,
In the shade, behind private-public faces.
To me, I am but a tab on you,
To you, you breathe rancid.
Morning dew on rot, is just wet rot.
Sharper the harpoons are, the speedier
We commit ourselves. Thicker the hide,
Double the gore, nimble with your toes,
And we still wish we had those roses
On our breasts, in our hair and vows.
Insert wise saying here, and
-Make it easy-
Shut yourself up, don’t listen.

Phew.

Andrew Chau
grandmothersidea.blogspot.tw

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Edward Chiang, July 2012

Dear Red Room,

I missed last month Red Room event, because I got the big change to visit San Francisco from my business trip, and attended Apple World Wide Developer Conference to stayed there over a week, and I use Twitter to save my moments of words. And I would like to share with you today.

  • Who is Edward Chiang? But you are Chiang Chung-Chuan! … After all, went to member service line to explained for the badge name.
  • Next to the Moscone South, waiting for the afternoon #Pilgrimage to #Cupertino. #WWDC
  • ShawnKing: Can’t sleep. Watching WWDC Keynote. Does any other tech company make “Thank You” videos that make grown men tear up? Remarkable.
  • There are heartwarming stories out there of what the combination of our incredible devices and your amazing apps have made in peoples lives.
  • The T-Shirt what people wear represented the past, right now, and the future. #WWDC
  • I left my bugs in San Francisco.
  • During #WWDC session break, my favorite DJ plays song is “Gotye – Somebody That I Used To Know.”
  • Fuel your body, feed your Mac. #WWDC

I want to thank you all Red Roomers for help building the international global world wide culture at the Red Room, been a Taiwanese like me to have a trip and to stay at the US never be so easy, because it’s just only need to read, speak, listen English like we do right here every month.

Best regards,
Edward Chiang

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Mark Caltonhill, June 2012

This month Mark (Malarkey) Caltonhill launched his sonnet challenge at Red Room

the idea is that the audience choose a place, an action and an object, and Mark has an hour (or so) to write a humorous sonnet using those words

they chose:
Timbuktu – trolling – dresser (bureau)

Sonnet

In this age, it’s hard to meet girls in life,
go’in on a date is like Russian roulette,
my last chance to find a potential wife
was probably best through the Internet;
I got invites from women far overseas,
in Sydney, and Moscow, and Timbuktu,
from ladies with all kinds of diseases,
and stories of hardship and bad luck too;
I suffered flaming and trolling and memes,
and people who just told lies for a lark,
finally everything is what it seems,
and I’m invited to 2-28 Park;
Where lines of men dressed as girls from head to toe,
in other words, a cross-dresser boy row.

not great art, but hopefully fun

text copyright Jiyue Publications 2012

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An Evening of Shakespeare

Red Room Radio Redux brings you

“An Evening of Shakespeare.”

Red Room Radio Redux is an offshoot of the Red Room and is designed to present great literature in a readers theater format.

The first production of Red Room Radio Redux is
“An Evening of Shakespeare.”

In Act One the audience is invited to consider Shakespeare as a man of the theater in love with the magic of words to tell a story and reveal character. Scenes from Hamlet, Henry the Fourth, Romeo and Juliet, and A Midsummer Night’s Dream demonstrate Shakespeare’s love of actors and acting.

Act Two is a stripped down version of Shakespeare’s Tragedy of Macbeth. The scene recreates a broadcast from the Golden Era of Radio Drama and demonstrates how Shakespeare’s words pull the audience into the action. This is a version of Macbeth played as a thriller.

Book your tickets now!!!!! Tickets available at http://www.walkieticket.com

For more information please visit rrrrtw@blogspot.com

Production and Art Direction: The Artistic Director of Red Room Radio Redux, Ruth Giordano, has decades of experience in all aspects of theater production. She also works in media in Taiwan, and this production will be her directing debut in Taipei. She has adapted several works of literature for the stage, most recently “AESOP’S FABLES,” which was produced in Williamstown, Mass., USA.

Ms. Giordano is being assisted by Katie Partlow, a theater artist who has directed and performed in numerous plays in Taiwan, in both Chinese and English, and is the artistic director of Solo Taiwan Theatre Company; and by Sarah Brooks, who teaches courses in drama and readers theater in the English department of National Taiwan Tech University, and previously worked as a journalist and freelance writer focusing on the performing and visual arts in Taiwan. The rest of the company is drawn from the Red Room community and includes members of Taipei Players, the city’s premiere English-speaking theater company, and faculty from schools and universities in the area.

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