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Year of the Snake, February 2014

“This 2013 Year of the Snake is meant for steady progress and attention to detail. Focus and discipline will be necessary for you to achieve what you set out to create.”

The year of the snake has certainly been a year of challenges, and I dare say we as the Red Room community have triumphed!
The movement towards open ears, open hearts, and opened channels has been the core of what 2013 has presented for us. With rapid growth in members to our monthly ST&W events, we have co-created a Stage Time event suitable for the younger generation. Stage Time & Juice is now in its fifth session and going strong, thanks in large part to the involvement of many enthusiastic parents from the Taipei Awesome Playgroup.

Red Room Radio Redux has taken a large step up to Edu-tainment as Ruth Giordano, Director Red Room Radio Redux, would say, as they enter the first Local Taiwanese high school performance venue for the adapted drama of A Christmas Carol by Charles Dickens.

Red Room Played for Change as we have annually in September, and celebrated our 48th event in November , reaching the 4 year mark. Among the longest standing bi-lingual spoken word events to receive steady contribution and support here in Taipei City.

A humble hub to mingle for both expats & locals alike, I implore you to join, scream, shout, dance, stretch, o just listen. Participate and support the movement towards making Taipei a more culturally enriched city in 2014!

Happy Year of the Horse!

Manav Mehta, Coordinator Red Room

(c) Copyright 2014 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of this publication. Thank you.

A brand new website for Red Room 介紹全新的紅房網站

Screen Shot 2013-07-16 at 12.24.37 PMRed Room has a new website www.redroom.com.tw. Our events have been developing at such a rate, each event needs space of its own in which to regenerate and evolve. Our old blog has been absorbed into this new website and it’s a clean new interface that allows you access to all of Red Room activities.

We have also created an online forum <http://www.redroom.com.tw/forums/> which you can join by registering on the site.  Use it to  share information about your own events and activities with the Red Room community. For those who just love to help the Red Room, please share your unique talents and skills with the Red Room community by signing in to volunteer http://www.redroom.com.tw/contact/. The Red Room is an open platform for new opportunities and expanding horizons and you are a vital part of this movement.

It is still a work in progress and as you continue to use it, it will continue to grow with you. We will keep refining it to fit all that you want it to be. Your input is valuable to us! We will welcome suggestions on how to make it more useful and functional. Drop us a line at red.room.taipei@gmail.com to share your ideas.

介紹全新的紅房網站

紅房擁有新的網站 (http://www.redroom.com.tw)。我們的活動發展的越來越有規模,每一個活動需要它自己的空間來再生及發展。我們的舊部落格已經整合進入這新的網站,且現在是更清爽新的界面讓您可以更方便瀏覽紅房活動資訊。

我們也建立了線上論壇 (http://www.redroom.com.tw/forums/) 請您註冊與加入。用它來跟紅房社群分享關於您自己的活動與進行計劃。給熱心想幫助紅房的朋友們,請麻煩您填寫志工名單 (http://www.redroom.com.tw/contact/) ,不吝告訴我們您獨特的專長和天分。

紅房是一個開放性的平台,擁有著最新的機會和廣大視野以及包含您,您是我們的重要一份子。紅房一直在成長,我們會變得您心中最美好的理想樣貌,而也需要您的一同協助成長。您的投入是我們的價值!我們非常歡迎任何建議讓它變得更系統化及更實際。歡迎捎個訊息分享點子給我們 red.room.taipei@gmail.com

Tim Nathan Joel – June 2013


RED READING RED

Dearest Red Room,

It’s been a painting since we last spoke. I trust you’re as healthy as ever

And getting accustomed to the freedom we seek.

My prose has been lacking, being away from you like this.

My painting on the other hand, is never without its purpose.

Feeling in the dark as it does, knowing the truth is out there.

What it feels suggests there is a roulette at play during all parts of our day.

