Reflections on Visual Dialogues, August 2016

In the last year we have had 10 Visual Dialogues in the Red Room International Village at TAF. Each show brought artists from different cultures and experiences to display art and share ideas. Art can be a window into another person’s culture and heart. It can also be a beautiful object on a shelf or hanging on the wall. The show openings bring together a cross section of friends, Red Roomers, art lovers and children. Art truly belongs to everyone and Visual Dialogues are an opportunity for artists of all media and experience to share their journey.

Visual Dialogues X, Balance

Visual Dialogues@the Red Room’s August show features Roma Mehta and David Pipkin. Their show is called “Balance,” and one can right away see why. Roma’s earthy tones and fluid brush strokes match with the tones and colours of David’s beautiful pottery. Each artist plays with the elements Earth, Fire, Wind and Water.
Roma uses words and colours to evoke these elements, and we feel at home looking and experiencing her work. With David’s approach to clay, one goes beyond seeing the earthen clay. Instead, one feels its texture with the eye, as well as the heat of the fire that was used to bake it.

“Balance” encourages the viewer to get in touch with the earth spirit within them.

This show will continue to run all through September, so if you missed it last month, come and feel the energy and open yourself up to the spirit.

To apply to show in Visual Dialogues, please go to our website to download the application form or use the link below:

By Constance Woods and Charles Haines
Coordinators for Visual Dialogues

7 August 2016, Visual Dialogues X @ Red Room


Visual Dialogues X @ Red Room
balance – 平衡

Visual Dialogue X will be an exploration of balance. David Pipkin’s works with clay and Roma Mehta’s works on paper create a dialogue with the five elements in a search for balance.
這次的藝術對話<玖>,將延伸探討 – 平衡。藉由David Pipkin與Roma Mehta的陶藝與文筆兩種形式,創造五行藝文對話,尋求兩者間的平衡。

Red Room is a multi-cultural, multi-generational space. Points of view are varied. We ask that the participants take this into consideration.

Opening Reception:
August 7th 2016 4-6 pm
Entry: Free

Show runs until 2 September 2016. 活動持續至2016年9月2日
Email us : with inquiries or for details.

David Pipkin


Born and raised in Oklahoma, where the wind comes sweeping down the plains, and….never a day is without red clay. I took my first ceramics class in Stillwater Oklahoma, the home of the OSU Aggies, while I was studying architecture and dodging Draft bullets. I was immediately hooked on the process of making pots; digging that often overlooked amazing red clay, processing it, my fingers learning to see and understand the differential pressures needed to mold and form objects, then comes the chemistry of the glazes, and finally the magic of smoke and fire. All aspects of making clay objects have always fit me like a glove.

After graduation I spent more time making pots or playing on sailboats, than working as an architect. Downturns in real estate always hit architects first, so when a downturn hit Oklahoma I was actually delighted to be laid off so I could focus on playing with clay. After spending the better part of a year being a fulltime potter, I to returned to architecture with an interesting job. Although making a living from pots is possible and the hard work was actually fun, I found I really did not like working alone and was happy to hang around the water fountain again. During the first 5 years out of school I had many exhibitions, won awards, and made the rounds of multiple craft fairs.

Fast forward 40 years, I have not regretted remaining in architecture as it has shown me the world. I have worked in Oklahoma, NY, LA then Taipei. I was always able to keep my hands in clay and look forward to spending more time with clay as I get older.

I consider myself a serious student of clay. Every place I have lived in has offered different types of clay with different work conditions. In Taiwan I was limited to electric kilns, which was not my first choice but I gradually learned to come to terms with it. Two years ago I decided I wanted to go back to gas-fired kilns and thanks to the help of a potter friend Jack Doherty, I managed to build a gas-fired ‘soda’ kiln on my roof. After 12 months of planning I built a 1 cubic meter beast of a kiln. I had built and fired many high temperature gas kilns but never a soda kiln.

Soda firing means taking the kiln up to a temperature of about 1200 C, then introducing bicarbonate of soda in liquid form, which interacts with the clay and slips in unexpected ways. The process is 10 times more difficult to control than normal gas firing. After my 5th firing, I now have a pretty good list of things not to do. Hopefully, after 5 more firings I will have a reasonable list of things to do. Firing a cubic meter soda kiln offers a physical challenge that I did not plan for. However it is all part of the learning process, and I expect to make pots until the day I die, if it doesn’t kill me first.


Roma Mehta

I grew up in Calcutta, a densely populated city where the entire spectrum of human experience was in plain sight everywhere you looked. From a very early age i found joy in art and painted every chance i got. It was a way to connect with my inner self and provided an escape from the sadness and misery around me. I could not fix what i saw, but i could create something beautiful.

I decided to study graphic design in college so that i could ensure a living while continuing to paint in my free time. Art and design merged as the years went by and became a way of seeing and understanding the world around me.

My art is a collection of episodes that afford glimpses into moments of clarity and have been essential in my journey.

Portraits, lines and shapes, energy, colours, all blend and become the lens through which I see the world. Art gives me the insights I need to understanding the world I have chosen to live in. India remains the vibrant inspiration, the chaos of my soul and my palette. It disturbs my senses and calls me to become involved. Taiwan brings order to the chaos of things beyond my control. Helps me linger longer in the creative space.

with the first brush stroke

the canvas becomes the master

and leads me through a spirit journey. 

i remain receptive as thoughts unscramble and a story unfolds on a living canvas.

inspired by the energy of india,

the spirit of taiwan,

the beauty of our planet,

the embrace of its people.

Artist Bio:

Roma Mehta is originally from India. A graphic designer, an artist, and a committed community member, she has made Taiwan her home since 1987.

Visual Dialogues 藝術對畫
between people, spaces and ideas
Two artists from different cultures with be featured in a monthly art show at the Red Room International Village, opening on the first Sunday of each month.

Tuesdays, Thursdays, Saturdays, Sundays 3pm-7pm
TAF LIBRARY 2F No. 177, Sec.1, Jianguo S. Rd, Taipei
空軍總部「圖書館」2樓 台北市大安區建國南路一段177號