Yu Cheng, December 2012

rr37 yucheng1Yu-ChengThis is a poetry version of O. Henry’s short story “The Gift of the Magi.” Among many Christmas stories, I love this one the most. It can be easily found on the internet. My poem is a salute to this great artistic work, as well as praise for this admirable way of love. A piece of music recommended along with the poem is Happy Xmas (War is Over); originally a song composed by John Lennon, revised by Jake Shimabukuro & Yo-Yo Ma. http://www.youtube.com/watch?v=xLpx-F8tEgw
 
巧妙禮物一枚一枚數銅板,
一元八毛七希望錯算,
曾為每分錢惹怒菜攤老闆。
跌入破沙發中哭喚,
神仙婆婆為何來晚?
已經在全鎮細細查探,
多想買個禮物送給摯愛的人;
而今正是佳節的夜晚,
多想給個驚喜讓他心頭溫暖。已經問過出納長官,
也求同事朋友幫忙周轉,
他們說這時局蕭條慘澹,
伸出援手實在困難。
在城中繞過一彎又一彎,
對著窗櫥興嘆。
多想買個禮物送給摯愛的人;
而今正是佳節的夜晚,
多想給個驚喜讓他心頭溫暖。灰白籬笆上走過灰白的貓,
甜蜜的心碎的淚還在嘴角。
他最珍愛的是一只懷錶,
從祖父數十年來的傳家寶。
懷錶的金面還明亮閃耀,
皮革的表帶卻已磨損舊老。
若能找到匹配的新鏈條,
他必定高興得歡呼跳躍。
但這樣的禮物少不了,
五六張大鈔,
餘下這半天到哪兒找?
瞥到鏡子想一秒,
這個計謀多苦澀多巧妙。

灰白的鴿子停落灰白的巢,
勇敢的膽怯的淚噙在眼角。
她一頭長髮最是美好,
烏亮似銀河襯在黑絨的布襖。
她美麗髮絲卻缺少映照,
只用棉繩草草纏繞。
若有精緻髮飾襯她美貌,
會教滿街男女妒嫉傾倒。
這樣的禮物少不了,
五六張大鈔,
用盡了方法仍然無著。
拿出懷錶看一秒,
這個方法多苦澀多巧妙。

走進陌生的店中坐下,
任刀鋒貼著頭剪髮,
咔喳咔喳咔喳,
跌落她自懂事以來的自誇,
微笑中淚珠滑過雙頰。

走進冰冷的店中坐下,
任老闆反覆翻看喊價,
「不賣去找別家」,
遞出他素舊衣裝唯一的豪華,
堅定地以顫抖的雙足邁步伐。

望向暗路等在門口的公主
忐忑的心跳得糊塗,
希望他喜愛這禮物,
嘲笑我傻並不苦。

 

走向門口王子踏著暗路,

糊塗的心跳得清楚,

希望她喜愛這禮物,

責我瘋病亦心足。

 

這聖誕夜不會忘懷,

髮飾仔細妝戴,

仙子也不似此般光彩。

這聖誕夜怎能忘懷,

腰間繫上空表帶,

皇袍相比較也顯灰白。

這寶貴的聖誕禮物無價購買,

置放千年也不會破敗。

 

這是兩個傻孩子的平淡故事,

乍看如此不智,

為了什麼犧牲與損失。

卻是這般傻事,

讓黑暗寒凍這人世,

成為光明溫暖動人的詩。

 

 
 
(c) Copyright 2012 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of this publication. Thank you.

Marc Anthony November 2012

rr37 marc anthony1WE NEED TO CONNECT
by Marc Anthony

I look at people.  You think that’s crazy of me?  It’s not.  Everybody does this.  We’re all looking at each other.  It’s a way of reaching out.  It’s a way of finding each other.  Looking.  Staring.  You say everything with the eyes.  And you connect.  Sometimes.  You look into someone’s eyes and they look back at you and you connect.  You know what I mean?  It’s as if you see someone and you could just fall in love with that person, or you could imagine that person being your greatest friend, or just someone to talk to, even if you talked to them for a few minutes and never saw them again.  You still connect.  And that feels good.

And this is going on everywhere. We’re all wandering around all over the map looking for each other.  Looking for someone.  Because, even in a great big, frightening place like New York, we still need to reach out.  We need to feel we can still do that and that we’re doing it for lovely reasons.