Every now and then I take a risk and gamble,

Much to the dismay of Winston, Sophia, Loren and Mellow, (my dogs).

Like the night my motorbike rode me into a blossom tree.

Leaving me stunned on the ground then spinal tap bound.

An episode resulting in a true love found, (my nurse).

Tell me Red Room, with all one’s rehearsing, ranting, ravings and romanticizing.

What do those people in front of you, who so kindly un-shingle their chastised feet for you, have to say about where we are?

Is the enclosed writer free to read your mind? Does the view seem real to you?

What would you hear if we remain silent?

I am without a doubt a very naïve post modern expressionist by day

And a surreal impressionist by night.

A midnight toker, a self critical insomniac and a red wine prophet in need.

A thinker, a lover, a dreamer, a doer and a prover.

Am I talking to myself again or are you there with me?

A dead man once told me “Be accommodating to all those souls, but always allow time for your own.” Red to me is the colour of the soul.

It is that which flows throughout us and came from a place we have no fine knowledge of. Knowledge these days is over stated. It is tainted.

It is steered with its horns by invisible clutches.

It is a rooftop with no visible ledge. It is outside this space.

Red Room, you are coursing through all our veins. You are always here when we appear. We won’t forget to lend an ear. What we learn from you is nothing new.

We come here because of you.

And if every generation has its beat, then why wait for the stomp of feet.

Or the climate change to raise the heat.

Are we here to raise a glass?

Are we here to stop a farce? Are you the one to ask?

Should we treat your stage as our mask?

Is your wine table there to help us read our line?

All these questions are answered in time, and time is all it takes.

Once you’ve realized what time takes from you.

But back to the point and the point being sharp.

All the world is a stage and all in the world light up their rightful time.

Yet when the world whines not all of us hear in time.

Is this why when I need water all I want is wine?

Is it darkest just before the dawn? How would so many know,

Lost in their cities of polluted night.

Red Room, must we come here to be read?

What if I am blue and know not what to do?

What if I am green with envy?

What if my words have a silver lining?

What if my golden tongue knows no rest?

And if from darkness comes the light, then one’s truth must surely be revealed.

At which point, as a soul would state, there is no turning back.

There exists no choice.

Alive is felt once out of one’s hive.

There is more than one sky in which one must try.

Blake noted all men seeing life through narrow chinks of his cavern.

May we not let that happen.

The dead man is me, I just like projecting ahead.

And here resides my biggest clue to each and every red rumor of you.

By

J O E L

2 0 1 2

(c) Copyright 2013 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of this publication. Thank you.

Charlie Storrar, June 2013

A Letter to Nivea

The story of this poem dates back to 1997, when I returned home to my native Britain after a period of six months living and traveling in Austria, Switzerland and former Yugoslavia. While away I had used Nivea shampoo, mainly because it was inexpensive. I looked for it at home but Nivea in the UK seemed only to sell skincare products aimed at women. I decided to write to them to complain, and because I’ve found that a poem tends to brighten the day of often beleaguered customer service staff, I wrote them the following:

In recent times in Europe have I traveled,

Where many a fine adventure has unraveled.

I have sampled of the fare and dwelt among

Folks of the German, French and Slavic tongues.

Their culture and their customs are diverse,

Yet all agree that few things can be worse

Than the abuse, or the inadequate care

Of the strands that crown our heads – our hair!

O excellent mop! Thou glorious plume!

We all delight to wash and style and groom.

Though dead, you decorate and display.

I always wash you every other day.

 

Yet such is the fussy nature of today,

Confounded by the frightening array

Of haircare products – someone help!

I merely want clean hair and healthy scalp.

Not ‘Pantene protein penetrates profound’!

Wonderful! That on my travels then I found

Your Nivea brand! To my great delight,

Packaged in a stylish blue and white,

Classic yet simple, honest and demure,

And well-priced too – that instant I was sure

Here was a shampoo of a noble distraction,

Not just aloe, jojoba, or henna extraction.

