Stage Time & Wine LXXXIX: May 2017

From Jimbo Clark, our MC for Stage Time & Wine LXXXIX

Number 89 went just fine.

From poems and tributes to Moms, to a little Shakespeare and an emotional monologue from “When a Man Loves a Woman,” the night was full of emotion, laughter and intimate sharing. On the musical side we had a first time Ukulele duo, and songs about Angels and “Whatever you want this song to be about,” and a moving sign language version of the song Flashlight. Magical moments moved the universe as we enjoyed giving and receiving the best of each other.

View the full album here:
Stage Time & Wine 89
“Hail Stage Time and Wine”

我發誓我很努力地想要想起來這次開場,主持人金箔帶領大家唱的健行歌,但卻怎麼想也想不起來了。

不過倒是確定紅緣寄詩酒沒有讓我失望過。
因為很神奇的是,每一次都不會如你預設,像是健達出奇蛋,讓人驚奇不斷。這次的是我想也想不起來的「健行歌舞」,我們一起像祈禱一樣圍圈跳很適合搭配唱著「哎呀伊呀喔」的舞蹈;還有開始的「主持人覺得現場氣氛需要更熱絡互動」,也就是我們跟身邊的人分享一則自己的好消息。於是我們知道身邊有人朋友要結婚,有人贏了一場球賽,有人要回國了。消息都不一樣,但臉上的笑容相同。

「沒有錄影,沒有世俗干擾,紅緣寄詩酒就像是一塊淨土,來欣賞你表演的是朋友是家人,表演者在上台前糾結的淡淡焦慮,我們想要保護這樣的感覺。」Manav那天在講到詩酒時,就像是他的孩子一樣。

「這次真的好好玩呀!」是這麼想的,但我沒說。
只是回家翻開行事曆,空下了下個月的第三個周六。

by 張悅安 YuehAn

Reflections 關於第88屆紅緣寄詩酒, May 2017

Reflections on Stage Time & Wine, 88th Edition.
Stage Time & Wine is a place to express yourself freely in any language or form, and remember that everyone is an artist.

關於第88屆紅緣寄詩酒

Stage Time and Wine 88

四月份的紅緣寄詩酒與昔日幾屆並沒有甚麼不同,也很不同。可以說它每次都那麼獨特,那麼不一樣。不僅每次都有新血加入,鼓起勇氣站上前去與大家分享,那些百花齊放的創作更是讓每次詩酒活動更上一層樓。
筆者參加過二三次詩酒,總是能見到百百種表演,熟面孔帶來的新意與新朋友激起的共鳴,台下觀眾時而專注時而放聲大笑,彼此因為欣賞與分享而模糊了界線,有時模糊視線,於此同時也因為「聆聽」這個動作更進一步地將表演者和聽眾的心凝聚在一起。
詩酒讓創作者能安全地表達自己,以任何語言,任何形式。也讓我們記住任何人,都是藝術家。

張悅安 YuehAn

Greetings and Salutations, May 2017

We have to say goodbye to one of the members of the core Red Room Team, as she and her family embark on another chapter in their life’s adventure story.
Whitney Zahar –

Came on the Red Room scene at the Fifth Anniversary celebration at Huashan Creative Park where she and her family enjoyed all there was to enjoy. “SWEET!” And since then, they just kept coming back for more. “COOLNESS!” Whitney has done so much more than simply attending Stage Time and Wine, Juice, ASIDE & R4. She’s been an active participant. Moreover, she has established a library in the Red Room space at TAF and she’s been the editor of this eNewsletter. “AWESOME!”

Caring, sharing and caring some more, Whitney Zahar, powered by positive thinking, seems willing to help wherever she can. That’s Whitney: awesome, sweet coolness. She will be missed by everyone on the Red Room team.

Thank you Whitney!

Greetings and Salutations, dear Readers,
Ruth Giordano, here, doing what I can to keep the monthly e-newsletter publishing.