I have this friend who’s into all this New Age stuff, and you know what she told me?  She told me there are no accidental meetings.  That the people you’re connecting with are the people you’re supposed to be connecting with.  And the ones that look at you from across a crowded room are the ones you’re supposed to be seeing across a crowded room, like it’s some sort of affirming thing of each other’s existence.  She even said that people who accidentally bump into you on the street haven’t bumped into you accidentally, but that they were also connecting with you.  It’s like two magnets that can feel each other’s pull.

I never thought of it this way before.  I thought I was this lonely person who was trying to reach out like everyone else.  Now I realize it’s all tied up with my destiny.  So I figure I might as well take a more active role in all this.  I see someone.  I connect.  I follow through.  No matter what.  Unless they look a little crazy.  I mean, destiny is all one thing but, hey, this is New York.  You got to draw the line somewhere.

SAW YOU AT THE RIGOLETTO ON 2/28.
You were tall w/blond hair & camel hair coat.
I’m tall w/ dark hair & wore black leather jacket.
Our moment on the comer was far too brief.
Please call 212- 919-2347

 I was at this restaurant after work.  I was out with a friend.  Well, OK, not really a friend, but someone I had connected with.  We were talking but I wasn’t really listening.  I was looking.  You see, restaurants are great places to connect.  So while my friend was talking I was looking.

My friend was saying, “…so he calls me into his office and demands to know why I haven’t finished the research on the Admar account.  And I know all along this was a set up.  You know I told you before that this guy has it in for me?  Isn’t that what I once said?”

“It’s what you once said,” I said as I tried to get a clear view of someone at a back table.

“So I said to him: ‘I completed the research last week.  I put it on your desk last week,’ and he looks at me as if I was full of crap.  You know how he looks at you?  You know with that look?”
“Yeah, I know the look,” My eyes connected with the back table person.

This was my first vision of the person who looked into my eyes: you were putting a forkful of linguine con vongole in your mouth and a linguine noodle hung out and you laughed because you were embarrassed that I saw you with your noodle hanging out like that.

My friend continued… so I’m standing there in his office feeling like I have only underwear on, and all at once I think to myself, ‘life is too short.  I don’t have to put up with this bullshit.’ So you know what I told him?”

You were sitting with this other person, but that didn’t matter.  It felt like there was just you and me and no one else.

“So you know what I told him?  Hey, I’m talking to you!”
I shook my head as if being awakened from a beautiful dream. “What did you tell him?”
“I told him to stuff his goddamned report.  And then I walked out.  I can’t believe I did that.  I’ve never walked out on anyone before!” My friend rattled the table between us.  “Hey, you in there?”
“Huh?”
“I’m spilling out my guts telling you I just quit my job and you act like you don’t even care.  What is it with you?”
“Yeah, uh…Sorry.” I said attempting to pull my attention back.  “So you quit your job your job.  You must be hungry.  You want to order?” Isignaled for the waiter and looked in your direction once more.

You were trying not to look at me.  OK.  I could wait.  I had to time this just right.

The waiter showed up to take our order. “What do you got that’s fast?”

Watching you eat your spumoni, I tore through a salad and a side dish of spaghetti so that we were in a dead heat as we drank coffee.  And when you got up and passed by my table I was already putting on my jacket.  You looked at me and smiled.  I scrutinized you then followed you out.

You were standing at the corner.  Your friend was somewhere off looking for a taxi, I guess.

“Nice night,” I said.
“It’s warm for February,” you said.
“Nice restaurant,” I said.
“My friend likes Luigi’s on Amsterdam.  You know it?”
“Know it?  I practically live next to it.”
“Well, maybe I’ll see you there sometime.”
“Yeah.  Maybe you will.”

A car pulled up to the curb in front of us.  You walked over to it and threw a quick goodbye with your hand.

“When?” I cried out.  You looked out from the window, smiling, and made a gesture with your finger.  Was it ‘one’?  A one, I thought.  The first of March?  One o’clock tomorrow?

I turned to my friend who was standing against the building, arms crossed.

“Want to have lunch at Luigi’s tomorrow?”