And thus it proved – thereafter, months on end,

Nivea shampoo was my constant haircare friend.

 

Yet now to native climes do I return.

And now do native chemists cause concern.

Yea, though I seek and search the shopping strand,

Alas! No more, no more my favored brand!

Were I a lovely lady I would rub

Your lotions and your toners from a tub.

But no! Young man am I – as such

I cannot but spurn the glaze and silky touch

Of creams and salves and firm foundations.

It took no leave, yet vanished from this nation

Is your shampoo! Your products condition

But you have cast your head soap to perdition!

 

Please, kind sir, I feel I must insist:

Did you really feel that nobody would miss

Your fine shampoo? Am I doomed to delve

In dated crates or dig at backs of shelves

In hopeless quest that one day I might find

One bottle to ease my greasy hair and mind?

Dear sir, I find it hard to act my age

In the face of such a farce and gross outrage –

But to remove from sale your Nivea shampoo

Is more than just a sham – it’s poo!

(In response, Beiersdorf, which owns the Nivea brand, thanked me for my “charming” letter and confirmed my fears that Nivea shampoo was no longer available in the UK, though they were kind enough to enclose a bottle for my trouble.)

Charlie is from the UK and currently works as an editor in Taipei. He also hosts the comedy quiz show Charlie Storrar’s Death Panel. You can find him on Facebook or add him on Twitter @CharlieStorrar

(c) Copyright 2013 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of this publication. Thank you.

Reflections May 2013 – Ping Chu

rr44-pingEvery Red Room is different with special charm and surprises.

It was a magic night indeed.  So many people walked up to me and told me they simply could not believe this is happening in Taipei.

I was most gratified to see so many local young people joining us. One young college student majoring Business and Marketing shared his plans for a backpack trip with a purpose to remind people that we are so alike in so many ways so we should stop hating and start engaging.

The positive energy at Red Room is really contagious and I can see we are making Taiwan a better place to live.  Now, we have 50-50 for locals and international friends.  I think this is a great ratio.  There are so many young friends who are eager to expand their social life and want to learn English and connect with international friends.

(c) Copyright 2013 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of this publication. Thank you. 

Lulu Fogarty March 2013

lulu fogartyLulu Fogarty

Just friends doing friend things
Movies, dinner, museums, beer.
Summer in the city
Always scheming to have you near.
Neither wanting to make the first, the wrong move
Reading each other, stalking like lions on the planes,
I’m the queen of my jungle, baby, you wanna share the reins,
Be my king? Keeping our distance, patiently watching.
Your next step my permission to take one more, sidewinding, circling.
The plane’s tall grass provides protection—a scrim, a screen like our Nook spot’s got, listening to each other but not sure if we can trust what we see because, baby, you’re too good to be true.
How could this remarkable, smart, funny, sexy, ambitious person possibly be ready or willing to give himself to me, too?
So we wait.
Play the game a lil more.
Find more ways, places, things to do to fill our time with each other—
Sitting on kitchen counter tops of fake marble,
Cooking together, talking about the ways of the world, the fucked up shit, injustice, our passions—
we’re movers’n’shakers, kid, and if you stick with me, we can DO shit.
Maybe we both sensed this before we could put it into words.
Like, Damn, this could be different. You could be wonderful, you ARE wonderful. With you I could take this step, this trip, jump off the fucking precipice and never look back.
And since we both see that
It gets convoluted—we pollute it with pepperings of self-preservation
If I make this leap into my dream this time with this person, I might actually feel. This person could break my heart.
And so we meet again.
Neither of us sure if tonight will be the night that we’ll say something,
Like, I wanna let you know that I got a crush on you…
Both knowing it would be appropriate—we’ve already spent the entire day and night together and decide to get another beer—the fear of losing the other to the night too strong to play timid.
“So what is this?” You ask.
Sharing the corner booth, dark wood shining in the bar’s soft light… Christmas lights? candles? or just the dimmed setting of the overheads?
I can’t remember because you shined the brightest. Adrenaline of finally asking, finally being asked coursing through us, simultaneously activating and cancelling out the alcohol already in our veins.
Sighing sweet release, I say, “I’m glad you said something cuz I thought I was gonna have to.”
The gleam in your eye like a diamond but brighter, something I see in you every time you look at me.
And the pure adoration pouring my way proves that in this moment…If only for this moment, L’Engle’s wrinkle in time, I am the only one you see.
I grip your shoulders, guide them to the dark shining wood behind you, climb on top and kiss you, like, a kiss that would have the city spinning around us—exploring this new aspect with you with thorough care type shit.
But first you kiss me and I shy away, not one for PDA, “Who cares?” You say, “I just don’t want to be that girl making out at a bar on a Sunday night, OK?”
The spot’s closing down, it’s a nice night, I’m walking home. So you’ll walk with me until you catch a train.
Hands entwined, all but skipping, we set off, passing one, then two, then three train stations, until the only destination could be the crib,
you making some remark about the loudness of my boots attracting unwanted attention.
And at my gate, both of us do cartwheels inside, giddy with that out of body thing that comes with finally snagging the one that makes you shine.