As this is the first e-news I have edited in many years, I suppose it’s appropriate to introduce myself to those who do not know me. Briefly and as relates to Red Room:

I’m the Director of the Red Room Radio Redux, (R4) dedicated to bringing literature to life in the theatre of your imagination. Modelled after the radio drama of the ‘30s and ‘40s, performing artists collectively read aloud selections from great literature which have been adapted for radio drama: music and sound effects enhance the listeners’ experience. Over the past 5+ years, we have collected recordings as well as live show dates performing such classics as Macbeth, Treasure Island, Dracula, Dickens’ A Christmas Carol and more.

If you have not heard our work, go to www.icrt.com.tw/on_demand

“Post-Spectacular Atrophy Notes” May 2017

“Post-Spectacular Atrophy Notes”

In the late 1980s, Guy Debord wrote a book to reflect and expand on the ideas that were put forward in his acclaimed publication of 1967. He describes how the spectacle of society has contributed to the manufacture of “a present which wants to forget the past and no longer seems to believe in a future”. And he comments on how the integrated spectacle “has integrated itself into reality to the same extent as it was describing it, and that it was reconstructing it as it was describing it”. He boldly suggests that “The highest ambition of the integrated spectacle is to turn secret agents into revolutionaries and revolutionaries into secret agents”.

This was part of the inspiration behind the name Spectacular Atrophy — this idea that people collectively construct uninhabitable worlds and produce seductive illusions and mirages behind which is nothing but a void space. A drum sounds loud because it is empty.

An eponymous publication was released on the day of the event. It catalogues the collaborators, performers, exhibitors, and other contributors, binding together texts and images that trace much of what converged across divergent lines of flight. It’s just a book printed in black ink on white paper. It’s an appendage to the event proper. It’s non-required reading.

It could be referenced in the future, as if it were an artefact or an archive of what occurred. After all who were involved have passed away, it could even be read as an obituary — a sort of record that could be referenced in the writing of a history. In such a sense, its function might not be so different from that of a photograph document which makes sense of a scene or scape. Both publication and photograph capture and expose to produce a representation on a flat plane. Through its reproduction, the publication could form or transform a public, and might even deform one.

The point is that it’s possible no one there at that time was totally sure what it was all about, and surely in the future such facts will only fog over further. It’s not all too different from any other event that happens all at once and then immediately ceases to happen. These things happen all the time.

From Pipi Freestone

The Word from R4, May 2017

The Word from R4

Chimes at Midnight 042017

May 8, at the recording studio at ICRT FM100 the recording of the R4 adaptation of the Richard Connell short story: A Most Dangerous Game was completed. Adapted for radio drama by Ignatz Ratzkywatzky, read by R4 regulars Paul Batt (playing three roles) and Pat Woods (narrating and reading the main character), directed by Ruth Giordano and mastered by Liu Ping. It will soon be available for listening “On Demand” on the ICRT-FM100 website.

May 6, as part of the day-long event “Spectacular Atrophy”, R4 presented an original piece named “1984: A Sound Collage” utilizing sound clips of new music, old music, forest fire and war drums interspersed with excerpts from George Orwell’s novel read (live) aloud by (8) voice actors.

From Ruth Giordano

Reflections on Aside 15, May 2017

Challenges, Failures, Success… Is it possible to ever have one without the other? What do these words mean to different people? There are thousands of quotes on the internet from Sages, Scholars and other well-known people about this very thing.

Aside15 April 29 2017

When we see famous or successful people, we may think, “They’re so smart” or “They’re so lucky” or “Their life is so easy”. We don’t spend much time thinking about embarrassing flops, setbacks or changes of direction they might have experienced getting to where they are.

The theme of our last Aside 15 was Nightmare Challenges. Each of our 3 speakers had different areas of expertise, interests and life experiences. They shared with us their vulnerabilities, challenges and how they moved forward despite of them.