————————————————————————————————-

You know those ads in the giveaway papers, the ones that you find on every street corner?  You know the ads in the back, the ones that say, ‘I saw you at such-and-such a place
and at such-and-such a time’?  Those are my ads.  Every one of them.  Well, nearly.  You see, I’m following through here.  If I’m supposed to be connecting with these people, then I want to put it out there that I’m following through and that they should call me.  I have about seven of these ads out there now.  I haven’t received too many calls.  OK, actually, I haven’t received any calls, yet.  But that doesn’t get me down.  I can be patient.  I mean, it’s not like I know their names and can say, “Hey, (person’s name), give me a call sometime and let’s connect.” It’s not going to happen overnight.  You know what I mean?

I have a friend who thinks I should just have little cards printed up and hand them out right there on the spot.  ‘Since, as you say, you’re supposed to be meeting these people, why don’t you just hand them your phone number?”

“But I just can’t do that,” I explain.  “It’s not effective.  I mean, if I just handed someone a card, they’d probably just toss it in the nearest trashcan soon as you’re out of sight.  At least the ads in the papers will last a week, if not longer.  And, who knows?  If only one person calls me out of twenty-seven, then that’s the person I’m supposed to be connecting with, and the others are just people I connected with once and affirmed their presence.”

————————————————————————————————-

The telephone rang.  I bolted out of bed and grabbed the receiver as the rest of phone fell to the floor with a crash.  Someone pounded on the ceiling below me.

“Hello?” I rasped.  There was no response, but I could hear someone breathing.  “Hello, damn it!” I barked, looking at my kitchen clock.  It was almost two-thirty in the morning.
“Is this 919-2347?” came a soft reply.
“Yeah.  Who the hell is this?”
“I saw your ad in the paper?”
“You did?  Which one?” I asked, waking up.
“The one that said to call you.”
“I know.  But which one?  When did I see you?”
“Don’t you remember?”
“Suppose you remind me?”
There was a silence at the other end of the line.
“You’re the one who placed the ad,” said the voice.  “Don’t you remember?” “Look, I have more than one ad.  You’re going to have to tell me which one.”

 DO YOU REMEMBER?
Downtown #1 train, Tues. 3/18 10:00PM.
You:dark red wool coat, black jeans, ‘Badz Maru’ backpack.  I sat
across, red cap.  You yawned, we smiled.  You got off at 50th.
I know what I want to say now!
Please call me: 212-919-2347.

 I was trying to act really cool.  I had this hat I got at the army surplus store.  It was from some army like India or Holland or somewhere like that.  Anyway, I was thinking that I must have looked pretty cool.  I saw you staring at me.  OK,  not really staring.  You were reading a book and kept giving me sidelong glances.  I looked at the book you were reading to see if I could make out the title.  I couldn’t see it but I guessed that you must be a student.  You had a backpack full of books and papers, and you wore horn-rimmed glasses.  You looked like a student.

I wondered if you noticed the hat.  I turned in the seat a little to face you straight on.  You looked at me for a second and then buried yourself back in your book.  Then you yawned.  It was just a little yawn.  You were trying to hold it back, which made me smile at you.  You saw that and it interrupted your yawn and caused you to smile back.

I was getting the feeling one gets when there’s a real connection being made.  I could feel my heart beating.  I felt a little rush in my head.  A glowing, numbing feeling crept up my spine.  I knew I had to make a connection with you here, and not in an ad.  I hadn’t expected this.  I’d already composed in my head what the ad would say.  I hadn’t prepared to say anything now.

You had closed the book and seemed to be looking out the window.  But I caught your reflection and saw that you were looking at me reflected in the window.

Say something now!  But what?  Should I invite you for coffee?  No, it’s too late for that.  Should I give you my phone number and ask you to call me?  I hate doing that.

I felt my throat tighten.  A slow, numbing panic took hold of me.  This was probably the connection of my life and I couldn’t even bring myself to look in your direction anymore.  I stared at the window looking at your reflection of you looking at my reflection.  I felt the train slow down as it approached 50th Street Station.  You got up.  I looked at you.  You looked back and smiled ruefully.

“Bye,” you said as you walked out.

The train passed you by as I looked after you.  You didn’t see me.  It must’ve been that hat.  I must’ve looked stupid in the hat.