Lux Music #1
31 Mar. 2013

(c) Copyright 2013 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of this publication. Thank you.

Mark Caltonhill – May 2013

Mark performed three new songs at the May Stage Time & Wine

“A Change in the Weather”, “Korean Beauty” and “Lettuce Legs Blues”

Mark is a vegetarian and recommends Taiwan as a good place for non-meat eaters. A while ago, he had a dream, however, in which his legs had turned into lettuces, and he was being chased down the street by a heard of hungry sheep. Naturally, being a poet, Mark wrote a poem about the experience, which he has recently turned into a song. Although it is not blues music, it does begin “When i woke up this morning … ” and has a sad ending.

When I woke up this morning, my legs had turned to lettuce,
completely green from my toes up to my belt-ish
that was alright, as I was feeling peckish
so I showered in vinaigrette, and ate salad for breakfast.

I opened a restaurant, called My Green World,
serving vegetarians from all over the Earth,
the leftovers I fed to packs of rabbits
from which I took wool and made alpaca jackets.

I had to take care though, when going out of doors,
else I’d be chased by herds of herbivores,
by cows and sheep and other animals,
and by long-haired drug-crazed hippy cannibals.

With my lettuce ankles and lettuce knees,
I have to hide my legs from Cantonese,
from Japanese politely saying “itadakimasu”,
and Koreans hoping to make a little kimchi at last.

A salad-mad French artist named Toulouse,
screamed “Je voudrais manger your bloody lett-ouse.”
while a gentle German afraid of getting fat
asked if he could buy “ein bission kopfsalat

With my lettuce stalk, sex can be quite hellish,
going from crisp to limp is a constant menace,
I still hope to find love, perhaps in Venice,
from a kinky Italian with a green-foot fetish.

Sometimes I hide my legs when I go on a date,
elsetimes, I just lean back and spread them on a plate,
nonchalantly saying to my sweetie,
“Darlin’, If you’re hungry, don’t wait, just eat me.”

At this point I finally awoke from my dream,
and from under the blankets, I heard a muffled scream,
“No, I won’t suck your toes, even doused in sauce,
in fact, get a lawyer, I want a divorce.”

The moral of this story, I’m sorry to say,
is that being a vegetarian, doesn’t always pay,
I kept the restaurant, but my wife got the rabbits,
which she cooked and ate, so there’ll be no more jackets.

Mark performs stand-up comedy and comic poetry and song under the names Mark Malarkey and 胡說馬克 at various locations around Taiwan. For more details refer to Mark Malarkey on Facebook at http://www.facebook.com/mark.malarkey.9

 

(c) Copyright 2013 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of this publication. Thank you. 