Starting the night off was Jet Wu 吳彥杰. In 2012, he started WeTogetherStudio 共玩創作, the first Stop-Motion Animation Company in Taiwan for TV and Advertisement. His team’s soon work won recognition and awards in many domestic and international film festivals. But life isn’t always so smooth. Jet talked about how changes in the economy/industry forced him to make difficult business decisions that did not align with ideals of his team. He shared the pain of how they left one by one and also how he got so badly conned by a businessman in Hong Kong. It was at one of his lowest points when he realized letting go of his ego was crucial to moving forward in providing for his family. His idea to incorporate education into his work is now finally reaping rewards. His company provides workshops for amateurs, children and retirees. He also distributes animation production software & curriculum to Taiwan’s educational institutions.

Faye Angevine, successful businesswoman and purveyor of fine antiques, was our next speaker. In fact, the lovely antiques that grace Red Room space are from her Bai Wen Collections. Having lived in Taiwan for more than 40 years, she’s had more than her share of ups and downs especially while doing business in China. Faye spoke about challenges related to 2 of her passions – antiques and animals. She shared a light hearted version of the nightmarish tour she had during an antique sourcing trip with the “Housewife Sallys”. Taking a group of western women into less civilized areas of China was wrought with incidents – which prompted a promise to herself never to do it again. Due to her love of animals, Faye has generously adopted and rescued many, many dogs over the years. Trying to create more awareness and compassion toward animals, getting Government regulations changed and raising funds to support animal welfare continues to be an uphill battle.

Everyone took a short break and got to sample Chef Zoe’s amazing offerings of fresh vegetarian bites. Citrus Herbs & Greens, Pumpkin Kaddo Bourani and Roasted Sweet Chili with Chocolate were both artistic and delicious.

Stephen Rong 榮忠豪 was the last speaker and rounded out our night. Starting with a serious health challenge during his teens to overcoming his mom’s objections about his decision to move to Taiwan and pursue a singing career in 2009, Stephen really impressed on me his motto of “Never give up”. Even when he was told he couldn’t sing, he wasn’t good looking enough and he’d never make it, Stephen continued to pursue his dream. At one point, he had only NT$500 left in his pocket after some he trusted stole all his money. He failed in winning singing competitions in Taiwan and Hong Kong; as a travel host, he was once abandoned in Malaysia with only $10 for food and there were many other nightmare examples in his life. After all these pitfalls, he picked himself back up, learned from his experiences and worked hard at improving himself in every way that he could. Stephen is finally living his dream. He has been in several commercials, film and stage productions; hosted TV shows and recently held his own concert.

As was shared during the evening, life is not always easy, it comes with twists and turns and bumps on the road. It’s wise to remember is that each challenge is a learning experience. Life can be quite amazing if you believe in yourself and persevere. It has certainly made me think about my life!

“Never give up. Today is hard, tomorrow will be worse but the day after tomorrow will be sunshine.” ~馬雲 Jack Ma

by Sharon Landon on ASIDE 15

SPECTACULAR ATROPHY

意象萎縮
SPECTACULAR ATROPHY
萎縮するイメージ

A constant barrage of information cascades across the screens we bring everywhere, so anywhere we go we can know what’s happening around us: all the updates, all the news, all the views of doom — that non-stop show, spastic, critical, monumental. We can hardly stop watching, can’t help but want to see what’s up. So we scroll down the feeds & streams of now where every ‘like’ counts. But nothing adds up. The LED light beams into our glazed-over eyes, always scanning the space of time, the ever-receding future horizon that never arrives.

Collectively we produce the mirages of worlds we’re unable to inhabit.

The word ‘spectacular’ can be used to describe a thing to behold, like an extraordinary exhibition, pageant, or show. I am shown a spectacle, at a distance, and I am entertained by it as long as I am comfortable in my role as spectator. I go to a market to buy what is available, and I am satisfied by my purchases as long as I am comfortable in my role as consumer. But I might not be so comfortable with the spectacular society or the commodity relation — because I read about its characteristics, or I realised it intuitively, or one day I just started feeling a heavy weight flattening all my desires beneath this shadow.