SAT 3/28 14th St. IRT 7:30 PM I was going downtown, you up.
Tried to mime “going for coffee”.  Call me 212-919-2347

I was sitting at a side seat looking out the window.  I was sitting backwards so I could watch what passed.  The train was crowded with late commuters and early diners.  I kept looking out the window for someone.  I looked inside the train for someone.  Not anyone.  Certain ones.

The train came to 14th Street Station.  I saw you standing on the other side of the platform.

Hello?  I’m looking at you.  You looked in my general direction.  I pulled your gaze toward me with hope.  You saw me.  I looked at you directly, unsmiling, serious.  You nodded, I nodded.  I smiled, you smiled.  I pointed at you, then me, then tilted my hand up to my mouth, cup-like.  You mouthed the word, “What?” The warning bell sounded.  The doors closed.  I pointed at you again, then me, then held out one hand flat and made the drinking gesture again with the other.  The train lurched.  Someone reading a newspaper over me lost their balance and started to fall.  I reached up to prevent it.  By then the train was already passing out of the station.  I laid my face flush against the glass.  I saw you.  You had your back to me.  I plopped back against the seat.  Some person across from me still dressed in a business suit gave me a thin smile, perhaps timidly, as if offering a consolation prize.  I stretched my lips across my face in a flash of a smile.  Yes, I affirm your presence, but I choose who I want to meet, and when.  You shouldn’t have made the first move.   The train came into my station waking me from my future.  I pushed through the knot at the door and passed through the disembarking passengers along the platform.  Walking upstream, I watched the faces pass by.  Some of them looked back at me.’ Future friends some of them, some lovers perhaps, some possible psychos whom I will of course avoid connecting with.  I selected the ones I desired as they passed: Yes. No. No. No. No. Maybe.  Yes.  Yes!  I was looking at that moment into very deep blue eyes, which made me turn around and look back, but you didn’t.  OK, then.  No.

As I was unlocking the door to my apartment, I heard the phone ring.  I struggled with the second of three locks.  I jiggled the key and turned it, finally feeling the bolt slide.  Second ring.  I groped for the key to the third lock on my key ring.  Damn downtown hallways.  They’re dark as caves.  I found the key for the third lock.  Fifth ring.  Hurry, hurry.  Sixth ring.  I unlocked the third lock and burst into the door grabbing the phone in the corner of the tiny entryway.

“Hello?” The phone cradle slid off the phone books and crashed to the floor.  Someone pounded on the ceiling below me.  You’d think they’d be used to it by now.

“Hello”?
Nothing.
“Hello!”
Nothing.
“Are you there?”

Still nothing.  I picked up the phone off the floor and hung up the receiver.  I wasn’t worried.  You’d call back, whoever you were.  You’d call back because we need to connect.  You’d call back because, God knows, I really need you to call back.

It was late.  I unfolded my bed.  I made a cup of tea and sat in the dark waiting.  Yeah, we really need to connect, don’t we?

© Marc Anthony 2000

(c) Copyright 2012 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of this publication. Thank you.
 

 

Yu-Cheng November 2012

謝宇程 Hsieh, Yu-Cheng read his poem Goodnight Phone Call, accompanied by Ravel’s Piano Concerto in G major, the 2nd movement, adagio assai, Piano: Arturo Benedetti Michelangeli;Conductor: Sergio Celibidache

http://www.youtube.com/watch?v=ftJ-gJ-l5HQ

晚安電話

不必報告工作,
不必強調事業多少突破,
或者努力暗示自己多麼優秀。
也不必刻意問候,
是否過著快樂的生活,
近日旅行去了哪一國。
今天已默默渡過,
何必憑添膚淺的交流。

因為這通電話是道聲晚安,
可以一同安靜像是對看,
在窗台等待月光闌珊,
疼惜蠟燭已被寸寸燒短。
任思緒像理智一樣亂,
為今日留些些夢幻。
就抱著樂器輕輕彈,
聽你的氣息如同相擁臂彎。

不必故作輕鬆,
似乎一切變幻早已看空,
世界苦樂浮沉不必樣樣都懂。
也不必自我嘲諷,
掩藏有些明顯的惶恐。
不要再
別過頭輕視秋月春風,
丟棄海誓山盟,
或是麻木了歲月匆匆。