ST&W Sharing 3.16 – Angelica Oung

Angelica sang her original lyrics while accompanying herself on acoustic guitar.

 

St Christopher’s Tavern

At the end of the night, after working all day
Down on the pillow my head I would lay
But the day will soon come when I’ll rest in the ground
Before that day comes, let’s have one more round

There’s good folks you’ll find at St. Christopher’s tavern
Weary travelers too tired to go on
They tarry a while at St. Christopher’s tavern
For a drink, and a rest, because the next stop is home.

There I met an old man, looking tired to the bone
He had so many friends, but he’s here all alone
He said “No more bitter pills no more medicine cups”
“Give me kindness, give me comfort, my time’s almost up”

There’s good folks you’ll find at St. Christopher’s tavern
Weary travelers too tired to go on
They tarry a while at St. Christopher’s tavern
For a drink, and a rest, because the next stop is home.

Bury me in no coffin…lined in silk and lead
I’d like to burn to ashes, and fly ‘way instead
Bring me no roses, strangled in cellophane
my spirit will be dancing with the wind and the rain

There’s good folks you’ll find at St. Christopher’s tavern
Weary travelers too tired to go on
They tarry a while at St. Christopher’s tavern
For a drink, and rest, because the next stop is home.

 

(c) Copyright 2013 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of this publication. Thank you. 

Marc Anthony November 2012

rr37 marc anthony1WE NEED TO CONNECT
by Marc Anthony

I look at people.  You think that’s crazy of me?  It’s not.  Everybody does this.  We’re all looking at each other.  It’s a way of reaching out.  It’s a way of finding each other.  Looking.  Staring.  You say everything with the eyes.  And you connect.  Sometimes.  You look into someone’s eyes and they look back at you and you connect.  You know what I mean?  It’s as if you see someone and you could just fall in love with that person, or you could imagine that person being your greatest friend, or just someone to talk to, even if you talked to them for a few minutes and never saw them again.  You still connect.  And that feels good.

And this is going on everywhere. We’re all wandering around all over the map looking for each other.  Looking for someone.  Because, even in a great big, frightening place like New York, we still need to reach out.  We need to feel we can still do that and that we’re doing it for lovely reasons.

I have this friend who’s into all this New Age stuff, and you know what she told me?  She told me there are no accidental meetings.  That the people you’re connecting with are the people you’re supposed to be connecting with.  And the ones that look at you from across a crowded room are the ones you’re supposed to be seeing across a crowded room, like it’s some sort of affirming thing of each other’s existence.  She even said that people who accidentally bump into you on the street haven’t bumped into you accidentally, but that they were also connecting with you.  It’s like two magnets that can feel each other’s pull.

I never thought of it this way before.  I thought I was this lonely person who was trying to reach out like everyone else.  Now I realize it’s all tied up with my destiny.  So I figure I might as well take a more active role in all this.  I see someone.  I connect.  I follow through.  No matter what.  Unless they look a little crazy.  I mean, destiny is all one thing but, hey, this is New York.  You got to draw the line somewhere.

SAW YOU AT THE RIGOLETTO ON 2/28.
You were tall w/blond hair & camel hair coat.
I’m tall w/ dark hair & wore black leather jacket.
Our moment on the comer was far too brief.
Please call 212- 919-2347

 I was at this restaurant after work.  I was out with a friend.  Well, OK, not really a friend, but someone I had connected with.  We were talking but I wasn’t really listening.  I was looking.  You see, restaurants are great places to connect.  So while my friend was talking I was looking.

My friend was saying, “…so he calls me into his office and demands to know why I haven’t finished the research on the Admar account.  And I know all along this was a set up.  You know I told you before that this guy has it in for me?  Isn’t that what I once said?”

“It’s what you once said,” I said as I tried to get a clear view of someone at a back table.