BEHIND EVERY SEDUCTIVE ILLUSION
A VOID SPACE

The great accumulation of spectacles has created this world where almost any experience or perception can be commodified. Even the critical perspective of the spectacle. Any real meaningful movement can be captured for representation, and any idea of what is real can be revealed as a fragment of a simulation, and all of this can just seem like a lot of mystic bullshit. ‘Che Guevara’ becomes a brand for cigarettes and ‘Bob Marley’ becomes a brand for marijuana — because revolution is just that word ‘revolution’ & its associated imagery.

The word ‘atrophy’ can be used to signify a decay specific to living matter, as in a biological process. When an organ goes unused or gets injured or falls ill, it often loses its functionality. It might even cripple a whole ecosystem. In terms of a social body, or a social network, I can imagine the atrophying of a dysfunctional node that sparks a decomposition of constituent parts, an unraveling out of control, spiralling inward from the system’s edges to its absent centre. Atrophy might be a catalyst for disruption of the flow of creative destruction, a glitch that spreads like mould.

IN EVERY RUPTURE
AN EXPOSURE

The words ‘spectacular atrophy’ are written to take note of how horrible civilisation can look in this phase of its development\decay and, more importantly, to give us a theme to reflect on as we create or engage with symbolic systems and worldviews. It begins with wondering what survives of us after we, who are now here, are no longer; what might remain of now after its representations waste away; how an organism dies to be reconstituted in different forms of life.

在電腦屏幕上那些現今社會下大量傾瀉的資訊被導向各處,所及之處我們可以在不停更新的新聞資訊、各種社群網站的推播更新之中試圖離析出發生在週遭的事件生成方式與他者的關係。
我們無法停止觀看與分析電腦屏幕中的光束,縱使知道一切徒勞、按讚無效,卻不停將一切影像拼貼成新的焦點、新的展示物象,但這一切結構化操作化現實化的情境,卻不是原物件本身而是眾多原物件分解重組後的擬象。

Event page

The March Hare, STJ April 2017

There is no predicting how a Stage Time and Juice show will come together. We usually start by throwing around themes that have to do with the month. Alliteration is always a plus. Sometimes we will approach someone to do some sort of activity or performance within the show, and we will build around that. The theming is not always central to the event, but on the occasion where the separate participants coalesce around it, magic begins to take place.

Let’s not feign total innocence with the selection of last month’s theme of “The March Hare”: we knew that Ruth Landowne Giordano had staged the Reader’s Theater production of “A Mad Tea Party,” Chapter 7 from Lewis Carroll’s Alice in Wonderland in the past. We had a sneaky feeling that if we dangled the title in front of her, she wouldn’t allow this opportunity to slide by. As it turns out, not only was Ruth game to revive it, but she wanted to update it with a twist: by incorporating some Juicers as readers. As she explained, “I think the addition of the children will make the production quite sweet.”

Once the decision of hosting a mad tea party had been set, we transformed the event into a British high tea by serving up scones made from KP Kitchen’s wonderful mix, decked out with clotted cream and jam. We also provided “Drink-Me” punch, a concoction whose recipe is known only to the alchemists of the Red Room. Unfortunately, the punch was a grand failure: none of the Juicers changed their shapes or sizes, although it may have had some contribution to transforming some of the guests into performers.

A few weeks before the event, we received a most unusual request: a mother was wondering whether she could hold a birthday party celebration at Juice. This gave us pause: we had never thought to combine our stage event with a private celebration. On the other hand, the temptation of holding a real birthday party within a staged tea party was too much of a temptation to resist. The Mad Hatter and the March Hare would have appreciated the flipping inside out of the situation. Once we had acquiesced, mom Nomita signed off with the curious remark: “I like this theme.”