因為這是給你的晚安電話,
從夜空摘一朵花,請接受它,
就坦白地愚昧吧,我不覺察,
沒有發問也可以回答。
積累的憾恨任它石化,
一抿嘴都拋在天邊雲霞,
凝想,荒島岸聽浪淘沙,
遠方,虹彩從灰土裡發枝芽。

可以和今夜的雲一樣放鬆,
或是與深海一般地真空。
若是你與不堪的回憶狹路相逢,
讓我走進你入睡的第一個夢。

Note: We apologise for posting the English translation earlier. It was not an accurate translation. The poem has now been posted in its original version.
Read more

Mark Caltonhill November 2012

MC and HT at RR Nov 2012Stand-up comedian and poet Mark Caltonhill performed a selection of
poems inspired by his dog, Hutian, who also attended Red Room.

Included was his recent work, “If dogs wrote poetry”

If dogs wrote poetry,
no meandering iambic trot,
but galloping dactylic pace,
or else, we’ll do the spondee strut;
No host of golden daffodils,
but oak or elm each forty feet,
or lamppost, hydrant or park seat;
No odes to nightingales,
but rather, eulogies to rubbish dumps,
or as we call them, the long free lunch.

And
If dogs wrote intertextual verse,
we might quote from the boundless imagery of Keats,
but only so to rhyme with treats,
and likewise, Gysinesquely sample
the soulful fugues of Ms. Simone,
religious thoughts of Paul né Saul,
the communism espoused by Marx,
or merits of silent movies versus talkies,
but only so we might make mention
of bone and ball and parks and walkies.

And
If dogs wrote epic songs we would not,
sing of Norway’s Amundsen versus England’s Scott,
but instead, memorialize it as a victory,
of Greenland Husky over Siberian Pony;
If dogs wrote epicurean verse,
please, we beg you, no weasels going pop,
or blackbirds baked into a pie,
but warm, served raw, on tarmac plate;
And lastly,
if dogs are meant to write sonnets on love not hate,
why do you so thoughtlessly castrate?

(c) Copyright 2012 Red Room.  Material on this site is the property of contributing members of the Red Room Community. Please do not copy any part of this publication. Thank you.

Kevin Cox, October 2012

Red Room Poem

Listen

Do not be confused by what you see,
A white american male is far from what defines me.
Do not be tricked by rust that covers aging iron,
strength still holds sturdy in its changing ions.
Open your ears and drop your judgement,
there cannot be fear in hearing the following statement.
I am the brook that cannot be controlled,
the seed that buds and continues to grow.
I am the sand between your toes,
the waves that crash and the cool wind that blows.
I am the voice of your mother when you needed coddling, someone to hold,
I am the voice of your father when he was forced to be bold.
I am the tar that gives your wheels traction,
I am high-end fashion, loves action, and hearts satisfaction.
I am the song that beats in your head,
the sun that rises and the moon that shines while you’re in bed.
I am the pen that scribbles your thoughts to paper,
the dream of strength that makes you your savior.
I am the tree, the roots, the trunk, the limbs,
the air that moves to fill your lungs.
I am the mirror that reflects your smile, your hopes, your scars, your fears,
the goose bumps on your skin, and the compulsion to bring one near.
I am the light in the darkest night,
I am strength, courage, honor, wisdom, and might.
I am the shadow that hides,
I am weak, insecure, shy, wrong, and I cry.
I am the innocence of a child held within their smirk,
and your wine, your bottle, your label, and your cork.
I am a guitar and all of its strings,
a door bell letting you know someone is here, ding, ding.
I am everything and I am nothing,
I am together, I am alone and it’s crushing…
I am the chair that supports you when you feel ugly,
I am chocolate, sugar, snacks and the anger when you say don’t nudge me.
I am black, white, red, yellow, and brown,
I am the world, the continents, the country, the state, and the town.
I am pisces, virgo, sagittarius, cancer, scorpio, and all,
I am short, fat, thin, and tall.
Do not let your mind confuse, do not think these words not be true,
I know this is me because I know it is also you.

Read more

Mark Malarkey, October 2012

rr36-mark-cStand-up comedian and poet Mark Malarkey spoke about the attraction of learning guitar to a man facing mid-life crisis; read his poem “Rock and Roll Sex God”, discussed the pitfalls of Internet dating, and sang an original song. The lyrics follow.