“So I said to him: ‘I completed the research last week.  I put it on your desk last week,’ and he looks at me as if I was full of crap.  You know how he looks at you?  You know with that look?”
“Yeah, I know the look,” My eyes connected with the back table person.

This was my first vision of the person who looked into my eyes: you were putting a forkful of linguine con vongole in your mouth and a linguine noodle hung out and you laughed because you were embarrassed that I saw you with your noodle hanging out like that.

My friend continued… so I’m standing there in his office feeling like I have only underwear on, and all at once I think to myself, ‘life is too short.  I don’t have to put up with this bullshit.’ So you know what I told him?”

You were sitting with this other person, but that didn’t matter.  It felt like there was just you and me and no one else.

“So you know what I told him?  Hey, I’m talking to you!”
I shook my head as if being awakened from a beautiful dream. “What did you tell him?”
“I told him to stuff his goddamned report.  And then I walked out.  I can’t believe I did that.  I’ve never walked out on anyone before!” My friend rattled the table between us.  “Hey, you in there?”
“Huh?”
“I’m spilling out my guts telling you I just quit my job and you act like you don’t even care.  What is it with you?”
“Yeah, uh…Sorry.” I said attempting to pull my attention back.  “So you quit your job your job.  You must be hungry.  You want to order?” Isignaled for the waiter and looked in your direction once more.

You were trying not to look at me.  OK.  I could wait.  I had to time this just right.

The waiter showed up to take our order. “What do you got that’s fast?”

Watching you eat your spumoni, I tore through a salad and a side dish of spaghetti so that we were in a dead heat as we drank coffee.  And when you got up and passed by my table I was already putting on my jacket.  You looked at me and smiled.  I scrutinized you then followed you out.

You were standing at the corner.  Your friend was somewhere off looking for a taxi, I guess.

“Nice night,” I said.
“It’s warm for February,” you said.
“Nice restaurant,” I said.
“My friend likes Luigi’s on Amsterdam.  You know it?”
“Know it?  I practically live next to it.”
“Well, maybe I’ll see you there sometime.”
“Yeah.  Maybe you will.”

A car pulled up to the curb in front of us.  You walked over to it and threw a quick goodbye with your hand.

“When?” I cried out.  You looked out from the window, smiling, and made a gesture with your finger.  Was it ‘one’?  A one, I thought.  The first of March?  One o’clock tomorrow?

I turned to my friend who was standing against the building, arms crossed.

“Want to have lunch at Luigi’s tomorrow?”

————————————————————————————————-

You know those ads in the giveaway papers, the ones that you find on every street corner?  You know the ads in the back, the ones that say, ‘I saw you at such-and-such a place
and at such-and-such a time’?  Those are my ads.  Every one of them.  Well, nearly.  You see, I’m following through here.  If I’m supposed to be connecting with these people, then I want to put it out there that I’m following through and that they should call me.  I have about seven of these ads out there now.  I haven’t received too many calls.  OK, actually, I haven’t received any calls, yet.  But that doesn’t get me down.  I can be patient.  I mean, it’s not like I know their names and can say, “Hey, (person’s name), give me a call sometime and let’s connect.” It’s not going to happen overnight.  You know what I mean?

I have a friend who thinks I should just have little cards printed up and hand them out right there on the spot.  ‘Since, as you say, you’re supposed to be meeting these people, why don’t you just hand them your phone number?”

“But I just can’t do that,” I explain.  “It’s not effective.  I mean, if I just handed someone a card, they’d probably just toss it in the nearest trashcan soon as you’re out of sight.  At least the ads in the papers will last a week, if not longer.  And, who knows?  If only one person calls me out of twenty-seven, then that’s the person I’m supposed to be connecting with, and the others are just people I connected with once and affirmed their presence.”

————————————————————————————————-

The telephone rang.  I bolted out of bed and grabbed the receiver as the rest of phone fell to the floor with a crash.  Someone pounded on the ceiling below me.