Photo by Jean-Jacques Chen

It turns out she is an artist who sculpts in cake and fondant: she showed up with a remarkable stacked tower of a cake, covered with Alice in Wonderland motifs. It took her two days to shape and paint it. Needless to say, the Juicers demolished it in minutes. Unfortunately, that’s the way it goes with us: we know a good thing when we see it, and we consume it.

The show itself began with our open mic lineup. There were many first-time visitors on the stage, who tenuously shared poems and jokes. One boy performed a spectacular Indian dance, complete with cool dude sunglasses. Two siblings introduced a game, and invited audience members up on the stage to get slapped on the hand. Another sang a sad love ballad while she played the guitar. One girl played a musical piece on the keyboard.

Constance Woods tried to teach us how to dance the Pata-Pata in five minutes. Due to our failure to fully grasp the subtleties of her performance, she has agreed to return and get us all wash wiping and hopping in proper South African form in May.

The show ended with the performance of “A Mad Tea Party.” We were amazed at how polished the junior Juicers looked next to their talented R4 counterparts.

There is a link to the YouTube of the entire “A Mad Tea Party” performance and some footage and photos of this special event on our Stage Time and Juice Facebook page. Although it’s nice to look at pictures to try to understand what is going on, we heartily recommend that you to come to our events in person to experience for yourself the indescribable.

And that’s what you missed at Stage Time and Juice!

Carol Yao

The Word from R4, April – May 2017

Looking back…
Stage Time and Juice 22
Three young performers (under 10-yrs old) joined several over-thirties to sound out Chapter 7: “A Mad Tea Party” from the world-famous ALICE’S ADVENTURES IN WONDERLAND at Stage Time & Juice March 18.

Looking ahead…
Preparations continue for a reading of CHIMES at MIDNIGHT. CHIMES is based on an Orson Welles screenplay which follows the career of one of Shakespeare’s beloved fools, Sir John Falstaff through his (mis)-adventures in and around the lives of King Henry IV and V. We expect to read the script aloud in time for the Bard’s Birthday in late April.

Several projects are underway as I write:

I’m scheduled to return to the ICRT studio this week to complete post-production of our recording of A Most Dangerous Game, a short story by American writer Richard Connell. The story came out in 1924. It’s theme, man hunting man to the death, has been revisited in plays, movies, books and radio drama throughout the decades since its publication.

Our live reading of Chimes at Midnight was on the 20th of April, in time to celebrate the 453rd anniversary of Shakespeare’s birth (and, as legend has it, his death). Our script was adapted for us from the Orson Welles screenplay of the same name. The scenes are taken from several of Shakespeare’s plays, most notably Henry lV, parts 1 & 2. Throughout the play, we follow the career of Sir John Falstaff and his relationship with Prince Hal, heir to the throne of England.

R4 will represent itself at the up-coming Spectacular Atrophy event with a sound collage made up of materials drawn from George Orwell’s 1984. Several voices will read aloud and music will be incorporated to suit the mood.

Finally, preparations are underway to greet a new group of Stage Time and Juicers for fun with theatre games. We’ll be workshopping a new telling of a few episodes of the story of the Monkey King, drawn from the most recent translation of The Journey to the West.

Ruth Giordano

R4 News March 2017

STJ March Hare Rehearsal

Writing on 03/01/2017, R4 is currently preparing two separate presentations:
A MAD TEA PARTY and CHIMES AT MIDNIGHT

A MAD TEA PARTY is adapted from Alice in Wonderland Chapter 7 of the same name. We’re preparing to present at the March 18th Stage Time and Juice. The cast includes several children who played in our “Aesop’s and Other Tales” at the January ST&J: Brooke, Rachel, and Sabrina!

CHIMES AT MIDNIGHT is an adaptation of a screenplay of the same name. The R4 ReadAloud has been dedicated (for the months of March and April) to reading it aloud. We’re planning a party to share our reading in late April, just in time for William Shakespeare’s birthday.

Ruth Giordano