Your Photo’s Beautiful Girl” (to the tune of Sean Kingston’s “Beautiful Girls”)

Rock ’n Roll,
Rhythm ’n Blues,
Twist ’n Shout,
Come on, come on, come on …
and move that thing about
let’s Groooooooooooove, Baby,
let’s get down and Funk It,
Skiffle, Skiffle, Groove, Groove, Funk it,
Rap, Twist, Rap, Twist, Shooooooooout out loud,
and then comesPunk
Cool’n’Easy,
Middle of the Road,
Country-style,
Gospel position,
Hardrockhard, Rock-hard, Rock-hard
Rock
Pop
Jazz
Soft Rock

“and now over to Radio Three for a Symphony by Snoozebert.”

I can perform live
or I can lipsynch,
I can play lead guitar, rhythm guitar, slide guitar,
and accompany myself with dulcet tones:
“And even when she was giving head
she said tkgawockadawaidsd”
I invite girls to my room to “check out my vinyl”,
I’ve got loooong players, extended players,
a huge collection of double A-sides,
I got Soul, Ska, Skiffle, ’n Funk,
Rap, Twist, Rap, Twist,
Shooooooooout out loud,
and then comesPunk
Hardrockhard, Rock-hard, Rock-hard
Rock
Pop
Jazz
Soft Rock

“and now over to Radio Three for some Opera with Flaccido Domingo”.

Mark Malarkey@Facebook Read more

Nicole Kangos, October 2012

rr36-nicoleParallel Shores

to the land of the beautiful,
the home of the brave:

A voice rises from these chains.
Strengthen your authority.
Define your lines,
as you let freedom flourish at the expense of your neighbor

the silence devastates her
and complicates the voyage
the sun flees from her cheeks
as twilight peaks

she breathes in a breath of uncertainty
and contemplates a home of fallacy
fevered with confusion,
society is marked by illusion

tousled between generations of division
implants of a national vision;
silver spoons in mouth and hand
the embodiment of the patriarchal land

can you define the beauty in ignorance?
and swallow personal responsibility
strip rights with every new policy
answer to “justice is a game”

Yet, you provide her with the ability to flee
to tread water to the faraway seas
she packs up white supremacy,
and unloads her secularity.

she lands as a living, breathing, form of hypocrisy

she arrives by night
wavering between modes of societies
wanders the streets without fright
and floats in the clouds auspiciously 

her spirit and soul,
dances in the company of ghosts.
as she embraces the dawn of the western horizon
and pays homage with a morning toast

she learns of oriental philosophies
and forgets duality
in a delicate balance of identities,
syncretism breeds equality

she channels the waves of civility to the island’s shores
the winds paralyze her as ‘that foreigner’
she pulls back the conspiracies
and hides in the face of academic responsibilities

her freedom is implored by context
in a land bought and sold, at best
and blooming with adversity
a lotus bred from the dust

her discontent travels from her heart to feet
rain floods over these streets,
she’s caught in a storm of complacency
a reminder of our congruency

the magnificence of the sky,
the extensions of orchids loom
the harmony of nature’s hum
the anticipation of a full moon

Afflicts us with no sensation,
a lantern illuminates an ugly light of these nations
learn to keep face, hold your tongue
because what’s left unsaid,
is left undone.

with love,

an old soul from parallel shores. Read more

Tai Mesches, October 2012

rr36-taiR.H.Y.M.E.

oh, hello R.H.Y.M.E., glad to see you’ve decided to join us
i can see from this list, you’ve booked an appointment
for coitus or pleasure? or for toyful measures?
my chest of poetic treasures is full of CAPITAL LETTERS
where ‘x’ marks the spot, imma drop my hip-hop
a big fat dollop of this mad man’s ink blots
pit stop for a piss ‘n’ reminisce of the minutes ‘n’ moments
twistin’ piff sticks so original, no way you’re able to clone it
holdin’ bold ink, in my grip, my rhymes swallows time
my mind writes ‘n’ hikes Mt. Olympus, ‘n’ leaps to the divine

great to see you again, my old friend, R.H.Y.M.E., it’s been too long
what made you go hibernate ‘n’ wait, we all thought you were gone
but all along you were here, in the back, sippin’ a beer
just waiting for the right blank page to call your name ‘n’ appear
clearly weary of hearing delirious wheels constantly turnin’
swervin’ curves furiously enough to make this page burn
blurry words bump back ‘n’ forth, slurs are nursed to health
verbatim is churned, chewed, stretched ‘n’ hurt til it’s truly earned its wealth
swelled by compassionate acts, with long-lasting effects
stacks of mad hatter flap jacks for break-fast

together again, friend, the best has yet to come
remember, R.H.Y.M.E., anytime, you are more than welcome
still spelling alphabets ‘n’ jigsaws, excelling at skippin’ the law
well-fed jester blurbs ‘n’ verses curled up as a ball
this slaw of silly drips hit rhythms that’ll whip you in shape
a creation made from the pen to the page, please, come have a taste