“Hello?” I rasped.  There was no response, but I could hear someone breathing.  “Hello, damn it!” I barked, looking at my kitchen clock.  It was almost two-thirty in the morning.
“Is this 919-2347?” came a soft reply.
“Yeah.  Who the hell is this?”
“I saw your ad in the paper?”
“You did?  Which one?” I asked, waking up.
“The one that said to call you.”
“I know.  But which one?  When did I see you?”
“Don’t you remember?”
“Suppose you remind me?”
There was a silence at the other end of the line.
“You’re the one who placed the ad,” said the voice.  “Don’t you remember?” “Look, I have more than one ad.  You’re going to have to tell me which one.”

 DO YOU REMEMBER?
Downtown #1 train, Tues. 3/18 10:00PM.
You:dark red wool coat, black jeans, ‘Badz Maru’ backpack.  I sat
across, red cap.  You yawned, we smiled.  You got off at 50th.
I know what I want to say now!
Please call me: 212-919-2347.

 I was trying to act really cool.  I had this hat I got at the army surplus store.  It was from some army like India or Holland or somewhere like that.  Anyway, I was thinking that I must have looked pretty cool.  I saw you staring at me.  OK,  not really staring.  You were reading a book and kept giving me sidelong glances.  I looked at the book you were reading to see if I could make out the title.  I couldn’t see it but I guessed that you must be a student.  You had a backpack full of books and papers, and you wore horn-rimmed glasses.  You looked like a student.

I wondered if you noticed the hat.  I turned in the seat a little to face you straight on.  You looked at me for a second and then buried yourself back in your book.  Then you yawned.  It was just a little yawn.  You were trying to hold it back, which made me smile at you.  You saw that and it interrupted your yawn and caused you to smile back.

I was getting the feeling one gets when there’s a real connection being made.  I could feel my heart beating.  I felt a little rush in my head.  A glowing, numbing feeling crept up my spine.  I knew I had to make a connection with you here, and not in an ad.  I hadn’t expected this.  I’d already composed in my head what the ad would say.  I hadn’t prepared to say anything now.

You had closed the book and seemed to be looking out the window.  But I caught your reflection and saw that you were looking at me reflected in the window.

Say something now!  But what?  Should I invite you for coffee?  No, it’s too late for that.  Should I give you my phone number and ask you to call me?  I hate doing that.

I felt my throat tighten.  A slow, numbing panic took hold of me.  This was probably the connection of my life and I couldn’t even bring myself to look in your direction anymore.  I stared at the window looking at your reflection of you looking at my reflection.  I felt the train slow down as it approached 50th Street Station.  You got up.  I looked at you.  You looked back and smiled ruefully.

“Bye,” you said as you walked out.

The train passed you by as I looked after you.  You didn’t see me.  It must’ve been that hat.  I must’ve looked stupid in the hat.

SAT 3/28 14th St. IRT 7:30 PM I was going downtown, you up.
Tried to mime “going for coffee”.  Call me 212-919-2347

I was sitting at a side seat looking out the window.  I was sitting backwards so I could watch what passed.  The train was crowded with late commuters and early diners.  I kept looking out the window for someone.  I looked inside the train for someone.  Not anyone.  Certain ones.

The train came to 14th Street Station.  I saw you standing on the other side of the platform.