R.H.Y.M.E.,goodbye, we had a good time, please come back soon
i’m sure we’ll meet again sometime, probably right here, at the Red Room… Read more

Mark Darvill, October 2012

Original lyrics to two of Mark’s songs follow. The way he uses his guitar as a percussive instrument is not to be missed.

Minister of Scheming

I woke up sweating in a suitcase in the middle of the floor
Having spent half the night in the midst of verbal war
I picked apart the pieces of the evening, tried to figure it all out
Which involved sixteen false daydreams then slowly passing out
There’s no way to keep your head out of the fire
Sporadic Sunday evening drinking keeps it simmering awhile
If only to stare at your reflection for some time
Stay in tonight

When will we lay it to rest?
I’ve been slowly drinking until I can’t feel above my waist
Break through and I’ll make the last train
But our lips they move much faster when we’ve got something to gain

She went out cursing up a rumour in the middle of the bar
Which involved half the crowd and half the month of March
On the border between seasons thought she’d go the other way
As usual playing the victimised and leading us astray

There’s no way to do all you intended in a day
And what is more I made a deal with a healer way back who didn’t see it my way
So if only to stare at your reflection for a while
Avoid her gaze tonight
If there’s a way to keep your head free of fear
Then we’re alone together in the city so draw me close I wanna hear

Tonight stay in and avoid her gaze
And I’ll see you when the hills are concave

Ten’s Company

Out of the woods after a couple of weeks
Performing in your sleep
The nights are long and you’re ungrateful

We’ve got room at the inn for one more
Two if you don’t mind being on all fours
Sweat drips from all floors

It’s an age old situation
In unavoidable frustration
You were forced to drop bombs on this wasteland where I lie

There’s a trail of guilt between our legs we’re poised to recognise
In the time you spent in my back yard we were bound to collide
So I’ll try my best to regulate our six strings aside
It’s safe to say that I’ll be at the bottom of the pile
continued

Share a joke for a minute or two
I’ve had enough to smile true
Is this good enough for you?

And since we’re getting close to the end
And we’re losing all our friends
It’s high time for a shake and a bend

We marvel at the origins of apathy and fire
I’d rather be called a cynic than a cheater or a liar
We’ll battle through the wilderness connected by a wire
Yet all the while our heads are in the clouds or maybe higher Read more

Peter Giordano, October 2012

Peter Giordano at the red room march 2012

Peter Giordano at the red room march 2012

Peter Giordano used his stage time to share a response he wrote to a poem by WH Auden. First, he invited Taili Huang to read the Auden poem:

From TWO SONGS FOR HEDLI ANDERSON

Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.

Let aeroplanes circle moaning overhead
Scribbling on the sky the message He Is Dead,
Put crêpe bows round the white necks of the public
doves,
Let the traffic policemen wear black cotton gloves.

He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last for ever: I was wrong.

The stars are not wanted now: put out every one;
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood.
For nothing now can ever come to any good.

For Peter’s response, continue reading…

Wind up the clocks, answer that telephone,
And tease the dog to barking with a juicy bone,
Bang on the pianos and with big bass drum
Bring out the balloons, let the party come.

Let aeroplanes circle dancing up above
Scribbling on the sky the message She Is Love,
Put pink bows round the white necks of the public doves,
Let the traffic policemen wear polkadot gloves.

She is my Earth, my Wind, my Flame, my girl,
My weekend fun and my new found pearl,
My rosy dawn, my day, my talk, my song;
I thought that my love would never come: I was wrong.

The stars are what’s wanted now: light up every one;
Tickle the moon and dance with the sun;
Leap into the ocean, run naked in the wood.
For everything now, now and always, is all good.

Read more