Hello?  I’m looking at you.  You looked in my general direction.  I pulled your gaze toward me with hope.  You saw me.  I looked at you directly, unsmiling, serious.  You nodded, I nodded.  I smiled, you smiled.  I pointed at you, then me, then tilted my hand up to my mouth, cup-like.  You mouthed the word, “What?” The warning bell sounded.  The doors closed.  I pointed at you again, then me, then held out one hand flat and made the drinking gesture again with the other.  The train lurched.  Someone reading a newspaper over me lost their balance and started to fall.  I reached up to prevent it.  By then the train was already passing out of the station.  I laid my face flush against the glass.  I saw you.  You had your back to me.  I plopped back against the seat.  Some person across from me still dressed in a business suit gave me a thin smile, perhaps timidly, as if offering a consolation prize.  I stretched my lips across my face in a flash of a smile.  Yes, I affirm your presence, but I choose who I want to meet, and when.  You shouldn’t have made the first move.   The train came into my station waking me from my future.  I pushed through the knot at the door and passed through the disembarking passengers along the platform.  Walking upstream, I watched the faces pass by.  Some of them looked back at me.’ Future friends some of them, some lovers perhaps, some possible psychos whom I will of course avoid connecting with.  I selected the ones I desired as they passed: Yes. No. No. No. No. Maybe.  Yes.  Yes!  I was looking at that moment into very deep blue eyes, which made me turn around and look back, but you didn’t.  OK, then.  No.

As I was unlocking the door to my apartment, I heard the phone ring.  I struggled with the second of three locks.  I jiggled the key and turned it, finally feeling the bolt slide.  Second ring.  I groped for the key to the third lock on my key ring.  Damn downtown hallways.  They’re dark as caves.  I found the key for the third lock.  Fifth ring.  Hurry, hurry.  Sixth ring.  I unlocked the third lock and burst into the door grabbing the phone in the corner of the tiny entryway.

“Hello?” The phone cradle slid off the phone books and crashed to the floor.  Someone pounded on the ceiling below me.  You’d think they’d be used to it by now.

“Hello”?
Nothing.
“Hello!”
Nothing.
“Are you there?”

Still nothing.  I picked up the phone off the floor and hung up the receiver.  I wasn’t worried.  You’d call back, whoever you were.  You’d call back because we need to connect.  You’d call back because, God knows, I really need you to call back.

It was late.  I unfolded my bed.  I made a cup of tea and sat in the dark waiting.  Yeah, we really need to connect, don’t we?

© Marc Anthony 2000

(c) Copyright 2012 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of this publication. Thank you.
 

 

Yu-Cheng November 2012

謝宇程 Hsieh, Yu-Cheng read his poem Goodnight Phone Call, accompanied by Ravel’s Piano Concerto in G major, the 2nd movement, adagio assai, Piano: Arturo Benedetti Michelangeli;Conductor: Sergio Celibidache

http://www.youtube.com/watch?v=ftJ-gJ-l5HQ

晚安電話

不必報告工作,
不必強調事業多少突破,
或者努力暗示自己多麼優秀。
也不必刻意問候,
是否過著快樂的生活,
近日旅行去了哪一國。
今天已默默渡過,
何必憑添膚淺的交流。

因為這通電話是道聲晚安,
可以一同安靜像是對看,
在窗台等待月光闌珊,
疼惜蠟燭已被寸寸燒短。
任思緒像理智一樣亂,
為今日留些些夢幻。
就抱著樂器輕輕彈,
聽你的氣息如同相擁臂彎。

不必故作輕鬆,
似乎一切變幻早已看空,
世界苦樂浮沉不必樣樣都懂。
也不必自我嘲諷,
掩藏有些明顯的惶恐。
不要再
別過頭輕視秋月春風,
丟棄海誓山盟,
或是麻木了歲月匆匆。

因為這是給你的晚安電話,
從夜空摘一朵花,請接受它,
就坦白地愚昧吧,我不覺察,
沒有發問也可以回答。
積累的憾恨任它石化,
一抿嘴都拋在天邊雲霞,
凝想,荒島岸聽浪淘沙,
遠方,虹彩從灰土裡發枝芽。

可以和今夜的雲一樣放鬆,
或是與深海一般地真空。
若是你與不堪的回憶狹路相逢,
讓我走進你入睡的第一個夢。

Note: We apologise for posting the English translation earlier. It was not an accurate translation. The poem has now been posted in its original version.
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